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New Orleans Funeral
A jazz funeral is a funeral procession accompanied by a brass band, in the tradition of New Orleans, Louisiana. History The term "jazz funeral" was long in use by observers from elsewhere, but was generally disdained as inappropriate by most New Orleans musicians and practitioners of the tradition. The preferred description was "funeral with music"; while jazz was part of the music played, it was not the primary focus of the ceremony. This reluctance to use the term faded significantly in the final 15 years or so of the 20th century among the younger generation of New Orleans brass band musicians more familiar with the post- Dirty Dozen Brass Band and Soul Rebels Brass Band funk influenced style than the older traditional New Orleans jazz. The tradition blends strong European and African cultural influences. Louisiana's colonial past gave it a tradition of military style brass bands which were called on for many occasions, including playing funeral processions. This w ...
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Funeral Procession
A funeral procession is a procession, usually in motor vehicles or by foot, from a funeral home or place of worship to the cemetery or crematorium. In earlier times the deceased was typically carried by male family members on a bier or in a coffin to the final resting place. This practice has shifted over time toward transporting the deceased in a hearse, while family and friends follow in their vehicles. The transition from the procession by foot to procession by car can be attributed to two main factors; the switch to burying or cremating the body at locations far from the funeral site and mainly the introduction of motorized vehicles and public transportation making processions by foot through the street no longer practical. Hinduism The Indian city of Banāras is knowns as the Great Cremation Ground because it contains Manikarnikā, the location where Hindu's bring the deceased for cremation. Manikarnikā is located in the center of the city along the Ganges River. The fune ...
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New Orleans Mardi Gras
The holiday of Mardi Gras is celebrated in all of Louisiana, including the city of New Orleans. Celebrations are concentrated for about two weeks before and through Shrove Tuesday, the day before Ash Wednesday (the start of lent in the Western Christian tradition). Usually there is one major parade each day (weather permitting); many days have several large parades. The largest and most elaborate parades take place the last five days of the Mardi Gras season. In the final week, many events occur throughout New Orleans and surrounding communities, including parades and balls (some of them masquerade balls). The parades in New Orleans are organized by social clubs known as krewes; most follow the same parade schedule and route each year. The earliest-established krewes were the Mistick Krewe of Comus, the earliest, Rex, the Knights of Momus and the Krewe of Proteus. Several modern "super krewes" are well known for holding large parades and events (often featuring celebrity gu ...
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Live And Let Die (film)
Live and Let Die may refer to: * ''Live and Let Die'' (novel), a James Bond novel by Ian Fleming ** ''Live and Let Die'' (film), a 1973 film starring Roger Moore *** ''Live and Let Die'' (video game), a video game *** ''Live and Let Die'' (soundtrack) *** "Live and Let Die" (song), a song by Paul McCartney and Wings from the film ** ''Live and Let Die'' (adventure), a 1984 module for the ''James Bond 007'' role-playing game * ''Live and Let Die'' (album), an album by Kool G Rap & DJ Polo See also * Live or Let Die (other) Live or Let Die may refer to: * '' To Live or Let Die'', a 1982 short documentary film * "Live or Let Die" (''CSI: NY''), an episode of ''CSI: NY'' See also * Live and Let Die (other) {{Disambig ... * Live and Let Live (other) {{disambiguation ...
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James Bond
The ''James Bond'' series focuses on a fictional British Secret Service agent created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short-story collections. Since Fleming's death in 1964, eight other authors have written authorised Bond novels or novelisations: Kingsley Amis, Christopher Wood, John Gardner, Raymond Benson, Sebastian Faulks, Jeffery Deaver, William Boyd, and Anthony Horowitz. The latest novel is ''With a Mind to Kill'' by Anthony Horowitz, published in May 2022. Additionally Charlie Higson wrote a series on a young James Bond, and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny. The character—also known by the code number 007 (pronounced "double-oh-seven")—has also been adapted for television, radio, comic strip, video games and film. The films are one of the longest continually running film series and have grossed over US$7.04 billion in total at the box office ...
