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Naima (Eric Dolphy Album)
''Naima'' is an album by American musician Eric Dolphy, released in Europe in 1987 by the Jazzway label, and later by the West Wind label. Four of the five tracks were recorded on June 11, 1964 in a Paris studio for radio broadcast, nine days after the Hilversum session that yielded '' Last Date'', and eighteen days before Dolphy's death. The remaining track, a duet with bassist Ron Carter, was recorded in New York City in November 1960, during a session which also produced three of the tracks released on '' Other Aspects''. The tracks recorded that day represent the last of Dolphy's commercially available recordings. Music from the same recording session was also issued on '' Unrealized Tapes'', released in 1988, ''The Complete Last Recordings: In Hilversum & Paris 1964'' (2010), and ''Paris '64'' (2018). Background In April 1964, Dolphy accompanied Charles Mingus and his band on a tour of Europe organized by George Wein. (Performances from this tour were documented on '' Revenge! ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Dolphy
Eric Allan Dolphy Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists. His improvisational style was characterized by the use of wide intervals, in addition to employing an array of extended techniques to emulate the sounds of human voices and animals. He used melodic lines that were "angular, zigzagging from interval to interval, taking hairpin turns at unexpected junctures, making dramatic leaps from the lower to the upper register." Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock. Biography Early life and career Byrd was born in 1932 in Detroit, Michigan. His family came from the African-American middle-class. His father, Elijah Thomas Byrd, was a Methodist minister who greatly valued education and oversaw his son's schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional recording session was in 1949 at Fortune Records in Detroit with the Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baker's Biographical Dictionary Of Musicians
''Baker's Biographical Dictionary of Musicians'' is a major reference work in the field of music, originally compiled by Theodore Baker, PhD, and published in 1900 by G. Schirmer, Inc. The ninth edition, the most recent edition, was published in 2001 — years after the first edition. Edition history Leading up to the initial publication of ''Baker's Biographical Dictionary of Musicians'', Baker had compiled and edited three editions of ''A Dictionary of Musical Terms'' — published 1895, 1896, and 1897, respectively, by G. Schirmer, Inc. First edition The first edition, published in 1900, has 647 pages plus an ''Appendix'' of 5 pages. It includes 300 portraits drawn in ink, from portraits or photographs, by Russian artist Alexander Gribayédoff (possibly a pseudonym for Valerian Gribayédoff). Fourth edition The fourth edition, published in 1940, has 1,234 pages. American and Latin-American musicians were more fully represented in this issue than in any English work of the ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, AntonÃn Dvořák, LeoÅ¡ Janà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil Taylor
Cecil Percival Taylor (March 25, 1929April 5, 2018) was an American pianist and poet. Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms. His technique has been compared to percussion. Referring to the number of keys on a standard piano, Val Wilmer used the phrase "eighty-eight tuned drums" to describe Taylor's style. He has been referred to as being "like Art Tatum with contemporary-classical leanings". Early life and education Cecil Percival Taylor was born on March 25, 1929, in Long Island City, Queens, and raised in Corona, Queens. Ratliff, Ben (May 3, 2012)"Lessons From the Dean of the School of Improv" ''The New York Times''. Retrieved December 9, 2017: "I recently spoke with the 83-year-old improvising pianist Cecil Taylor for about five hours over two days. One day was at his three-story home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Yorker
''The New Yorker'' is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the Culture of New York City, cultural life of New York City, ''The New Yorker'' has a wide audience outside New York and is read internationally. It is well known for its illustrated and often topical covers, its commentaries on popular culture and eccentric American culture, its attention to modern fiction by the inclusion of Short story, short stories and literary reviews, its rigorous Fact-checking, fact checking and copy editing, its journalism on politics and social issues, and its single-panel cartoons sprinkled throughout each issue. Overview and history ''The New Yorker'' was founded by Harold Ross and his wife Jane Grant, a ''The New York Times, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Ayler
Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.Claghorn, 1982. His innovations have inspired subsequent jazz musicians. His trio and quartet records of 1964, such as ''Spiritual Unity'' and ''The Hilversum Session'', show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music's backbone. His ecstatic music of 1965 and 1966, such as "Spirits Rejoice" and "Truth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Higgins
