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Neptune's Trident
The trident of Poseidon and his Roman equivalent, Neptune, has been their traditional divine attribute in many ancient depictions. Poseidon's trident was crafted by the Cyclopes. Myths In Greek mythology, Poseidon's trident was forged by the cyclopes according to Pseudo-Apollodorus's ''Bibliotheke''. Poseidon wields his trident on a number of occasions. He used his trident to strike a rock upon the hill of the Acropolis, producing a well of seawater, in what developed into a contest between him and Athena over possession of Attica. When he lost, Poseidon used the trident to dry out the land so they had no water. The well was later to be called the Erechtheis. There is further myth that Poseidon (Neptune) produced a horse by striking the earth with the trident, in order to bolster his claim, but there is no attestation for this among Greek writers., 2:79 and note 2. The alleged trident print on a rock and the sea well within the Erechtheion were witnessed by the geog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poseidon Penteskouphia Louvre CA452
Poseidon (; grc-gre, Ποσειδῶν) was one of the Twelve Olympians in ancient Greek religion and myth, god of the sea, storms, earthquakes and horses.Burkert 1985pp. 136–139 In pre-Olympian Bronze Age Greece, he was venerated as a chief deity at Pylos and Thebes. He also had the cult title "earth shaker". In the myths of isolated Arcadia he is related with Demeter and Persephone and he was venerated as a horse, however, it seems that he was originally a god of the waters.Seneca quaest. Nat. VI 6 :Nilsson Vol I p.450 He is often regarded as the tamer or father of horses, and with a strike of his trident, he created springs which are related to the word horse.Nilsson Vol I p.450 His Roman equivalent is Neptune. Poseidon was the protector of seafarers, and of many Hellenic cities and colonies. Homer and Hesiod suggest that Poseidon became lord of the sea when, following the overthrow of his father Cronus, the world was divided by lot among Cronus' three sons; Zeus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Description Of Greece
Pausanias ( /pɔːˈseɪniəs/; grc-gre, Παυσανίας; c. 110 – c. 180) was a Greek traveler and geographer of the second century AD. He is famous for his ''Description of Greece'' (, ), a lengthy work that describes ancient Greece from his firsthand observations. ''Description of Greece'' provides crucial information for making links between classical literature and modern archaeology. Biography Not much is known about Pausanias apart from what historians can piece together from his own writing. However, it is mostly certain that he was born c. 110 AD into a Greek family and was probably a native of Lydia in Asia Minor. From c. 150 until his death in 180, Pausanias travelled through the mainland of Greece, writing about various monuments, sacred spaces, and significant geographical sites along the way. In writing ''Description of Greece'', Pausanias sought to put together a lasting written account of "all things Greek", or ''panta ta hellenika''. Living in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Graves
Captain Robert von Ranke Graves (24 July 1895 – 7 December 1985) was a British poet, historical novelist and critic. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology. Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—''Good-Bye to All That'', and his speculative study of poetic inspiration ''The White Goddess'' have never been out of print. He is also a renowned short story writer, with stories such as "The Tenement" still being popular today. He earned his living from writing, particularly popular historical novels such as ''I, Claudius''; '' King Jesus''; ''The Golden Fleece''; and ''Count Belisarius''. He also was a prominent translator of Classical Latin and Ancient Greek texts; his versions of ''The Twelve Caesars'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wieseler
Friedrich Wieseler (19 October 1811, in Altencelle – 3 December 1892, in Göttingen) was a German classical archaeologist and philologist. He studied classical philology at the University of Göttingen, where he was a disciple of Karl Otfried Müller (1797-1840). Afterwards, he lived as a private scholar in Berlin, where he attended lectures by August Boeckh (1785-1867). In 1837 he received his doctorate from the University of Jena, later becoming an associate professor at Göttingen (1842). Here, he also served as a supervisor of the archaeological and numismatic collections. In 1854 he became a full professor, and from 1869, he was a member of the Göttingen Academy of Sciences. Writings Wieseler was the author of well-regarded works on ancient Greek and Roman theatre, as well as papers involving figures from classical mythology. In the field of archaeology, he continued Muller's ''Denkmäler der alten Kunst'' ("Monuments of ancient art"). * ''Ueber die Thymele des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurus Servius Honoratus
Servius was a late fourth-century and early fifth-century grammarian. He earned a contemporary reputation as the most learned man of his generation in Italy; he authored a set of commentaries on the works of Virgil. These works, ''In tria Virgilii Opera Expositio'', constituted the first incunable to be printed at Florence, by Bernardo Cennini, in 1471. In the ''Saturnalia'' of Macrobius, Servius appears as one of the interlocutors; allusions in that work and a letter from Symmachus to Servius indicate that he was not a convert to Christianity. Commentary on Virgil The commentary on Virgil ( la, In Vergilii Aeneidem commentarii) survives in two distinct manuscript traditions. The first is a comparatively short commentary, attributed to Servius in the superscription in the manuscripts and by other internal evidence. The second class derive from the 10th and 11th centuries, embed the same text in a much expanded commentary. The copious additions are in contrasting style t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatican Mythographer
