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Mémoires De L'Académie Des Sciences
''Mémoires'' (''Memories'') is an artist's book made by the French social critic Guy Debord in collaboration with the Danish artist Asger Jorn. Its last page mentions that it was printed in 1959, however, it was printed in December 1958. This publication is the second of two collaborative books by Jorn and Debord whilst they were both members of the Situationist International. Psychogeography and détournement The book is a work of psychogeography, detailing a period in Debord's life when he was in the process of leaving the Lettrists, setting up Lettrism International, and showing his 'first masterpiece', ''Hurlements en Faveur de Sade'' (''Howling in Favour of Sade''), a film devoid of imagery that played white when people were talking on the soundtrack and black during the lengthy silences between. Credited to Guy-Ernest Debord, with ''structures portantes'' ('load-bearing structures') by Asger Jorn, the book contains 64 pages divided into three sections. The first sectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Détournement
A détournement (), meaning "rerouting, hijacking" in French, is a technique developed in the 1950s by the Letterist International, and later adapted by the Situationist International (SI),''Report on the Construction of Situations'' (1957) that was defined in the SI's inaugural 1958 journal as " e integration of present or past artistic productions into a superior construction of a milieu. In this sense there can be no situationist painting or music, but only a situationist use of those means. In a more elementary sense, ''détournement'' within the old cultural spheres is a method of propaganda, a method which reveals the wearing out and loss of importance of those spheres." It has been defined elsewhere as "turning expressions of the capitalist system and its media culture against itself"—as when slogans and logos are turned against their advertisers or the political status quo. Détournement was prominently used to set up subversive political pranks, an influential tact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situationist Writings
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through directly li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danish Art
Danish art is the visual arts produced in Denmark or by Danish artists. It goes back thousands of years with significant artifacts from the 2nd millennium BC, such as the Trundholm sun chariot. For many early periods, it is usually considered as part of the wider Nordic art of Scandinavia. Art from what is today Denmark forms part of the art of the Nordic Bronze Age, and then Norse and Viking art. Danish medieval painting is almost entirely known from church frescos such as those from the 16th-century artist known as the Elmelunde Master. The Reformation greatly disrupted Danish artistic traditions, and left the existing body of painters and sculptors without large markets. The requirements of the court and aristocracy were mainly for portraits, usually by imported artists, and it was not until the 18th century that large numbers of Danes were trained in contemporary styles. For an extended period of time thereafter art in Denmark either was imported from Germany and the N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Art
French art consists of the visual and plastic arts (including French architecture, woodwork, textiles, and ceramics) originating from the geographical area of France. Modern France was the main centre for the European art of the Upper Paleolithic, then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art. The Gallo-Roman period left a distinctive provincial style of sculpture, and the region around the modern Franco-German border led the empire in the mass production of finely decorated Ancient Roman pottery, which was exported to Italy and elsewhere on a large scale. With Merovingian art the story of French styles as a distinct and influential element in the wider development of the art of Christian Europe begins. France can fairly be said to have been a leader in the development of Romanesque art and Gothic art, before the Renaissance led to Italy becoming the main source of stylistic developments until France matched Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists' Books
Artists' books (or book arts or book objects) are works of art that utilize the form of the book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects. Overview Artists' books have employed a wide range of forms, including the traditional Codex form as well as less common forms like scrolls, fold-outs, concertinas or loose items contained in a box. Artists have been active in printing and book production for centuries, but the artist's book is primarily a late 20th-century form. Book forms were also created within earlier movements, such as Dada, Constructivism, Futurism, and Fluxus. Artists' books are made for a variety of reasons. An artist book is generally interactive, portable, movable and easily shared. Some artists books challenge the conventional book format and become sculptural objects. Artists' books may be created in order to make art accessible to people outside of the formal contexts of galleries or museums. Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectacle (Situationism)
The spectacle is a central notion in the Situationist theory, developed by Guy Debord in his 1967 book ''The Society of the Spectacle''. In the general sense, the spectacle refers to "the autocratic reign of the market economy which had acceded to an irresponsible sovereignty, and the totality of new techniques of government which accompanied this reign." It also exists in a more limited sense, where ''spectacle'' means the mass media, which are "its most glaring superficial manifestation." Debord said that the society of the spectacle came to existence in the late 1920s. The critique of the spectacle is a development and application of Karl Marx's concept of fetishism of commodities, reification and alienation,Guy Debord (1967''Society of the Spectacle''. (Paris, June 1967). Chapter I: Separation Perfected./ref> and the way it was reprised by György Lukács in 1923. In the society of the spectacle, commodities rule the workers and consumers, instead of being ruled by them; i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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