Billy Higgins (October 11, 1936 – May 3, 2001) was an American jazz drummer. He played mainly free jazz and hard bop. Biography Higgins was born in Los Angeles, California, United States. Higgins played on Ornette Coleman's first records, beginning in 1958. He then freelanced extensively with hard bop and other post- bop players, including Donald Byrd, Dexter Gordon, Grant Green, Herbie Hancock, Joe Henderson, Don Cherry, Paul Horn, Milt Jackson, Jackie McLean, Pat Metheny, Hank Mobley, Thelonious Monk, Lee Morgan, David Murray, Art Pepper, Sonny Rollins, Mal Waldron, and Cedar Walton. He was one of the house drummers for Blue Note Records and played on dozens of Blue Note albums of the 1960s. He also collaborated with composer La Monte Young and guitarist Sandy Bull. In his career, he played on over 700 recordings, including recordings of rock and funk. He appeared as a jazz drummer in the 2001 movie, ''Southlander''. In 1989, Higgins cofounded a cultural cente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Davis (bassist)
Richard Davis (born April 15, 1930) is an American jazz bassist. Among his best-known contributions to the albums of others are Eric Dolphy's ''Out to Lunch!'', Andrew Hill's '' Point of Departure'', and Van Morrison's ''Astral Weeks'', of which critic Greil Marcus wrote (in ''The Rolling Stone Illustrated History of Rock and Roll''), "Richard Davis provided the greatest bass ever heard on a rock album." Music career Born in Chicago, Illinois, United States, Davis began his musical career with his brothers, singing bass in his family's vocal trio. He studied double bass in high school with his music theory teacher and band director, Walter Dyett. He was a member of Chicago Youth Symphony Orchestras (then known as the Youth Orchestra of Greater Chicago) and played in the orchestra's first performance at Chicago's Orchestra Hall on November 14, 1947. After high school, he studied double bass with Rudolf Fahsbender of the Chicago Symphony Orchestra while attending VanderCook Colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody Shaw
Woody Herman Shaw Jr. (December 24, 1944 – May 10, 1989) was an American jazz trumpeter, flugelhornist, cornetist, composer, arranger, band leader, and educator. Shaw is widely known as one of the most important and influential jazz trumpeters and composers of the twentieth century. He is often credited with revolutionizing the technical and harmonic language of modern jazz trumpet playing, and to this day is regarded by many as one of the major innovators of the instrument. He was an acclaimed virtuoso, mentor, and spokesperson for jazz and worked and recorded alongside many of the leading musicians of his time. Biography Early life and background Woody Shaw was born in Laurinburg, North Carolina, United States. He was taken to Newark, New Jersey, by his parents, Rosalie Pegues and Woody Shaw Sr., when he was one year old. Shaw's father was a member of the African American gospel group known as the "Diamond Jubilee Singers" and both his parents attended the same secondar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Diéval
Jacques "Jack" Diéval (born December 21, 1920, Douai) was a French jazz pianist, composer, and bandleader. Diéval's parents were also jazz musicians, who led an ensemble known as the DéDé Jazz Band. He studied music at the Douai Conservatory with Victor Gallois, and was playing professionally in Lille from age 14. After working briefly in 1942 at Tunis Radio, he relocated to Paris,"Impro non stop", in ''88 notes pour piano solo'', Jean-Pierre Thiollet, Neva Editions, 2015, p. 156-157. where he worked with Alix Combelle from 1943 to 1946. After the war he worked with Don Byas, Noël Chiboust, Bill Coleman, Stephane Grappelli, James Moody, and Hubert Rostaing, and founded his own quintet in 1953, whose sidemen included Bill Tamper on trombone and Jean-Claude Fohrenbach on saxophone. In the 1970s he played with Roger Guerin and Michel Gaudry, and worked on compositions, including 1973's ''Le Serpent Vert''. References *Michel Laplace, "Jack Diéval". '' The New Grove Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands
) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherlands , established_title2 = Act of Abjuration , established_date2 = 26 July 1581 , established_title3 = Peace of Münster , established_date3 = 30 January 1648 , established_title4 = Kingdom established , established_date4 = 16 March 1815 , established_title5 = Liberation Day (Netherlands), Liberation Day , established_date5 = 5 May 1945 , established_title6 = Charter for the Kingdom of the Netherlands, Kingdom Charter , established_date6 = 15 December 1954 , established_title7 = Dissolution of the Netherlands Antilles, Caribbean reorganisation , established_date7 = 10 October 2010 , official_languages = Dutch language, Dutch , languages_type = Regional languages , languages_sub = yes , languages = , languages2_type = Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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