Mussorgsky
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Mussorgsky
Modest Petrovich Mussorgsky ( rus, link=no, Модест Петрович Мусоргский, Modest Petrovich Musorgsky , mɐˈdɛst pʲɪˈtrovʲɪtɕ ˈmusərkskʲɪj, Ru-Modest Petrovich Mussorgsky version.ogg; – ) was a Russian composer, one of the group known as "The Five (composers), The Five". He was an innovator of Music of Russia, Russian music in the Romantic music, Romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music. Many of List of compositions by Modest Mussorgsky, his works were inspired by Russian history, Russian folklore, and other national themes. Such works include the opera ''Boris Godunov (opera), Boris Godunov'', the orchestral tone poem ''Night on Bald Mountain'' and the piano suite ''Pictures at an Exhibition''. For many years, Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compos ...
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Pictures At An Exhibition
''Pictures at an Exhibition'', french: Tableaux d'une exposition, link=no is a suite (music), suite of ten piano pieces, plus a recurring, varied Promenade theme, composed by Russian composer Modest Mussorgsky in 1874. The piece is Mussorgsky's most famous piano composition, and it has become a showpiece for virtuoso pianists. It became further widely known through various orchestrations and arrangements produced by other composers and musicians, with Maurice Ravel's 1922 adaptation for full symphony orchestra being the most recorded and performed. Composition history The composition is based on pictures by the artist, architect, and designer Viktor Hartmann. It was probably in 1868 that Mussorgsky first met Hartmann, not long after the latter's return to Russia from abroad. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends. They likely met in the home of the influential critic Vladimir Stasov, who followed both of their careers with i ...
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Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama '' Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ...
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List Of Compositions By Modest Mussorgsky
The following is a list of compositions by Russian composer, Modest Mussorgsky. Combined sortable list This is a sortable list. Press the button next to the criterion you would like to use to sort the list. The default sort order may be restored by refreshing your browser. ''Note'': The publication date is the first known date of publication, regardless of edition or fidelity to the composer's original score. Detailed list by category Operas Orchestral works Piano works Choral works Songs ''Youthful Years'' ''Youthful Years: A Collection of Romances and Songs'' (russian: Юные годы: сборник романсов и песен, translit=Yunïуе godï: sbornik romansov i pesen) is a bound series of 18 manuscripts of songs by Mussorgsky, the existence of which was announced by Charles Malherbe in 1909. # "Where Art Thou, Little Star?" # "The Joyous Hour" # "The Leaves Rustled Sadly" # "Many Are My Palaces and Gardens" # "A Prayer" # "Tell Me Why, Gent ...
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Night On Bald Mountain
''Night on Bald Mountain'' (russian: Ночь на лысой горе, translit=Noch′ na lysoy gore, links=no), also known as ''Night on the Bare Mountain'', is a series of compositions by Modest Mussorgsky (1839–1881). Inspired by Russian literary works and legend, Mussorgsky composed a "musical picture", ''St. John's Eve on Bald Mountain'' (russian: Иванова ночь на лысой горе, translit=Ivanova noch′ na lysoy gore, links=no) on the theme of a Witches' Sabbath occurring at Bald Mountain on St. John's Eve, which he completed on that very night, 23 June 1867. Together with Nikolai Rimsky-Korsakov's ''Sadko'' (1867), it is one of the first tone poems by a Russian composer. Although Mussorgsky was proud of his youthful effort, his mentor, Mily Balakirev, refused to perform it. To salvage what he considered worthy material, Mussorgsky attempted to insert his ''Bald Mountain'' music, recast for vocal soloists, chorus, and orchestra, into two subsequent pro ...
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Musorgskiy And Brother
''Mussorgsky'' (russian: Мусоргский, Musorgskiy) is a 1950 Soviet biopic film directed by Grigori Roshal, about the emergence of Russian composer Modest Mussorgsky. It was entered into the 1951 Cannes Film Festival. Plot The film tells about the activities of the association of composers " The Five", who were drawing inspiration from Russian folk art. Like many representatives of the Russian intelligentsia, members of this musical community were imbued with the plight of the peasants and sought to write works that would draw people's attention to this poorest layer of society. The young composer Modest Mussorgsky decides to devote his life to music and to make it the property of the people. Only his mother supports his “ignoble” undertakings. The young man leaves military service and ponders writing a work about the peasants, together with members of The Five. The Imperial Musical Society is not pleased with the activities of composers; it excludes Mily Balakirev ...
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The Five (composers)
The Five ( rus, link=no, Могучая кучка, lit. ''Mighty Bunch''), also known as the Mighty Handful, The Mighty Five, and the New Russian School, were five prominent 19th-century Russian composers who worked together to create a distinct national style of classical music: Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin. They lived in Saint Petersburg, and collaborated from 1856 to 1870. History Name In May 1867 the critic Vladimir Stasov wrote an article, titled ''Mr. Balakirev's Slavic Concert'', covering a concert that had been performed for visiting Slav delegations at the "All-Russian Ethnographical Exhibition" in Moscow. The four Russian composers whose works were played at the concert were Mikhail Glinka, Alexander Dargomyzhsky, Mily Balakirev, and Nikolai Rimsky-Korsakov. The article ended with the following statement: The expression "mighty handful" (russian: Могучая кучка, ''Moguchaya ku ...