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The Cincinnati Kid
''The Cincinnati Kid'' is a 1965 American drama film directed by Norman Jewison. It tells the story of Eric "The Kid" Stoner, a young Depression-era poker player, as he seeks to establish his reputation as the best. This quest leads him to challenge Lancey "The Man" Howard, an older player widely considered to be the best, culminating in a climactic final poker hand between the two. The script, adapted from Richard Jessup's novel of the same name, was written by Ring Lardner Jr. and Terry Southern; it was Lardner's first major studio work since his 1947 blacklisting as one of The Hollywood Ten. The film stars Steve McQueen in the title role and Edward G. Robinson as Howard. Director Jewison, who replaced Sam Peckinpah shortly after filming began, describes ''The Cincinnati Kid'' as his "ugly duckling" film. He considers it the film that allowed him to transition from the lighter comedic films he had previously been making and take on more serious films and subjects. The film ...
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Oh, Didn't He Ramble
"Oh, Didn't He Ramble" is a New Orleans jazz standard, copyrighted in 1902 by J. Rosamond Johnson, James Weldon Johnson, and Bob Cole. It is frequently used at the end of jazz funerals. Several sources trace its origins to the English folk song "The Derby Ram" ( Roud 126). In 1888, it was published as a work song from Texas, with the chorus "Didn't he ramble? Didn't he ramble? / Oh, he rambled till the butcher cut him down!". The chorus was then adapted by leading African American songwriters, the Johnson brothers and Cole, jointly credited as the songwriter "Will Handy" (but not associated with W. C. Handy), and published in 1902 as "Oh, Didn't He Ramble". It quickly became a standard in the repertoire of New Orleans jazz bands. In its originally copyrighted version, the song had seven verses, telling the story of Buster Beebe, whose adventures led him to a jail sentence and the loss of his money through gambling. However, the verses are now rarely performed.
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When The Saints Go Marching In
"When the Saints Go Marching In", often referred to as simply "The Saints", is a traditional black spiritual. It originated as a Christian hymn and is often played by jazz bands. This song was famously recorded on May 13, 1938, by Louis Armstrong and his orchestra. The song is sometimes confused with a similarly titled composition "When the Saints Are Marching In" from 1896 by Katharine Purvis (lyrics) and James Milton Black (music). Origins and usage The origins of this song are unclear. It apparently evolved in the early 1900s from a number of similarly titled gospel songs, including "When the Saints Are Marching In" (1896) and "When the Saints March In for Crowning" (1908). The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is "When All the Saints Come Marching In", the group sings the modern lyrics beginning with "When the saints go marching in". No author is shown on the label. Several ot ...
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Just A Closer Walk With Thee
"Just a Closer Walk with Thee" is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, "We walk by faith, not by sight" and James 4:8, "Come near to God and He will come near to you." History The precise author of "A Closer Walk" is unknown. Circumstantial evidence strongly suggested it dated back to southern African-American churches of the nineteenth century, possibly even prior to the Civil War, as some personal African American histories recall "slaves singing as they worked in the fields a song about walking by the Lord's side." Horace Boyer cites a story that repudiates this claim, stating, “On a train trip from Kansas City to Chicago, composer Kenneth ...
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Nearer My God To Thee
"Nearer, My God, to Thee" is a 19th-century Christian hymn by Sarah Flower Adams, which retells the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: "So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it..." The hymn is well known, among other uses, as the alleged last song the band on RMS ''Titanic'' played before the ship sank and was sung by the crew and passengers of the as it sank off the Canadian coast in 1906. Lyrics The lyrics to the hymn are as follows: :Nearer, my God, to Thee, nearer to Thee! :E'en though it be a cross that raiseth me; :Still all my song shall be nearer, my God, to Thee, ::Chorus: Nearer, my God, to Thee, nearer to Thee! :Though l ...
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Second Line (parades)
The second line is a tradition in parades organized by Social Aid and Pleasure Clubs (SAPCs) with brass band parades in New Orleans, Louisiana, United States. The "main line" or "first line" is the main section of the parade, or the members of the SAPC with the parading permit as well as the brass band. The second line consists of people who follow the band to enjoy the music, dance, and engage in community. The second line's style of traditional dance, in which participants dance and walk along with the SAPCs in a free-form style with parasols and handkerchiefs, is called "second-lining". It is one of the most foundationally Black American-retentive cultures in the United States. It has been called "the quintessential New Orleans art form – a jazz funeral without a body". Another significant difference from jazz funerals is that second line parades lack the slow hymns and dirges played at funerals (although some organizations may have the band play a solemn selection towar ...
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Swing (jazz Performance Style)
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". It is also known as shuffle. The term swing, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs ...
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