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Muthiah Bhagavathar
Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 '' ragas''. Early life Muthiah was born on 15 November 1877, in Harikesanallur, a small village in the Tirunelveli district of Tamil Nadu in India, into an affluent Brahmin Tamil family. He was exposed to music from a very early age, as his father was a patron of musicians. He lost his father at the young age of six years, and his maternal uncle M. Lakshmana Suri took over the responsibility for his education, initiating Muthiah into Sanskrit and Vedic studies. However, the love of music that had been implanted in him led Muthiah to leave his hometown of Harikesanallur, Tamil Nadu when he was only ten years in search of a teacher. He found the gifted teacher Padinaindumandapa Sambasiva Iyer at Tiruvarur, who recognised Muthiah's talent for music. Sambasiva Iyer was the father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harikesanallur
Arikesavanallur is a village in Ambasamuthiram Taluk, Tirunelveli district, Tamil Nadu, India. This village derives its name from the King Nindraseer Nedumaran who was also called as Harikesa. This village is known for the Temple of Lord Shiva, Ariyanadaswamy Temple. This temple is more than 1100 years old. References Notable people * Muthiah Bhagavatar Carnatic music composer * Harikesanallur Venkataraman, Astrologer * Rasulmansur MOHAMMED, Automotive Expert * T. L. Venkatarama Iyer, Carnatic music Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is ... musicologist, Supreme Court Judge External links Shiva Temple, Harikesanallur Villages in Tirunelveli district {{Tirunelveli-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varnam
Varṇam is a type of composition in the Carnatic music system consisting of short metric pieces which encapsulate the main features (patterns of notes) of a ''raga''. Varnams capture the ''raga bhavam'', ''ranjaka prayogas'' ''visesha sancharas'', etc. ''Dhatu'' and ''janta prayogas'' (phrase usage) are usually part of a varnam. Understanding of these aspects is key to developing ''manodharma sangeetham'' (i.e., improvisation aspects of Carnatic music such as ''raga aalapana'', ''swara kalpana'', ''neraval'', etc.). Known for their complex structure, varnams are a fundamental form in Carnatic music. All varnams consist of lyrics, Bradnock (1992), p631 as well as ''swara'' passages, including a ''pallavi'', an '' anupallavi'', ''muktaayi swaras'', a ''charanam'', and '' chitta swaras''. There are different types of varnams, such as ''taana varnam'', ''pada varnam'', ''daru varnam'' and ''ragamalika varnam''. They also come in different ''taalams'' (beat cycles). Though the mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottuvadhyam
The chitravina ( sa, चित्रवीणा) (also known as chitra veena, chitraveena, chitra vina, hanumad vina, or mahanataka vina) is a 20 or 21-string fretless lute-style veena in Carnatic music. Around the late 19th and early 20th centuries, it started to be known by another name, Gotuvadyam (often mis-spelt as gottuvadyam, and kottuvadyam etc.), which was bestowed upon it by Sakha Rama Rao from Tiruvidaimarudur, who was responsible for bringing it back to the concert scene. Today it is played mainly in South India, though its origins can be traced back to Bharata's Natya Shastra (200 BCE-200 CE), where it is mentioned as a seven string fretless instrument. Sarangadeva (1210–47) also made a similar reference to the chitravina in his work, Sangita Ratnakara. Recent history The ''chitravina'' was popularised in South India by Sakha Rama Rao before his disciple Gotuvadyam Narayana Iyengar (1903 - 1959), who was a palace musician of the erstwhile states of Travanco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madurai Mani Iyer
Madurai Mani Iyer ( ta, மதுரை மணி ஐயர்; 25 October 1912 – 8 June 1968) was an Indian Carnatic music singer, who was famous for his unique style. He was one of the most highly celebrated carnatic vocalists during the first half of the 20th century. He was renowned for his adept skills at singing kalpana swarams, neraval, and raga alapana. His music continues to be highly regarded today. Early life Madurai Mani Iyer, whose original name was Subramanian, was born to M. S. Ramaswamy Iyer and Subbulakshmi in Madurai on 25 October 1912. His father, a Sub-court Clerk, was the brother of the famous Vidwan Pushpavanam, who was a great classical musician himself. Mani Iyer's tutelage in music started at the age of nine. His first guru was Sri Rajam Bhagavathar who was Disciple of Ettayapuram Ramachandra Bhagavathar. Through Rajam Bhagavathar, he came in close contact with the great musician and composer, Gayakasikhamani Harikesanallur Muthiah Bhagavatar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohanakalyani
Mohanakalyani is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāgam (derived scale) from the 65th ''melakarta'' scale Mechakalyani. It is a ''janya'' scale, as it does not have all the seven ''swaras'' (musical notes) in the ascending scale. It is a combination of the pentatonic scale ''Mohanam'' and the Melakarta raga scale '' Kalyani''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications This ragam can be considered as a Prati Madhyamam equivalent of Bilahari, the janya of 29th Melakartha Dheerashankarabharanam. The equivalent of ''Mohanakalyani'' in Hindustani music is ''Bhoop Kalyan'' or ''Shuddha Kalyan''.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Bhoop Kalyan'' belongs to the ''Kalyan'' thaat of Hindustani music. Similar to ''Mohanakalyani'', ''Bhoop Kalyan'' is a combination of '' Bhoop'' and ''Kalyan''. This rāgam is believed to be invented by Swati Tirunal Maharaja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanmukhapriya
Shanmukhapriya is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 56th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Chāmaram in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Many compositions on Lord Murugan and Lord Shiva are based on this raaga. Structure and Lakshana It is the 2nd rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Sri''. The mnemonic phrase is ''sa ri gi mi pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : This scale uses the ''swaras chatushruti rishabham, sadharana gandharam, prati madhyamam, shuddha dhaivatam'' and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niroshta
Niroshta is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a pentatonic scale (''audava''/''owdava'' rāgam). It is a derived scale (''janya'' rāgam), as it does not have all the seven ''swaras'' (musical notes). ''Niroshta'' literally means without the lips.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras If the lips do not meet / touch, then the notes ''Ma'' and ''Pa'' cannot be uttered. This scale does not use either note and hence the name. It is a very pleasing rāgam. Structure and Lakshana ''Niroshta'' is a symmetric pentatonic scale (''audava-audava'' ragam''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications in Carnatic music classification – ''audava'' meaning 'of 5') that does not contain ''madhyamam'' and ''panchamam''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telugu Language
Telugu (; , ) is a Dravidian language spoken by Telugu people predominantly living in the Indian states of Andhra Pradesh and Telangana, where it is also the official language. It is the most widely spoken member of the Dravidian language family and one of the twenty-two scheduled languages of the Republic of India. It is one of the few languages that has primary official status in more than one Indian state, alongside Hindi and Bengali. Telugu is one of six languages designated as a classical language (of India) by the Government of India. Telugu is also a linguistic minority in the states of Karnataka, Tamil Nadu, Maharashtra, Gujarat, Chhattisgarh, Orissa, West Bengal, and the union territories of Puducherry and Andaman and Nicobar Islands. It is also spoken by members of the Telugu diaspora spread across countries like United States, Australia, United Kingdom, Canada, New Zealand in the Anglosphere; Myanmar, Malaysia, South Africa, Mauritius; and the Arabian Gulf count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
