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National Gallery Of Scotland
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mound
The Mound is an artificial slope in central Edinburgh, Scotland, which connects Edinburgh's New Town, Edinburgh, New and Old Town, Edinburgh, Old Towns. It was formed by dumping around 1,501,000 cartloads of earth excavated from the foundations of the New Town into Nor Loch which was drained in 1765 and forms today's Princes Street Gardens. History The construction of the Earthen Mound, as it was originally called, was first proposed in 1783 by residents of the Lawnmarket to improve connection to Princes Street (which was then built only from St Andrew Square to Hanover Street) in correct anticipation of the need for such a new route. It was extended over the years until by 1830 it was macadamised and landscaped so that it appeared more or less complete. When the Edinburgh and Glasgow Railway was extended to Edinburgh Waverley railway station, Waverley station in 1846, tunnels were driven through the Mound to allow access east to west. Some of Edinburgh's most notable buildi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foundation Stone
The cornerstone (or foundation stone or setting stone) is the first stone set in the construction of a masonry foundation. All other stones will be set in reference to this stone, thus determining the position of the entire structure. Over time a cornerstone became a ceremonial masonry stone, or replica, set in a prominent location on the outside of a building, with an inscription on the stone indicating the construction dates of the building and the names of architect, builder, and other significant individuals. The rite of laying a cornerstone is an important cultural component of eastern architecture and metaphorically in sacred architecture generally. Some cornerstones include time capsules from, or engravings commemorating, the time a particular building was built. History The ceremony typically involved the placing of offerings of grain, wine and oil on or under the stone. These were symbolic of the produce and the people of the land and the means of their subsistence. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cruciform
Cruciform is a term for physical manifestations resembling a common cross or Christian cross. The label can be extended to architectural shapes, biology, art, and design. Cruciform architectural plan Christian churches are commonly described as having a cruciform architecture. In Early Christian, Byzantine and other Eastern Orthodox forms of church architecture this is likely to mean a tetraconch plan, a Greek cross, with arms of equal length or, later, a cross-in-square plan. In the Western churches, a cruciform architecture usually, though not exclusively, means a church built with the layout developed in Gothic architecture. This layout comprises the following: *An east end, containing an altar and often with an elaborate, decorated window, through which light will shine in the early part of the day. *A west end, which sometimes contains a baptismal font, being a large decorated bowl, in which water can be firstly, blessed (dedicated to the use and purposes of God) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archibald Elliot
Archibald Elliot (August 1761 – 16 June 1823) was a Scottish architect based in Edinburgh. He had a very distinctive style, typified by square plans, concealed roofs, crenellated walls and square corner towers. All may be said to derive from the earlier local example of Melville Castle by James Playfair. Many of his works have been demolished. Life He was born in Ancrum, Roxburghshire the son of a carrier. After training as a joiner he moved to cabinet design, working then in London, and appears to have then trained as an architect before returning to Scotland to work in Edinburgh. Archibald Elliot ran an architecture practice in London and Edinburgh with his brother James Elliot. Following James's death in 1810, Archibald ran the company on his own. It was later taken over by Archibald's son, Archibald Elliot Junior. He contributed to many significant buildings and streets in Edinburgh, including St Paul's and St George's Church, Rutland Square, the Regent Bridge, Waterlo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrastyle
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anta (architecture)
An anta (pl. antæ, antae, or antas; Latin, possibly from ''ante'', "before" or "in front of"), or sometimes parastas (pl. parastades), is an architectural term describing the posts or pillars on either side of a doorway or entrance of a Greek temple – the slightly projecting piers which terminate the walls of the naos. It differs from the pilaster, which is purely decorative, and does not have the structural support function of the anta. Anta In contrast to columns or pillars, antae are directly connected with the walls of a temple. They owe their origin to the vertical posts of timber employed in the early, more primitive palaces or temples of Greece, as at Tiryns and in the Temple of Hera at Olympia. They were used as load-bearing structures to carry the roof timbers, as no reliance could be placed on walls built with unburnt brick or in rubble masonry with clay mortar. Later, they became more decorative as the materials used for wall construction became sufficient to su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexastyle
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Temple
Greek temples ( grc, ναός, naós, dwelling, semantically distinct from Latin , "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the respective ouranic (a god or goddess that does not reside on the Earth) deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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