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Mily Balakirev
Mily Alexeyevich Balakirev (russian: Милий Алексеевич Балакирев,BGN/PCGN transliteration of Russian: Miliy Alekseyevich Balakirev; ALA-LC system: ''Miliĭ Alekseevich Balakirev''; ISO 9 system: ''Milij Alekseevič Balakirev''. ; – )Russia was still using old style dates in the 19th century, and information sources used in the article sometimes report dates as old style rather than new style. Dates in the article are taken verbatim from the source and therefore are in the same style as the source from which they come. was a Russian composer, pianist, and conductor known today primarily for his work promoting musical nationalism and his encouragement of more famous Russian composers, notably Pyotr Ilyich Tchaikovsky. He began his career as a pivotal figure, extending the fusion of traditional folk music and experimental classical music practices begun by composer Mikhail Glinka. In the process, Balakirev developed musical patterns that could express ove ...
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Vladimir Stasov
Vladimir Vasilievich Stasov (also Stassov; rus, Влади́мир Васи́льевич Ста́сов; 14 January Adoption_of_the_Gregorian_calendar#Adoption_in_Eastern_Europe.html" ;"title="/nowiki> O.S._2_January.html" ;"title="Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January">Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January/small> 1824 – 23 October .S. 10 October/small> 1906), was a Russian critic of music and art. Born into a wealthy, noble family Stasov became a prominent figure in mid-19th-century Russian culture. He discovered a large number of its greatest talents, inspired many of their works and fought their battles in numerous articles and letters to the press. As such, he carried on a lifelong debate with Russian novelist and playwright Ivan Turgenev, who considered Stasov "our great all-Russian critic." He wanted Russian art to liberate itself from what he saw as Europe's hold. By copying the west, he ...
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Feodor Chaliapin
Feodor Ivanovich Chaliapin ( rus, Фёдор Ива́нович Шаля́пин, Fyodor Ivanovich Shalyapin, ˈfʲɵdər ɪˈvanəvʲɪtɕ ʂɐˈlʲapʲɪn}; April 12, 1938) was a Russian opera singer. Possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses and is often credited with establishing the tradition of naturalistic acting in his chosen art form. During the first phase of his career, Chaliapin endured direct competition from three other great basses: the powerful (1869–1942), the more lyrical (1871–1948), and Dmitri Buchtoyarov (1866–1918), whose voice was intermediate between those of Sibiriakov and Kastorsky. The fact that Chaliapin is far and away the best remembered of this magnificent quartet of rival basses is a testament to the power of his personality, the acuteness of his musical interpretations, and the vividness of his performances. Spelling note He himself spelled his surname, French-style ...
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Nikolai Golovanov
Nikolai Semyonovich Golovanov (russian: Никола́й Семёнович Голова́нов, Nikoláy Semyónovich Golovánov) ( Adoption_of_the_Gregorian_calendar#Adoption_in_Eastern_Europe.html" ;"title="/nowiki> o.s._9.html" ;"title="Adoption of the Gregorian calendar#Adoption in Eastern Europe">o.s. 9">Adoption of the Gregorian calendar#Adoption in Eastern Europe">o.s. 9/nowiki> 21 January 1891 – 28 August 1953), PAU, was a Soviet conductor and composer, who was married to the soprano Antonina Nezhdanova. He conducted the premiere performances of a number of works, among them Nikolai Myaskovsky's Sixth Symphony in May 1924. Golovanov held some of the highest musical positions in the USSR, including an extensive association with the Bolshoi Opera. In her autobiography, Galina Vishnevskaya terms him the theater's chief conductor, and tells of his dismissal from the Bolshoi and his death - which she attributed to the humiliation of the experience of losing this po ...
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Music Of Russia
Music of Russia denotes music produced from Russia and/or by Russians. Russia is a large and culturally diverse country, with many ethnic groups, each with their own locally developed music. Russian music also includes significant contributions from ethnic minorities, who populated the Russian Empire, the Soviet Union and modern-day Russia. Russian music went through a long history, beginning from ritual folk songs and the sacred music of the Russian Orthodox Church. The 19th century saw the rise of highly acclaimed Russian classical music, and in the 20th century major contributions by various composers such as Igor Stravinsky as well as Soviet composers, while the modern styles of Russian popular music developed, including Russian rock, Russian hip hop and Russian pop. History Early history Written documents exist that describe the musical culture of the Rus'. The most popular kind of instruments in medieval Russia were thought to have been string instruments, such as the ...
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Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ...
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