My Point Of View
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My Point Of View
''My Point of View'' is the second album by pianist Herbie Hancock. It was released in 1963 on Blue Note Records as BLP 4126 and BST 84126. Musicians featured are trumpeter Donald Byrd, trombonist Grachan Moncur III, tenor saxophonist Hank Mobley, guitarist Grant Green (on two tracks), bassist Chuck Israels and drummer Tony Williams. Overview For his second album, Hancock remained rooted in the hard bop and soul jazz movements. As with his first album, he put together a classic hard bop small group, adding a trombone on three tracks to the trumpet and tenor sax parts he had previously written. Donald Byrd's 1961 album '' Royal Flush'' was Hancock's Blue Note debut. Hank Mobley, like Byrd, was in the midst of recording a long run of Blue Note albums as a leader. Additionally, Hancock added guitarist Grant Green for two songs that had a more pronounced soul jazz feel. With the composition "King Cobra", Hancock worked in the modal jazz idiom, which he used in 1965 when writing t ...
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Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, ''Head Hunters''. Hancock's best-known compositions include " Cantaloupe Island", " Watermelon Man", " Maiden Voyage", and " Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental " Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 200 ...
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Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicia ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Ira Gitler
Ira Gitler (December 18, 1928 – February 23, 2019) was an American jazz historian and journalist. The co-author of ''The Biographical Encyclopedia of Jazz'' with Leonard Feather—the most recent edition appeared in 1999—he wrote hundreds of liner notes for jazz recordings beginning in the early 1950s and wrote several books about jazz and ice hockey, two of his passions.Manhattan School of MusicFaculty: Mr. Ira Gitler. Retrieved Oct. 16, 2008. Jazz Gitler was born at Brooklyn, New York into a Jewish family and grew up listening to swing bands in the late 1930s and 1940s, before discovering the new music of Charlie Parker and Dizzy Gillespie. In the early 1950s, he worked as a producer of recording sessions for the Prestige label. He is credited with coining the term "sheets of sound" in the late 1950s, to describe the playing of John Coltrane. Gitler was the New York editor of ''Down Beat'' magazine during the 1960s and wrote for ''Metronome Magazine'', ''JazzTimes'', ''J ...
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Watermelon Man (composition)
"Watermelon Man" is a jazz standard written by Herbie Hancock for his debut album, '' Takin' Off'' (1962). Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.Strong, Martin Charles (2004). ''The Great Rock Discography: Complete Discographies Listing Every Track''. Canongate. pp. 652–653. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album ''Head Hunters'' (1973).Brackett, Nathan (2004). ''The New Rolling Stone Album Guide''. Simon & Schuster. p. 361. 1963 Herbie Hancock version Hancock wrote the piece to help sell his debut album as a leader, '' Takin' Off'' (1962), on Blue Note Records; it was the first pie ...
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Miles Davis Quintet
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout. First Great Quintet/Sextet (1955–59) In the summer of 1955, after Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Cliffor ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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Maiden Voyage (composition)
"Maiden Voyage" is a jazz composition by Herbie Hancock from his 1965 album '' Maiden Voyage''. It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – with additional saxophonist George Coleman. It is one of Hancock's best-known compositions and has become a jazz standard. The piece was used in a Fabergé commercial and was originally listed on the album's master tape as "TV Jingle" until Hancock's sister came up with the new name. In the liner notes for the ''Maiden Voyage'' album, Hancock states that the composition was an attempt to capture "the splendor of a sea-going vessel on its maiden voyage". While being interviewed for KCET TV in 2011, Hancock considered Maiden Voyage to be his favorite of all of the compositions he had written. Harmonic Structure A modal jazz piece, the composition follows a 32-bar AABA form with only two chords in each section: A7/D , , , , C7/F , , , A7/D , ...
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Modal Jazz
Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece. Although precedents exist, modal jazz was crystallized as a theory by composer George Russell in his 1953 book ''Lydian Chromatic Concept of Tonal Organization''. Though exerting influence to the present, modal jazz was most popular in the 1950s and 1960s, as evidenced by the success of Miles Davis's 1958 composition "Milestones" and 1959 album ''Kind of Blue'', and John Coltrane's quartet from 1960 to 1965;Henry Martin, Keith Waters (2008). ''Essential Jazz: The First 100 Years'', pp. 178-79. . both artists were directly inspired by Russell. Other performers of modal jazz include Chick Corea, Bill Evans, Herbie Hancock, Joe Henderson, Bobby Hutcherson, Pharoah Sanders, Woody Shaw, Wayne Shorter, McCoy Tyner, and Larry Young. History In bebop as well as in hard bop, musicians use chords to provide the background ...
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Royal Flush (album)
''Royal Flush'' is an album by American trumpeter Donald Byrd featuring Byrd with Pepper Adams, Herbie Hancock, Butch Warren, and Billy Higgins recorded in 1961 and released on the Blue Note label as BLP 4101.Donald Byrd discography
accessed August 31, 2010
The album is notable for being pianist 's first Blue Note session to be released.


Reception

The review by

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Soul Jazz
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including tenor saxophone, guitar, and organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, and guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green. Musical style Soul jazz is often associated with hard bop. Mark C. Gridley, writing for the ''All Music Guide to Jazz'', explains that soul jazz more specifically refers to music with "an earthy, bluesy melodic concept" and "repetitive, dance-like rhythms.... Note that some listeners make no distinction between 'soul-jazz' and 'funky hard bop,' and ma ...
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