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Máj
''Máj'' (Czech for the month ''May''; ) is a romantic poem by Karel Hynek Mácha in four cantos. It was fiercely criticized when first published, but since then has gained the status of one of the most prominent works of Czech literature; in the Czech Republic, the poem is usually on must-read list for students and is said to be one of the most often published original Czech books with over 250 editions. Setting According to the author's epilogue, the poem is a homage to the beauty of spring. It is set in a bucolic landscape, inspired by such features as a lake then called Big Pond ( cz, Velký rybník), and now called Lake Mácha ( cz, Máchovo jezero), after the poet. The poem's action takes place near the town of Hiršberg. Castles such as Bezděz, Karlštejn, and Křivoklát (Mácha was an avid walker and knew Central Bohemia intimately) also influence the setting of the poem.Marcela Sulak, "Introduction," in Dramatis personae As a dramatic poem (in the byronic sense), t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Hynek Mácha
Karel Hynek Mácha () (16 November 1810 – 5 November 1836) was a Czech romantic poet. Biography Mácha grew up in Prague, the son of a foreman at a mill. He learned Latin and German in school. He went on to study law at Prague University; during that time he also became involved in theatre (as an actor he first appeared in Jan Nepomuk Štěpánek's play ''Czech and German'' in July 1832 in Benešov), where he met Eleonora Šomková, with whom he had a son out of wedlock. He was fond of travel, enjoying trips into the mountains, and was an avid walker. Eventually he moved to Litoměřice, a quiet town some 60 km from Prague, to prepare for law school exams and to write poetry. Three days before he was to be married to Šomková, just a few weeks after he had begun working as a legal assistant, Mácha overexerted himself while helping to extinguish a fire and soon thereafter died of pneumonia. The day after his death had been scheduled as his wedding day in Prague. Mách ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Czech Literature
Czech literature can refer to literature written in Czech, in the Czech Republic (formerly Czechoslovakia, earlier the Lands of the Bohemian Crown), or by Czech people. Most literature in the Czech Republic is now written in Czech, but historically, a considerable part of Czech literary output was written in other languages as well, including Latin and German. Middle Latin works Bohemia was Christianized in the late 9th to 10th centuries, and the earliest written works associated with the kingdom of Bohemia are Middle Latin works written in the 12th to 13th centuries (with the exception of the Latin ''Legend of Christian'', supposedly of the 10th century but of dubious authenticity). The majority of works from this period are chronicles and hagiographies. Bohemian hagiographies focus exclusively on Bohemian saints (Sts. Ludmila, Wenceslas, Procopius, Cyril and Methodius, and Adalbert), although numerous legends about Bohemian saints were also written by foreign authors. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Hynek Macha Grave 479
Karel may refer to: People * Karel (given name) * Karel (surname) * Charles Karel Bouley, talk radio personality known on air as Karel * Christiaan Karel Appel, Dutch painter Business * Karel Electronics, a Turkish electronics manufacturer * Grand Hotel Karel V, Dutch Hotel *Restaurant Karel 5, Dutch restaurant Other * 1682 Karel, an asteroid * Karel (programming language), an educational programming language See also * Karelians or Karels, a Baltic-Finnic ethnic group *''Karel and I'', 1942 Czech film *Karey (other) Karey may refer to: People * Karey Dornetto (fl. 2002–present), American screenwriter * Karey Hanks (fl. 2016–2018), American politician * Karey Kirkpatrick (fl. 1996–present), American screenwriter * Karey Lee Woolsey (born 1976), American ... {{disambiguation ja:カール (人名) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrameter
In poetry, a tetrameter is a line of four metrical feet. The particular foot can vary, as follows: * ''Anapestic tetrameter:'' ** "And the ''sheen'' of their ''spears'' was like ''stars'' on the ''sea''" (Lord Byron, "The Destruction of Sennacherib") ** "Twas the ''night'' before ''Christ''mas when ''all'' through the ''house''" ("A Visit from St. Nicholas") * ''Iambic tetrameter:'' ** "Be''cause'' I ''could'' not ''stop'' for ''Death''" (Emily Dickinson, eponymous lyric) * ''Trochaic tetrameter:'' ** "''Pet''er, ''Pet''er, ''pump''kin-''eat''er" ( English nursery rhyme) * ''Dactylic tetrameter:'' ** ''Pic''ture your ''self'' in a ''boat'' on a ''riv''er with ..(The Beatles, "Lucy in the Sky with Diamonds") * ''Spondaic tetrameter:'' ** ''Long sounds move slow'' * ''Pyrrhic tetrameter'' (with spondees white breast" and "dim sea": ** And the ''white breast'' of the ''dim sea'' * '' Amphibracic tetrameter:'' ** And, ''speak''ing of ''birds'', there's the ''Russ''ian Pa''loo''ski, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactyl (poetry)
A dactyl (; el, δάκτυλος, ''dáktylos'', “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem ''Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gordon Byron
George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824), known simply as Lord Byron, was an English romantic poet and Peerage of the United Kingdom, peer. He was one of the leading figures of the Romantic movement, and has been regarded as among the greatest of English poets. Among his best-known works are the lengthy Narrative poem, narratives ''Don Juan (poem), Don Juan'' and ''Childe Harold's Pilgrimage''; many of his shorter lyrics in ''Hebrew Melodies'' also became popular. Byron was educated at Trinity College, Cambridge, later traveling extensively across Europe to places such as Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to lynching threats. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (foot)
An iamb () or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the grc, ἴαμβος ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and ''thriambus'', but H. S. Versnel rejects this etymology and sugg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foot (prosody)
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, that is, a place where the foot was raised ("arsis") and where it was put down ("thesis") in beating time or in marching or dancing. The Greeks recognised three basic types of feet, the iambic (where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apostrophe (figure Of Speech)
Apostrophe (Greek ἀποστροφή, ''apostrophé'', "turning away"; the final ''e'' being sounded) is an exclamatory figure of speech. It occurs when a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes absent from the scene. Often the addressee is a personified abstract quality or inanimate object. In dramatic works and poetry written in or translated into English, such a figure of speech is often introduced by the vocative exclamation, "O". Poets may apostrophize a beloved, the Muses, God or gods, love, time, or any other entity that can't respond in reality. Examples * "O death, where is thy sting? O grave, where is thy victory?" 1 Corinthians 15:55, Paul the Apostle * "O, pardon me, thou bleeding piece of earth, / That I am meek and gentle with these butchers! / Thou art the ruins of the noblest man / That ever lived in the tide of times." William Shakespeare, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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