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Neptune And Triton (Bernini)
''Neptune and Triton'' is an early sculpture by the Italian artist Gian Lorenzo Bernini. It is housed in the Victoria and Albert Museum of London and was executed c. 1622–1623. Carved from marble, it stands 182.2 cm (71.7 in) in height. History The marble sculpture group was originally commissioned by Cardinal Alessandro Damascenti-Peretti Montalto in 1620, and executed March 1622 to February 1623, serving as a fountain to decorate the pond in the garden of his Villa Peretti Montalto on the Viminal Hill in Rome. The group was placed in the pre-existing oval pool (called the Peschiera or Peschierone), designed by Domenico Fontana in 1579–81. It was purchased by the Englishman Thomas Jenkins in 1786, from whom it was purchased later that year by the painter Joshua Reynolds. The work had been called "Neptune and Glaucus" following Filippo Baldinucci's biography of the artist, but appears as "Nettvno, e Tritone" in Domenico de' Rossi's engraving (1704), and also later c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triton (mythology)
Triton (; grc-gre, Τρίτων, Trítōn) is a Greek mythology, Greek god of the sea, the son of Poseidon and Amphitrite, god and goddess of the sea respectively. Triton lived with his parents in a golden palace on the bottom of the sea. Later he is often depicted as having a conch shell he would blow like a trumpet. Triton is usually represented as a merman, with the upper body of a human and the tailed lower body of a fish. At some time during the Greek and Roman era, Triton(s) became a generic term for a merman (mermen) in art and literature. In English literature, Triton is portrayed as the messenger or herald for the god Poseidon. Triton of Lake Tritonis of ancient Libya is a namesake mythical figure that appeared and aided the Argonauts. Moreover, according to Apollonius Rhodius, he married the Oceanids, Oceanid of said region, Libya (Greek myth), Libya. Sea god Triton was the son of Poseidon and Amphitrite according to Hesiod's ''Theogony''. He was the ruler (possesso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of The Victoria And Albert Museum
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1620s Sculptures
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Gian Lorenzo Bernini
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his .... The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in ''Gian Lorenzo Bernini: The Sculptor of the Roman Baroque''. Works Notes References * * * * * * * * Further reading * * * * External links Web Gallery of ArtMap Showing the Location of Bernini's Works in Rome {{DEFAULTSORT:List Of Works By Gian Lorenzo Bernini Bernini Bernini Works by Gian Lorenzo Bernini Lists of sculptures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontana Del Tritone, Rome
Fontana del Tritone (''Triton Fountain'') is a seventeenth-century fountain in Rome, by the Baroque sculptor Gian Lorenzo Bernini. Commissioned by his patron, Pope Urban VIII, the fountain is located in the Piazza Barberini, near the entrance to the Palazzo Barberini (which now houses the Galleria Nazionale d'Arte Antica) that Bernini helped to design and construct for the Barberini, Urban's family. This fountain should be distinguished from the nearby ''Fontana dei Tritoni'' (Fountain of the Tritons) by Carlo Francesco Bizzaccheri in Piazza Bocca della Verità which features two Tritons. Description The fountain was executed in travertine in 1642–43. At its centre rises a larger than lifesize muscular Triton, a minor sea god of ancient Greco-Roman legend, depicted as a merman kneeling on the sum of four dolphin tailfins. His head is thrown back and his arms raise a conch to his lips; from it a jet of water spurts, formerly rising dramatically higher than it does toda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosemary Barrow
Rosemary Julia Barrow (9 April 1968 – 21 September 2016) was an art historian who specialised in classical themes in Victorian art and the painting of Lawrence Alma-Tadema in particular, whose reputation she attempted to restore. Early life and education Rosemary Barrow was born on 9 April 1968 in Skewen, south Wales, to Graham Barrow, a medical practitioner, and Jean Barrow, a housewife. Her father died when Rosemary was 18 months old and her mother remarried, to Antony Lewis who brought Rosemary up as his own child. She had two older siblings. Rosemary was educated first at a convent and from 16 at a local comprehensive school and received her B.A from the University of Leicester."Rosemary Barrow", ''The Times'', 3 December 2016, pp. 84–85. She then completed her PhD at King's College London in 1999 with a thesis on the subject of ''British classical-subject painting 1860–1910''. Career Barrow first lectured at the University of Bristol, where she was a Faculty of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Pope-Hennessy
