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Neo-bop Jazz
Neo-bop (also called neotraditionalist) refers to a style of jazz that gained popularity in the 1980s among musicians who found greater aesthetic affinity for acoustically based, swinging, melodic forms of jazz than for free jazz and jazz fusion that had gained prominence in the 1960s and 1970s. Neo-bop is distinct from previous bop music due to the influence of trumpeter Wynton Marsalis, who popularized the genre as an artistic and academic endeavor opposed to the countercultural developments of the beat generation. Musical style Neo-bop contains elements of bebop, post-bop, hard bop, and modal jazz. As both "neo-bop" and "post-bop" refer to eclectic mixtures of styles from the bebop and post-bebop eras, the precise differences in musical style between the two are not clearly defined from an academic standpoint. In the United States, Wynton Marsalis and "The Young Lions," for example, have been associated with neo-bop and post-bop. Neo-bop was also embraced by established, stra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straight-ahead Jazz
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms. Musical style A study conducted by Anthony Belfiglio at the University of Texas, Austin analyzed the music of Oscar Peterson, Wynton Kelly, Wynton Marsalis, and Marcus Roberts in order to determine key features of straight-ahead jazz that distinguish it from other genres. Belfiglio concluded that the walking bass, a 4/4 bass pattern in which a bassist plays one note to each beat, synchronized with a ride-based drum pattern was a defining component of straight-ahead jazz. Background Often called "America's classical music," the subgenres of mainstream jazz have been less "subject to the whims of fashion," according to Scott DeVeaux, than other g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-bop
Post-bop is a genre of small-combo jazz that evolved in the early to mid 1960s in the United States. Pioneers of the genre, such as Miles Davis, Charles Mingus, Wayne Shorter, Herbie Hancock, John Coltrane and Jackie McLean, crafted syntheses of hard bop with contemporaneous developments in avant-garde jazz, modal jazz and free jazz that resulted in music with a complex and experimental flavor though still rooted in bop tradition, featuring less of the blues and soul leanings predominant in hard bop. The movement had a significant impact on subsequent generations of both acoustic jazz and fusion musicians. Definition Post-bop refers to a body of music that emerged in the late 1950s and 60s that combined principles of bebop, hard bop, modal jazz, avant-garde and free jazz, but also departed from earlier traditions in jazz. Post-bop can refer to a variety of Jazz music that is post-bebop chronologically but in the common understanding post-bop music reflects these influences: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellis Marsalis Jr
Ellis Louis Marsalis Jr. (November 14, 1934 – April 1, 2020) was an American jazz pianist and educator. Active since the late 1940s, Marsalis came to greater attention in the 1980s and 1990s as the patriarch of the musical Marsalis family, when sons Branford and Wynton became popular jazz musicians. Early life Born in New Orleans, Louisiana, Marsalis was the son of Florence Marie (née Robertson) and Ellis Marsalis Sr., a businessman and social activist. Marsalis and his wife Dolores Ferdinand Marsalis had six sons: Branford, Wynton, Ellis III, Delfeayo, Mboya, and Jason. Branford, Wynton, Delfeayo, and Jason also became jazz musicians. Ellis III is a poet and photographer. Marsalis played saxophone during high school but switched to piano while studying classical music at Dillard University, graduating in 1955. He later attended graduate school at Loyola University New Orleans. In the 1950s and 1960s he worked with Ed Blackwell, Cannonball Adderley, Nat Adderley, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassist Christian McBride
A bassist (also known as a bass player or bass guitarist) is a musician who plays a bass instrument such as a double bass (upright bass, contrabass, wood bass), bass guitar (electric bass, acoustic bass), synthbass, keyboard bass or a low brass instrument such as a tuba or trombone. Different musical genres tend to be associated with one or more of these instruments. Since the 1960s, the electric bass has been the standard bass instrument for funk, R&B, soul music, rock and roll, reggae, jazz fusion, heavy metal, country and pop music. The double bass is the standard bass instrument for classical music, bluegrass, rockabilly, and most genres of jazz. Low brass instruments such as the tuba or sousaphone are the standard bass instrument in Dixieland and New Orleans-style jazz bands. Despite the associations of different bass instruments with certain genres, there are exceptions. Some new rock bands and bassist used a double bass, such as Lee Rocker of Stray Cats, Barenaked La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz At Lincoln Center
