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Ménilmontant (1926 Film)
''Ménilmontant '' () is a 1926 film written and directed by Dimitri Kirsanoff that takes its name from the Paris neighborhood of the same name. Summary The film is silent and contains no intertitles. It begins with a flurry of quick shots depicting the axe murder of the parents of the protagonists, two sisters. As young women, they are portrayed by Nadia Sibirskaïa, Kirsanoff's first wife, and Yolande Beaulieu; their mutual love interest is played by Guy Belmont. Style Like many of the early French avant-garde films, ''Ménilmontant'' uses a mixture of styles and techniques. The film also uses many techniques that were relatively new at the time, including double exposure. Reception Film critic Pauline Kael Pauline Kael (; June 19, 1919 – September 3, 2001) was an American film critic who wrote for ''The New Yorker'' magazine from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions oft ... wrote that ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dimitri Kirsanoff
Dimitri Kirsanoff (russian: Димитрий Кирсанов, né Markus David Sussmanovitch Kaplan, Маркус Давид Зусманович Каплан; 6 March 1899 – 11 February 1957) was an early film-maker working in France, sometimes considered part of the French Impressionist movement in film. He is known for some poetic silent films which he made independently, especially the medium-length ''Ménilmontant'', but he was less successful with commercial films in the sound era.''Dictionnaire du cinéma français'', d. byJean-Loup Passek. Paris: Larousse, 1987. p. 256. Early life Kirsanoff was born Markus David Sussmanovitch Kaplan on 5 March 1899 in Tartu (then Juryev), Estonia, then Russian Empire. Many of the facts about his early life have been difficult to verify, and different sources have lent support to alternative accounts. It seems that his parents were Lithuanian Jews who had come to Tartu in 1870. After the death of his father in 1919, Kirsanoff le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadia Sibirskaïa
Nadia Sibirskaïa (born Germaine Marie Josèphe Lebas, 11 September 1901 – 14 July 1980) was a French film actress.Sultanik p.263 She was married to the Russian-born director Dimitri Kirsanoff and appeared in several of his early films. Filmography References Bibliography * Aaron Sultanik. ''Film, a Modern Art''. Associated University Presses, 1986. External links * 1901 births 1980 deaths French film actresses French silent film actresses 20th-century French actresses People from Redon, Ille-et-Vilaine {{France-film-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ménilmontant
Ménilmontant () is a neighbourhood of Paris, situated in the city's 20th arrondissement. It is roughly defined as the area north of the Père Lachaise Cemetery, south of Parc de Belleville, and between ''Avenue Jean-Aicard'' on the west and ''Rue Pelleport'' on the east. The neighborhood includes an 87 m (285.4 ft) high hill, making it the third-highest neighborhood in Paris (after Montmartre and neighboring Belleville). Throughout much of the Middle Ages, what is now known as Ménilmontant was a rural hilltop hamlet within the independent commune (municipality) of Belleville, where wealthy Parisians vacationed. By the 19th century, as a result of the industrial revolution and urbanization, Ménilmontant quickly grew to include a large immigrant and working-class population, and in 1860, it was, like other suburbs surrounding the French capital, annexed into the city of Paris. By the mid-late 20th century, many artists, musicians, students, and hippies began to move into th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiple Exposure
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other. Overview Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a Dirac delta measure (flash) and a constant finite rectangular window, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bordwell
David Jay Bordwell (; born July 23, 1947) is an American film theorist and film historian. Since receiving his PhD from the University of Iowa in 1974, he has written more than fifteen volumes on the subject of cinema including ''Narration in the Fiction Film'' (1985), ''Ozu and the Poetics of Cinema'' (1988), ''Making Meaning'' (1989), and ''On the History of Film Style'' (1997). With his wife Kristin Thompson, Bordwell wrote the textbooks ''Film Art'' (1979) and ''Film History'' (1994). ''Film Art'', currently being published in its 12th edition, is still used as a seminal text in introductory film courses. With aesthetic philosopher Noël Carroll, Bordwell edited the anthology ''Post-Theory: Reconstructing Film Studies'' (1996), a polemic on the state of contemporary film theory. His largest work to date remains ''The Classical Hollywood Cinema: Film Style and Mode of Production to 1960'' (1985), written in collaboration with Thompson and Janet Staiger. Several of his mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kristin Thompson
Kristin Thompson (born 1950) is an American film theorist and author whose research interests include the close formal analysis of films, the history of film styles, and "quality television," a genre akin to art film. She wrote two scholarly books in the 1980s which used an analytical technique called neoformalism. As well, she has co-authored two widely used film studies textbooks with her husband David Bordwell. Career 1970s and 1980s Thompson earned her master's degree in film studies at the University of Iowa (1973) and a Ph.D. in film studies at the University of Wisconsin–Madison. She has held teaching positions at the University of Wisconsin, the University of Iowa, Indiana University, the University of Amsterdam, and the University of Stockholm. She co-wrote the film textbook, ''Film Art: An Introduction'', with husband David Bordwell. ''Film Art'', with a tenth edition published in 2013, was originally published in 1979 and has become a standard in the field of film ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Kael
Pauline Kael (; June 19, 1919 – September 3, 2001) was an American film critic who wrote for ''The New Yorker'' magazine from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries. One of the most influential American film critics of her era, she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades." Kael, he said, "had no theory, no rules, no guidelines, no objective standards. You couldn't apply her 'approach' to a film. With her it was all personal." Owen Gleiberman said she "was more than a great critic. She reinvented the form, and pioneered an entire aesthetic of writing." Early life and education Kael was born to Isaac Paul Kael and Judith Kael ( Friedman), Jewish emigrants from Poland, on a chicken farm a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1926 Films
The following is an overview of 1926 in film, including significant events, a list of films released, and notable births and deaths. Top-grossing films (U.S.) The top ten 1926 released films by box office gross in North America are as follows: Events *February – The oldest surviving animated feature film is released in the Weimar Republic, directed by Lotte Reiniger. It is called ''The Adventures of Prince Achmed'' (''Die Abenteuer des Prinzen Achmed''). *August 5 – Warner Brothers debuts the first Vitaphone film, ''Don Juan''. The Vitaphone system uses multiple rpm gramophone records developed by Bell Telephone Laboratories and Western Electric to play back music and sound effects synchronized with film. *August 23 – Rudolph Valentino, whose film ''The Son of the Sheik'' was currently playing, dies at the age of 31 in New York. Riots occur at the funeral parlor as thousands of people try to see his body. *October 7 – Warner Brothers release the second Vitaphone film, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Silent Short Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