Sir John Wyndham Pope-Hennessy (13 December 1913 – 31 October 1994), was a British art historian. Pope-Hennessy was Director of the Victoria and Albert Museum between 1967 and 1973, and Director of the British Museum between 1974 and 1976. He was a scholar of Italian Renaissance art. Many of his writings, including the tripartite ''Introduction to Italian Sculpture,'' and his magnum opus, ''Donatello: Sculptor'', are regarded as classics in the field. Early years Born into an Irish Catholic family in the Belgravia district of Central London, Pope-Hennesssy's father was Major-General Richard Pope-Hennessy, who was the son of the politician John Pope Hennessy. Pope Hennessy's mother was Dame Una Pope-Hennessy. He was the elder of two sons; his younger brother, James Pope-Hennessy was a noted writer. Pope-Hennessy was educated at Downside School, a Catholic boarding school for boys, in Stratton-on-the-Fosse. He then went on to Balliol College at the University of Oxford, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Wittkower
Rudolf Wittkower (22 June 1901 – 11 October 1971) was a British art historian specializing in Italian Renaissance and Baroque art and architecture, who spent much of his career in London, but was educated in Germany, and later moved to the United States. Despite having a British father who stayed in Germany after his studies, he was born and raised in Berlin. Early life Wittkower was born in Berlin to Henry Wittkower (1865–1942) and Gertrude Ansbach (Wittkower) (1876–1965). Career Rudolf Wittkower moved to London in 1933 with his wife Margot Holzmann because they were both Jewish and were fleeing Nazi Germany. He taught at the Warburg Institute, University of London from 1934 to 1956, was appointed Durning Lawrence professor at the Slade School of Fine Art, University College, London in 1949 and then moved to the United States to work at Columbia University from 1956 to 1969 where he was chairman of the Department of Art History and Archaeology. Among Wittkower's books w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Negative Space
Negative space, in art, is the empty space around and between the subject(s) of an image. Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and such space occasionally is used to artistic effect as the "real" subject of an image. Overview The use of negative space is a key element of artistic composition. The Japanese word " ma" is sometimes used for this concept, for example in garden design. In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space. In a two-tone, black-and-white image, a subject is normally depicted in black and the space around it is left blank (white), thereby forming a silhouette of the subject. Reversing the tones so that the space around the subject is printed black and the subject itself is left blank, however, causes the negative space to be apparent as it fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socle (architecture)
In architecture, a socle is a short plinth used to support a pedestal, sculpture, or column. In English, the term tends to be most used for the bases for rather small sculptures, with plinth or pedestal preferred for larger examples. This is not the case in French. In the field of archaeology this term refers to a wall base, frequently of stone, that supports the upper part of the wall, which is made of a different material – frequently mudbrick. This was a typical building practice in ancient Greece, resulting in the frequent preservation of the plans of ancient buildings only in their stone-built lower walls, as at the city of Olynthos.Maher, Matthew P, ''The Fortifications of Arkadian City States in the Classical and Hellenistic Periods'', p. 36, 2017, Oxford University Press, , 9780191090202google books/ref> A very early example is the two-storey fortified House of the Tiles at Lerna in the Peloponnese, built of mud-brick over a stone socle, with much use of wood, and cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trident
A trident is a three- pronged spear. It is used for spear fishing and historically as a polearm. The trident is the weapon of Poseidon, or Neptune, the God of the Sea in classical mythology. The trident may occasionally be held by other marine divinities such as Tritons in classical art. Tridents are also depicted in medieval heraldry, sometimes held by a merman-Triton. In Hinduism, it is the weapon of Shiva, known as ''trishula'' (Sanskrit for "triple-spear"). Etymology The word "trident" comes from the French word ''trident'', which in turn comes from the Latin word ' or ': ''tri'' meaning "three" and ''dentes'' meaning "teeth", referring specifically to the three prongs, or "teeth", of the weapo The Greek language, Greek equivalent is (''tríaina''), from Proto-Greek ''trianja'', meaning "threefold". The Greek term does not imply three of anything specific, and is vague about the shape, thus the assumption it was originally of "trident" form has been challenged. Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
