My Heart Has A Mind Of Its Own (album)
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My Heart Has A Mind Of Its Own (album)
"My Heart Has a Mind of Its Own" is a song written by Howard Greenfield and Jack Keller which was a No. 1 hit for Connie Francis in 1960. Connie Francis recording Francis recorded "My Heart Has a Mind of Its Own" at Radio Recorders studio in Hollywood over three different sessions on July 9, 25, and 31, 1960 with Jesse Kaye and Arnold Maxin acting as producers; Gus Levene arranged the orchestration and conducted. Jack Keller brought one of the LA tapes back to New York for a Sax & Guitar overdub at Olmstead Studios. Artie Kaplan and Al Gorgoni were brought in for the sax and guitar overdub. Several takes from these sessions are still extant. The original MGM K 12923 single utilized Take 49 (recorded July 31, 1960) but two weeks into release this was replaced by Take 37 (recorded July 25, 1960) at the behest of Francis and the song's writers. "My Heart Has a Mind of Its Own" became Francis' second consecutive A-side to top the ''Billboard'' Hot 100 reaching No. 1 on the chart d ...
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Connie Francis
Concetta Rosa Maria Franconero (born December 12, 1937), known professionally as Connie Francis, is an American pop singer, actress, and top-charting female vocalist of the late 1950s and early 1960s. Called the “First Lady of Rock & Roll” in one headline of a marginal publication, she is estimated to have sold more than 100 million records worldwide. In 1960, Francis was recognized as the most successful female artist in Germany, Japan, England, Italy, Australia and in every other country where records were purchased. She was the first woman in history to reach No. 1 on the ''Billboard'' Hot 100, just one of her other 53 career hits. Biography 1937–1955: Early life and first appearances Francis was born to an Italian-American family in the Ironbound neighborhood of Newark, New Jersey, the first child of George and Ida (née Ferrari-di Vito) Franconero, spending her first years in the Crown Heights, Brooklyn area (Utica Avenue/St. Marks Avenue) before the family moved to ...
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Where The Boys Are
''Where the Boys Are'' is a 1960 American CinemaScope comedy film directed by Henry Levin and starring Connie Francis, Dolores Hart, Paula Prentiss, George Hamilton, Yvette Mimieux, Jim Hutton, and Frank Gorshin. It was written by George Wells based on the 1960 novel of the same name by Glendon Swarthout. The screenplay concerns four college co-eds who spend spring break in Fort Lauderdale. The title song "Where the Boys Are" was sung by Connie Francis, who also co-starred in a supporting role. ''Where the Boys Are'' was one of the first teen films to explore adolescent sexuality and the changing sexual morals and attitudes among American college youth. Aimed at the teen market, it inspired many American college students to head to Fort Lauderdale for their annual spring break. It won Laurel Awards for Best Comedy of the Year and Best Comedy Actress (Paula Prentiss). Plot The film mainly focuses on the "coming of age" of four girl students at a midwestern university durin ...
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Nashville Sound
The Nashville Sound originated during the mid-1950s as a subgenre of American country music, replacing the chart dominance of the rough honky tonk music, which was most popular in the 1940s and 1950s, with "smooth strings and choruses", "sophisticated background vocals" and "smooth tempos" associated with traditional pop. It was an attempt "to revive country sales, which had been devastated by the rise of rock 'n' roll" as a distinct genre from the rockabilly spawned from it. Origins The Nashville Sound was pioneered by staff at RCA Victor, Columbia Records and Decca Records in Nashville, Tennessee. RCA Victor manager, producer and musician Chet Atkins, and producers Steve Sholes, Owen Bradley and Bob Ferguson, and recording engineer Bill Porter invented the form by replacing elements of the popular honky tonk style (fiddles, steel guitar, nasal lead vocals) with "smooth" elements from 1950s pop music (string sections, background vocals, crooning lead vocals), and using "slick ...
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Sandy Posey
Sandy Posey (born Sandra Lou Posey, June 18, 1944) is an American popular singer who enjoyed success in the 1960s with singles such as her 1966 recording of Martha Sharp's compositions "Born a Woman" and "Single Girl". She is often described as a country singer, although, like Skeeter Davis (to whom she has been frequently compared), her output has varied. Later in her career, the term "countrypolitan", associated with the "Nashville sound", was sometimes applied.
Posey had four hit singles in the , three of which peaked at number 12 on the .