Jazz at Lincoln Center is part of Lincoln Center in New York City. The organization was founded in 1987 and opened at Time Warner Center in October 2004. Wynton Marsalis is the artistic director and the leader of the Jazz at Lincoln Center Orchestra. The center hosts performances by the orchestra and by visiting musicians. Many concerts are streamed live on the center's YouTube channel. The center also presents educational programs in its home buildings, online, and in schools throughout the country. History In 1987, trumpeter Wynton Marsalis was involved in starting the Classical Jazz concert series, the first series of jazz concerts at Lincoln Center. In 1996, the Jazz at Lincoln Center organization became a constituent of Lincoln Center next to organizations such as the New York Philharmonic and the Metropolitan Opera. The budget for Jazz at Lincoln Center was $4 million in 1996, compared to $150 million for the Metropolitan Opera. In 2016, its budget was over $50 million. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Crouch
Stanley Lawrence Crouch (December 14, 1945 – September 16, 2020) was an American poet, music and cultural critic, syndicated columnist, novelist, and biographer. He was known for his jazz criticism and his 2000 novel ''Don't the Moon Look Lonesome?'' Biography Stanley Lawrence Crouch was born in Los Angeles, the son of James and Emma Bea (Ford) Crouch. He was raised by his mother. In Ken Burns' 2005 television documentary ''Unforgivable Blackness'', Crouch said that his father was a "criminal" and that he once met the boxer Jack Johnson. As a child he was a voracious reader, having read the complete works of Ernest Hemingway, Mark Twain, F. Scott Fitzgerald, and many of the other classics of American literature by the time he finished high school. His mother told him of the experiences of her youth in east Texas and the black culture of the southern midwest, including the Kansas City jazz scene. He became an enthusiast for jazz in both the aesthetic and historical senses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Murray (writer)
Albert L. Murray (May 12, 1916 – August 18, 2013) was an American literary and music critic, novelist, essayist, and biographer. His books include ''The Omni-Americans'', ''South to a Very Old Place'', and ''Stomping the Blues''. Biography Early life Murray was born in Nokomis, Alabama. His biological mother, Sudie Graham, gave him up for adoption to Hugh and Mattie Murray. He grew up in the Magazine Point area of Mobile, Alabama.Charles H. Rowell"An All-Purpose, All-American Literary Intellectual" ''Callaloo'', Vol. 20, No. 2 (1997): 399–414. Retrieved December 27, 2020. He attended Tuskegee Institute on scholarship and received a B.S. in education in 1939. One of his fellow students was Ralph Ellison, who would later write the novel ''Invisible Man'' (1952), which established his reputation and gave him a lifetime income. Murray briefly enrolled in a graduate program at the University of Michigan before returning to Tuskegee in 1940 to teach literature and composition. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cindy Blackman
Cindy Blackman Santana (born November 18, 1959), sometimes known as Cindy Blackman, is an American jazz and rock drummer. Blackman has recorded several jazz albums as a bandleader and has performed with Pharoah Sanders, Sonny Simmons, Ron Carter, Sam Rivers, Cassandra Wilson, Angela Bofill, Buckethead, Bill Laswell, Lenny Kravitz, Joe Henderson and Joss Stone. Biography and early career Born November 18, 1959, in Yellow Springs, Ohio, her mother and grandmother were classical musicians and her uncle a vibist. When Cindy was a child, her mother took her to classical concerts. Blackman's introduction to the drums happened at the age of seven in her hometown of Yellow Springs, Ohio. At a pool party at a friend's house she saw a drum set and began playing them. "Just looking at them struck something in my core, and it was completely right from the second I saw them", says Blackman. "And then, when I hit them, it was like, wow, that's me.". Soon after, Blackman began playing in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time (magazine)
''Time'' (stylized in all caps) is an American news magazine based in New York City. For nearly a century, it was published Weekly newspaper, weekly, but starting in March 2020 it transitioned to every other week. It was first published in New York City on March 3, 1923, and for many years it was run by its influential co-founder, Henry Luce. A European edition (''Time Europe'', formerly known as ''Time Atlantic'') is published in London and also covers the Middle East, Africa, and, since 2003, Latin America. An Asian edition (''Time Asia'') is based in Hong Kong. The South Pacific edition, which covers Australia, New Zealand, and the Pacific Islands, is based in Sydney. Since 2018, ''Time'' has been published by Time USA, LLC, owned by Marc Benioff, who acquired it from Meredith Corporation. History ''Time'' has been based in New York City since its first issue published on March 3, 1923, by Briton Hadden and Henry Luce. It was the first weekly news magazine in the United St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straight-ahead Jazz
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms. Musical style A study conducted by Anthony Belfiglio at the University of Texas, Austin analyzed the music of Oscar Peterson, Wynton Kelly, Wynton Marsalis, and Marcus Roberts in order to determine key features of straight-ahead jazz that distinguish it from other genres. Belfiglio concluded that the walking bass, a 4/4 bass pattern in which a bassist plays one note to each beat, synchronized with a ride-based drum pattern was a defining component of straight-ahead jazz. Background Often called "America's classical music," the subgenres of mainstream jazz have been less "subject to the whims of fashion," according to Scott DeVeaux, than other g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
