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National Academic Theatre Of Opera And Ballet Of Mongolia
The National Academic Theatre of Opera and Ballet of Mongolia (also known as Mongolian State Academic Theatre of Opera and Ballet) was established on 15 May 1963 as the State Musical Drama Theatre was split into the State Academic Theatre of Opera and Ballet and the State Academic Drama Theatre upon the resolution 132/182 of 10 May 1963 by the Council of Ministers of the People's Republic of Mongolia and the Central Committee of Mongolian People's Revolutionary Party. The State Academic Theatre of Opera and Ballet held its opening ceremony on 18 May 1963 with Pyotr Ilyich Tchaikovsky, Tchaikovsky’s Eugene Onegin (opera), ''Eugene Onegin''. Repertoire The repertoire of State Academic Theatre of Opera and Ballet has more than 100 national and world classical works including 56 ballets and 54 operas. The operatic repertoire include world classic operas such as Mozart's ''Don Giovanni'' and ''The Magic Flute'', Donizetti's ''Lucia di Lammermoor'', Puccini's ''Turandot'', ''La Bohè ...
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Prince Igor
''Prince Igor'' ( rus, Князь Игорь, Knyáz Ígor ) is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic '' The Lay of Igor's Host'', which recounts the campaign of Rus' prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890. Composition history Original Composition: 1869–1887 After briefly considering Lev Mei's ''The Tsar's Bride'' as a subject (later taken up in 1898 by Nikolai Rimsky-Korsakov, his 9th opera), Borodin began looking for a new project for his first opera. Vladimir Stasov, critic and advisor to The Mighty Handful, suggested '' The Lay of Igor's Host'', a 12t ...
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Buildings And Structures In Ulaanbaatar
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Opera Houses In Mongolia
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of s ...
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Music Organizations Based In Mongolia
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ...
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Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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The Fountain Of Bakhchisarai (ballet)
''The Fountain of Bakhchisarai'' (Russian: Бахчисарайский фонтан) is a full-length ballet in four acts, choreographed by Rostislav Zakharov to music by Boris Asafyev. The libretto by Nikolai Volkov is based on the 1823 poem of the same title by Alexander Pushkin. The ballet premiered on 28 September 1934 at the Kirov Academic Theatre of Opera and Ballet, with Galina Ulanova as Maria, Olga Iordan as Zarema, Mikhail Dudko as Khan Girey, and Konstantin Sergeyev as Vaslav. Bakhchysarai is in the Crimea, near Yalta. The Bakhchisaray Palace was originally built in the sixteenth century and has been repeatedly destroyed and rebuilt since. The fountain, which still stands in a courtyard, is called the Fountain of Tears. Synopsis The ballet opens at Bakhchisarai Palace, where Khan Girey is seated surrounded by his court. Dancers try to entertain him but he is oblivious to his surroundings, staring at water trickling from a fountain. The scene shifts back in time ...
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Walpurgisnacht Ballet
''Walpurgisnacht Ballet'' is a ballet made by New York City Ballet's co-founder and founding choreographer George Balanchine for a 1975 production of Gounod's 1859 ''Faust'' at the Théâtre National de l'Opéra, Paris, including Gounod's additional ballet music from 1869. The New York City Ballet premiere was the first presentation of the dance as an independent work, on Thursday, 15 May 1980 at the New York State Theater, Lincoln Center. Balanchine had previously made dances for productions of ''Faust'' at the Opéra de Monte-Carlo, danced by Diaghilev's Ballets Russes; in 1935 for the Metropolitan Opera; and 1945 for the Opera Nacional, Mexico City. ''Walpurgisnacht'' is found at the beginning of the last act of ''Faust''. Mephistopheles shows Faust the folk celebration before May Day, when the souls of the dead are released briefly to wander as they will. The ballet does not directly depict the Walpurgis Night but builds on a sense of joyful revelry. Casts Original ...
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La Esmeralda (ballet)
''La Esmeralda'' is a ballet in three acts and five scenes, inspired by the 1831 novel '' Notre-Dame de Paris'' by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère. It was first presented by the Ballet of her Majesty's Theatre, London on 9 March 1844, with Carlotta Grisi as Esmeralda, Jules Perrot as Gringoire, Arthur Saint-Leon as Phoebus, Adelaide Frassi as Fleur de Lys, and Antoine Louis Coulon as Quasimodo. Today the complete ballet is performed only in Russia, Eastern Europe, and by two ballet companies in the United States. The New Jersey Ballet introduced the full-length version for the first time in the United States in 2004, and the Russian Ballet Orlando performed La Esmeralda for the first time in 2021. Most Western ballet companies only perform two ''Esmeralda''-related pieces—''La Esmeralda pas de deux'' and ''La Esmeralda pas de six''—and the '' Diane and Actéon Pas de De ...
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The Limpid Stream
''The Limpid Stream'' (russian: Светлый ручей, also translated as ''The Bright Stream'') is a ballet in 3 acts, 4 scenes, composed by Dmitri Shostakovich on the libretto by Adrian Piotrovsky and Fyodor Lopukhov, with choreography by Fyodor Lopukhov. It premiered in Leningrad's Mikhaylovsky Theatre in 1935. Plot The plot centres around a group of ballet dancers who have been sent to provide sophisticated entertainment on a new Soviet collective farm during their harvest festival. The workers, along with two older residents of a nearby dacha, welcome the city dancers, with special welcome given to the troupe's ballerina who was the former dance teacher of Zina. Zina introduces the ballerina to her husband, Pyotr, and Pyotr immediately begins to flirt with the ballerina. Hurt, Zina removes herself from the celebrations and is comforted by the ballerina. The ballerina suggests a plan in which she will dress as her dance partner, her dance partner will dress as a femal ...
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