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Natural (S Club 7 Song)
"Natural" is a song by English pop group S Club 7. It was released on 11 September 2000 as the second single from their second studio album '' 7'' (2000). The track was written by Norma Ray, Jean Fredenucci, Cathy Dennis, and Andrew Todd. It is an English cover of Ray's 1999 hit "Tous les maux d'amour", both of which sample Gabriel Fauré's ''Pavane''. Upon the song's release, it peaked at number three in the United Kingdom and reached the top 50 in Australia, Germany, and Ireland. Song information "Natural", S Club 7's fifth single, features Rachel Stevens on lead vocals. It describes love for an individual as a natural occurrence. There are three different versions of the song. The album version, included on the original release of '' 7'', features a R&B style production. The single version is mixed with heavier pop music themes, including the use of a vocoder, and the male vocals are more predominant. The video version is identical to the single version, except it features ...
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S Club 7
S Club 7 were a British pop group from London, created by former Spice Girls manager Simon Fuller and consisting of members Bradley McIntosh, Hannah Spearritt, Jo O'Meara, Jon Lee, Paul Cattermole, Rachel Stevens and Tina Barrett. The group was formed in 1998 and quickly rose to fame by starring in their own BBC television series, ''Miami 7''. In their five years together, S Club 7 had four UK number-one singles, one UK number-one album, and a string of hits throughout Europe as well as a Top 10 hit on the US Hot 100, with their 2000 single " Never Had a Dream Come True". They recorded four studio albums, released 11 singles and went on to sell over 10 million albums worldwide. The concept of the group was created by Simon Fuller who signed them to Polydor Records. Their show lasted four seasons and saw the group travel across the US, eventually ending up in Barcelona. It became popular in 100 countries where the show was watched by over 90 million viewers. The show, a t ...
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Interscope Records
Interscope Records is an American record label owned by Universal Music Group through its Interscope Geffen A&M imprint. Founded in late 1990 by Jimmy Iovine and Ted Field as a $20 million joint venture with Atlantic Records of Warner Music Group and Interscope Communications, it differed from most record companies by letting A&R staff control decisions and allowing artists and producers full creative control. Its first hit records arrived in under a year, and it achieved profitability in 1993. Chair and CEO until May 2014, Iovine was succeeded by John Janick. In 1992, Interscope acquired the exclusive rights to market and distribute releases from the hardcore hip hop label Death Row, whose artists included Dr. Dre and Snoop Dogg, a decision that ultimately put the label at the center of the mid-1990s gangsta rap controversy. As a result, Time Warner, owning Atlantic, severed ties with Interscope by selling its 50 percent stake back to Field and Iovine for $115  ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ...
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Thom Russo
Thomas "Thom" Russo is an American record producer, composer, engineer, mixer and songwriter.Thom Russo
Credits, All Music, Accessed July 2, 2011.
His works range from Anglo-American to . He is a recipient of 16 Grammy awards.


Life and education

Thom Russo was born ...
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Pro Tools
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) and, more generally, sound recording, editing, and mastering processes. Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors (DSP). The DSP is used to provide additional processing power to the host computer for processing real-time effects, such as reverb, equalization, and compression and to obtain lower latency audio performance. Like all digital audio workstation software, Pro Tools can perform the functions of a multitrack tape recorder and a mixing console along with additional features that can only be performed in the digital domain, such as non-linear and non-destructive editing (most of aud ...
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Spike Stent
Mark "Spike" Stent (born 3 August 1965) is an English record producer and mixing engineer who has worked with many international artists including Madonna, Marshmello, U2, Beyoncé, Björk, Depeche Mode, Echo & The Bunnymen, Grimes, Ed Sheeran, Beth Orton, Harry Styles, Frank Ocean, Selena Gomez, All Saints, Spice Girls, Lady Gaga, Coldplay, Mansun, Maroon 5, Muse, Lily Allen, Gwen Stefani, Moby, No Doubt, Lenka, Usher, Kaiser Chiefs, Linkin Park, Yeah Yeah Yeahs, Oasis, Keane, Massive Attack, Bastille, Diana Vickers, and Take That.''Sound on Sound'' magazine, January 1999link. Retrieved March 2006. Early life Stent grew up in Hampshire, England and first gained experience as an engineer at Jacob Studios as a teenager before a two-year stint at Trident Studios. After Trident, Stent worked at Olympic Studios in Barnes, South London. While at Olympic, Stent worked with artists such as Massive Attack, Bjork, Madonna, U2, Keane, and Oasis. Stent currently w ...
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