Session singer

Posey was born in

Oklahoma Girl
''Oklahoma Girl'' is a compilation album by American country music singer Reba McEntire. It was released in October 1994 by Mercury Records. The tracks included are primarily minor hits released before she became a superstar in the 1980s and 1990s on MCA Records MCA Records was an American record label owned by MCA Inc., which later became part of Universal Music Group. Pre-history MCA Inc., a powerful talent agency and a television production company, entered the recorded music business in 1962 wit .... No new material was recorded for this compilation, although seven previously unreleased songs from McEntire were found on the compilation. This compilation features all her solo Mercury singles except "Glad I Waited Just for You" and "One to One". Track listing References {{Authority control Reba McEntire compilation albums 1994 compilation albums Mercury Records compilation albums ...
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Reba McEntire
Reba Nell McEntire (born March 28, 1955), or simply Reba, is an American country music singer and actress. Dubbed " the Queen of Country", she has sold more than 75 million records worldwide. Since the 1970s, McEntire has placed over 100 singles on the '' Billboard'' Hot Country Songs chart, 25 of which reached the number one spot. She is an actress in films and television. She starred in the television series '' Reba'', which aired for six seasons. She also owns several businesses, including a clothing line. One of four children, McEntire was born and raised in the state of Oklahoma. With her mother's help, she and her siblings formed the Singing McEntires, which played at local events and recorded for a small label. McEntire later enrolled at Southeastern Oklahoma State University and studied to become a public school teacher. She also continued to occasionally perform and was heard singing at a rodeo event by country performer Red Steagall. Drawn to her singing voice, Steaga ...
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Debby Boone
Deborah Anne Boone (born September 22, 1956) is an American singer, author, and actress. She is best known for her 1977 hit, "You Light Up My Life (song), You Light Up My Life", which spent ten weeks at No. 1 on the Billboard Hot 100, ''Billboard'' Hot 100 chart and led to her winning the Grammy Award for Best New Artist the following year. Boone later focused her music career on country music, resulting in the 1980 No. 1 country hit "Are You on the Road to Lovin' Me Again". In the 1980s, she recorded Christian music which garnered her four top 10 Contemporary Christian music, Contemporary Christian albums as well as two more Grammys. Throughout her career, Boone has appeared in several musical theater productions and has co-authored many children's books with her husband Gabriel Ferrer. Biography Beginnings Debby Boone was born in Hackensack, New Jersey, the third of four daughters born to singer-actor Pat Boone and Shirley Foley Boone, daughter of country music star Red Foley ...
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Susan Raye
Susan Raye (born October 8, 1944) is an American country music singer. She enjoyed great popularity during the early and mid-1970s, and chalked up seven top-10 and 19 top-40 country hits, most notably the song " L.A. International Airport", an international crossover pop hit in 1971. Raye was a protegee of country music singer Buck Owens. Owens and Raye recorded a number of hit albums and singles together, and were one of the most successful country duet acts of the era, in addition to their solo careers. Early life Years before success She was born in Eugene, Oregon, United States. Raye first began singing with a high-school rock group, but in 1961, after the band called it quits, she auditioned for a local country station, KWAY (previously KFGR/KRWC). She performed on the station's live Saturday morning country and western show. Not only did she begin performing on the radio, but she also landed work as a disc jockey, eventually becoming the host of a Portland TV program call ...
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My Heart Has A Mind Of Its Own (album)
"My Heart Has a Mind of Its Own" is a song written by Howard Greenfield and Jack Keller which was a No. 1 hit for Connie Francis in 1960. Connie Francis recording Francis recorded "My Heart Has a Mind of Its Own" at Radio Recorders studio in Hollywood over three different sessions on July 9, 25, and 31, 1960 with Jesse Kaye and Arnold Maxin acting as producers; Gus Levene arranged the orchestration and conducted. Jack Keller brought one of the LA tapes back to New York for a Sax & Guitar overdub at Olmstead Studios. Artie Kaplan and Al Gorgoni were brought in for the sax and guitar overdub. Several takes from these sessions are still extant. The original MGM K 12923 single utilized Take 49 (recorded July 31, 1960) but two weeks into release this was replaced by Take 37 (recorded July 25, 1960) at the behest of Francis and the song's writers. "My Heart Has a Mind of Its Own" became Francis' second consecutive A-side to top the ''Billboard'' Hot 100 reaching No. 1 on the chart d ...
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Downtown Country
''Downtown Country'' is the sixth studio album by American country singer Connie Smith. It was released in January 1967 by RCA Victor. ''Downtown Country'' was the second of Smith's albums to include string instrumentation to help create a pop-influenced sound. The album also featured the single " The Hurtin's All Over", which reached the top five of the ''Billboard'' country chart. The album itself reached the top five of Country LP's chart following its initial release. Background Connie Smith first reached a commercial breakthrough with 1964's "Once a Day", which topped the country songs chart for eight weeks. It brought several more follow-up singles into the top five including "If I Talk to Him" (1965) and "Then and Only Then" (1965). RCA Victor producers Chet Atkins and Bob Ferguson (the former was Smith's producer) saw opportunities in crossover pop music. This prompted the pair to encourage several artists to record softer pop material, including Smith. Bob Ferguson arrang ...
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Connie Smith
Connie Smith (born Constance June Meador; August 14, 1941) is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years. Discovered in 1963, Smith signed with RCA Victor Records the following year and remained with the label until 1973. Her debut single "Once a Day" was nominated at the Grammy Awards for Best Female Country Vocal Performance and reached number one on the '' Billboard'' Hot Country Songs chart in November 1964 and remained at the top position for eight weeks, the first time a female artist had achieved this feat, with Smith holding the record for over 50 years until it was broken by Trisha Yearwood. The song became S ...
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Crossover (music)
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, (especially in the United States) when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a " Hot 100" list, the work is not a ''crossover''. In some contexts the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sac ...
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