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National Museum Of Fine Arts, Chișinău
The National Museum of Fine Arts of Moldova () is a museum in Chișinău, Moldova, founded in November 1939 by Alexandru Plămădeală and Auguste Baillayre. Overview In 1939, the sculptor Alexandru Plămădeală selected some 160 works by Bassarabian and Romanian artists in order to set up the first Picture Gallery of Chișinău whose director was Auguste Baillayre, painter and professor at Ecolle de Belle Arte of Chişinău. The first museum of Bassarabian fine art was opened on November 26, 1939; its successor became the National Art Museum of Moldova. In the first days of World War II, the art pieces displayed in the Gallery, together with others donated by the Ministry of Culture and Cults of Romania were loaded into two lorries and delivered to Kharkiv; the fate of these collections remains unknown until present. Building The building of the museum (architect Alexander Bernardazzi) is a monument in Moldova. It was previously known as Dadiani's female gymnasium. Anoth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Jordaens
Jacques (Jacob) Jordaens (19 May 1593 – 18 October 1678Jacques Jordaens in the Netherlands Institute for Art History) was a Flemish people, Flemish painter, Drawing, draughtsman and a designer of tapestries and prints. He was a prolific artist who created biblical, mythological, and allegorical compositions, genre scenes, landscapes, illustrations of Flemish sayings and portraits. After the death of Peter Paul Rubens, Rubens and Anthony van Dyck, he became the leading Flemish Baroque painting, Flemish Baroque painter of his time. Unlike those illustrious contemporaries he never travelled abroad to study the Antique and Italian painting and, except for a few short trips to locations elsewhere in the Low Countries, he resided in Antwerp his entire life. He also remained largely indifferent to Rubens and van Dyck's intellec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Chișinău
A museum is an institution dedicated to displaying or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host a much wider range of objects than a library, and they usually focus on a specific theme, such as the arts, science, natural history or local history. Public museums that host exhibitions and interactive demonstrations are often tourist attractions, and many draw large numbers of visitors from outside of their host country, with the most visited museums in the world attracting millions of visitors annually. Since the establishment of the earliest known museum in ancient times, museums have been associated with academia and the preservation of rare items. Museums originated as private collections of interesting items, and not until much later did the emphasis on educating the public take root. Etymology The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museums Of Moldova
National may refer to: Common uses * Nation or country ** Nationality – a ''national'' is a person who is subject to a nation, regardless of whether the person has full rights as a citizen Places in the United States * National, Maryland, census-designated place * National, Nevada, ghost town * National, Utah, ghost town * National, West Virginia, unincorporated community Commerce * National (brand), a brand name of electronic goods from Panasonic * National Benzole (or simply known as National), former petrol station chain in the UK, merged with BP * National Book Store, a bookstore and office supplies chain in the Philippines * National Car Rental, an American rental car company * National Energy Systems, a former name of Eco Marine Power * National Entertainment Commission, a former name of the Media Rating Council * National Motor Vehicle Company, Indianapolis, Indiana, USA 1900–1924 * National Radio Company, Malden, Massachusetts, USA 1914–1991 * National Supermarket ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Moldova
Art is a diverse range of cultural activity centered around ''works'' utilizing creative or imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, technical proficiency, or beauty. There is no generally agreed definition of what constitutes ''art'', and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of "the arts". Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of Art Of Romania
The National Museum of Art of Romania () is located in the Royal Palace in Revolution Square, central Bucharest. It features collections of medieval and modern Romanian art, as well as the international collection assembled by the Romanian royal family. The exhibition "Shadows and Light" ran from 15 July to 2 October 2005. With four centuries of French art, it was the largest exhibition of French painting in Central and Eastern Europe since 1945. 77 works were exhibited, including masterpieces by painters such as Poussin, Chardin, Ingres, David, Delacroix, Corot, Cézanne, Matisse, Picasso, and Braque. History The museum was damaged during the 1989 Romanian Revolution that led to the downfall of Nicolae Ceaușescu. In 2000, part of the museum reopened to the public, housing the modern Romanian collection and the international collection; the comprehensive Medieval art collection, which now features works salvaged from monasteries destroyed during the Ceaușescu era, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer ( , ;; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer or Duerer, was a German painter, Old master prints, printmaker, and history of geometry#Renaissance, theorist of the German Renaissance. Born in Free Imperial City of Nuremberg, Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality List of woodcuts by Dürer, woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 was patronized by Holy Roman Emperor, Emperor Maximilian I, Holy Roman Emperor, Maximilian I. Dürer's vast body of work includes List of engravings by Dürer, engravings, his preferred technique in his later prints, Altarpiece, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are stylist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toyohara Kunichika
Toyohara Kunichika (; 30 June 1835 – 1 July 1900) was a Japanese Woodblock printing in Japan, woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Kunisada, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time. An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful (''bijinga''), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and carried those traditions into the Meiji period. To his contemporaries and now to some modern art historians, this has been seen as a significant achievement during a transitional period of great social and political change in Japan's history. Early life and education The artist who became known as Toyohara Kunichika was born Ōshima Yasoh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshige
or , born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series '' The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series '' One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), both of which were rather labor-intensive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshige II
was a Japanese designer of ukiyo-e art. He inherited the name Hiroshige II following the death in 1858 of his master Hiroshige, whose daughter he married. In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Risshō (喜斎立祥; alternate pronunciation: Ryūshō). His work so resembles that of his master that scholars have often confused them. Life and career Born Suzuki Chinpei () in 1826, it is said that he was born to a fireman, as was his master Hiroshige to whom he became apprenticed under the name Shigenobu at an unknown age. His earliest known work is the illustrations for a book called ''Twenty-four Paragons of Japan and China'' from 1849. Hiroshige II produced a large number of commissioned work in the 1850s in the style of the elder Hiroshige, and often signed his work ''Ichiryūsai mon'' ("student of Ichiryūsai", another art name of Hiroshige I's), and from to 1858 simply as Ichiryūsai. In 1858, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunisada
Utagawa Kunisada (; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock printing in Japan, woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Utagawa Kuniyoshi, Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukioka Yoshitoshi
Tsukioka Yoshitoshi (; also named Taiso Yoshitoshi ; 30 April 1839 – 9 June 1892) was a Japanese printmaker.Louis-Frédéric, Nussbaum, Louis Frédéric. (2005)"Tsukoka Kōgyō"in ''Japan Encyclopedia,'' p. 1000. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of Woodblock printing in Japan, woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