The so-called Vatican Mythographers ( la, Mythographi Vaticani) are the anonymous authors of three Latin mythographical texts found together in a single medieval manuscript, Vatican Reg. lat. 1401. The name is that used by Angelo Mai when he published the first edition of the works in 1831. The text of the First Vatican Mythographer is found only in the Vatican manuscript; the second and third texts are found separately in other manuscripts, leading scholars to refer to a Second Vatican Mythographer and a Third Vatican Mythographer. Content Taken together, the works of the Vatican Mythographers provided a source-book of Greek and Roman myths and their iconography throughout the Middle Ages and the Renaissance. The texts, which were being copied in manuscripts as late as the 15th century, were parsed allegorically to provide Christianized moral and theological implications, "until in time the pagan divinities blossomed into full-fledged vices and virtues". Their '' testimonia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polybotes
In Greek mythology, Polybotes () ( grc-gre, Πολυβώτης) was one of the Giants, the offspring of Gaia (Earth), and Uranus (Sky). He fought Poseidon during the Gigantomachy, the war between the Giants and the gods. Mythology Polybotes was one of the Gigantes ( Giants), the offspring of Gaia, born from the blood that fell when Uranus was castrated by their son Cronus. According to the mythographer Apollodorus, during the Gigantomachy, the cosmic battle of the Giants with the Olympian gods, Polybotes was crushed under Nisyros, a piece of the island of Kos broken off and thrown by Poseidon: :Polybotes was chased through the sea by Poseidon and came to Cos; and Poseidon, breaking off that piece of the island which is called Nisyrum, threw it on him. The first-century BC geographer Strabo also records the story of Polybotes buried under Nisyros (or Kos itself): :They say that Nisyros is a fragment of Cos, and they add the myth that Poseidon, when he was pursuing one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giants (Greek Mythology)
In Greek and Roman mythology, the Giants, also called Gigantes (Greek: Γίγαντες, ''Gígantes'', Γίγας, ''Gígas''), were a race of great strength and aggression, though not necessarily of great size. They were known for the Gigantomachy (or Gigantomachia), their battle with the Olympian gods. According to Hesiod, the Giants were the offspring of Gaia (Earth), born from the blood that fell when Uranus (Sky) was castrated by his Titan son Cronus. Archaic and Classical representations show Gigantes as man-sized hoplites (heavily armed ancient Greek foot soldiers) fully human in form. Later representations (after c. 380 BC) show Gigantes with snakes for legs. In later traditions, the Giants were often confused with other opponents of the Olympians, particularly the Titans, an earlier generation of large and powerful children of Gaia and Uranus. The vanquished Giants were said to be buried under volcanoes and to be the cause of volcanic eruptions and earthquakes. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kylix (drinking Cup)
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Greek ''kylix'' ("cup"), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Figure
Red-figure vase painting is one of the most important styles of figural Pottery of ancient Greece, Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Magna Graecia, Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Ancient Greece, Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paestum
Paestum ( , , ) was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 550 to 450 BC, which are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern national museum within it, which also contains the finds from the associated Greek site of Foce del Sele. Solinus wrote that it was established by Dorians. After its foundation by Greek colonists under the name of Poseidonia ( grc, Ποσειδωνία), it was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name. As Pesto or Paestum, the town became a bishopric (now only titular), but it was abandoned in the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajax The Lesser
Ajax ( grc, Αἴας ''Aias'' means "of the earth".) was a Greek mythological hero, son of Oileus, the king of Locris. He was called the "lesser" or "Locrian" Ajax, to distinguish him from Ajax the Great, son of Telamon. He was the leader of the Locrian contingent during the Trojan War. He is a significant figure in Homer's ''Iliad'' and is also mentioned in the ''Odyssey'', in Virgil's ''Aeneid'' and in Euripides' ''The Trojan Women''. In Etruscan legend, he was known as ''Aivas Vilates''. Description In the account of Dares the Phrygian, Ajax was described as "stocky, powerfully built, swarthy, a pleasant person, and brave." Mythology Life Ajax's mother's name was Eriopis. According to Strabo, he was born in Naryx in Locris, where Ovid calls him ''Narycius heros''. According to the ''Iliad'', he led his Locrians in forty ships against Troy. He is described as one of the great heroes among the Greeks. In battle, he wore a linen cuirass (), was brave and intre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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