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Musical Settings Of Sayings Of Jesus On The Cross
Musical settings of sayings of Jesus on the cross are compositions which set seven short phrases uttered by Jesus on the cross, as gathered from the four Christian Gospels narrating the Crucifixion of Jesus. Several composers have written musical settings of the traditional collection of seven sayings, sometimes called ''Seven Last Words'' and ''ultima septem verba'', for various combinations of voice and/or instruments. Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled ''Die sieben letzten Worte unseres Erlösers am Kreuze'' (The seven last words of our Redeemer on the cross). Chronological list of settings Early Latin motet settings of the ''ultima septem verba'' can be found from 1500. 17th century * Heinrich Schütz: '' Die sieben Worte Jesu Christi am Kreuz,'' SWV 478 (1645), German cantata * Augustin Pfleg ...
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Sayings Of Jesus On The Cross
The sayings of Jesus on the cross (sometimes called the Seven Last Words from the Cross) are seven expressions biblically attributed to Jesus during his crucifixion. Traditionally, the brief sayings have been called "words". The seven sayings are gathered from the four canonical gospels. In Matthew and Mark, Jesus cries out to God. In Luke, he forgives his killers, reassures the penitent thief, and commends his spirit to the Father. In John, he speaks to his mother, says he thirsts, and declares the end of his earthly life. This is an example of the Christian approach to the construction of a gospel harmony, in which material from different gospels is combined, producing an account that goes beyond each gospel. Since the 16th century, these sayings have been widely used in sermons on Good Friday, and entire books have been written on theological analysis of them. The Seven Last Words from the Cross are an integral part of the liturgy in the Anglican, Catholic, Protestant, a ...
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Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ...
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Tim Rice
Sir Timothy Miles Bindon Rice (born 10 November 1944) is an English lyricist and author. He is best known for his collaborations with Andrew Lloyd Webber, with whom he wrote, among other shows, ''Joseph and the Amazing Technicolor Dreamcoat'', '' Jesus Christ Superstar'', and '' Evita''; with Björn Ulvaeus and Benny Andersson of ABBA, with whom he wrote ''Chess''; and with Disney on ''Aladdin, The Lion King'', the stage adaptation of '' Beauty and the Beast'', and the original Broadway musical '' Aida''. He also wrote lyrics for the Alan Menken musical ''King David'', and for DreamWorks Animation's '' The Road to El Dorado''. Rice was knighted by Elizabeth II for services to music in 1994. He has a star on the Hollywood Walk of Fame, is an inductee into the Songwriter's Hall of Fame, is a Disney Legend recipient, and is a fellow of the British Academy of Songwriters, Composers, and Authors. In addition to his awards in the UK, he is one of seventeen artists to have won a ...
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Jesus Christ Superstar
''Jesus Christ Superstar'' is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospels' accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centered on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly contain many intentional anachronisms. Initially unable to get backing for a stage production, the composers released it as a concept album, the success of which led to the show's Broadway on-stage debut in 1971. By 1980, the musical had grossed more than worldwide. Running for over eight years in London between 1972 and 1980, it held the record for longest-running West End musical before it was overtaken by ...
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Alan Ridout
Alan Ridout (9 December 1934 – 19 March 1996) was a British composer and teacher. Life Born in West Wickham, Kent, England, Alan Ridout studied briefly at the Guildhall School of Music before commencing four years of study at the Royal College of Music, London with Herbert Howells and Gordon Jacob. He was later taught by Michael Tippett, Peter Fricker and (under a Dutch government scholarship) Henk Badings.Miall, Peter.Obituary: Alan Ridout in ''The Independent'', 23 October, 2011 He went on to teach at the Royal College of Music, the University of Birmingham, the University of Cambridge, the University of London, and at The King's School, Canterbury. He also broadcast musical talks on the radio. Alan Ridout lived for much of his life in Canterbury, but after a serious heart attack in 1990 he moved to France, settling in the town of Vitré, Brittany, before moving on to Caen at the very end of his life. Music Ridout's style is mostly tonal, though in younger life ...
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Knut Nystedt
Knut Nystedt (3 September 1915 – 8 December 2014) was a Norwegian orchestral and choral composer. Early life Nystedt was born in Kristiania (now Oslo), Norway, and grew up in a Christian home where hymns and classical music were an important part of everyday life. His major compositions for choir and vocal soloists are mainly based on texts from the Bible or sacred themes. Old church music, especially Palestrina and Gregorian chants, have had a major influence on his compositions. Career Nystedt studied with Aaron Copland among others. He was the organist in the Torshov Church in Oslo from 1946 to 1982 and taught choir conducting at the University of Oslo from 1964 to 1985. Nystedt founded and conducted the Norwegian Soloists' Choir from 1950 to 1990. He also founded and conducted the Schola Cantorum from 1964 to 1985. The choir Ensemble 96 published "Immortal Nystedt" in 2005. This CD was nominated in two categories in the 2007 Grammy Awards and was the first Norwegian ...
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Charles Tournemire
Charles Arnould Tournemire (22 January 1870 – 3 or 4 November 1939) was a French composer and organist, notable partly for his improvisations, which were often rooted in the music of Gregorian chant. His compositions include eight symphonies (one of them choral), four operas, twelve chamber works and eighteen piano solos. He is mainly remembered for his organ music, the best known being a set of pieces called ''L'Orgue mystique''. Biography Born in Bordeaux, Tournemire moved in adolescence to Paris, and there became one of César Franck's three youngest students (the other two were Henri Büsser and a Belgian, Guillaume Lekeu, the latter having been born only two days before Tournemire). From 1898 (on the resignation of Gabriel Pierné) to 1939, Tournemire served as the ''organiste titulaire'' at Franck's old church, the Basilique Ste-Clotilde, Paris. He was also professor of chamber music at the Paris Conservatoire. In 1931, he published a biography of Franck. A year b ...
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Fernand De La Tombelle
Antoine Louis Joseph Gueyrand Fernand Fouant de La Tombelle (3 August 1854 – 13 August 1928) was a French organist and composer. Life Born in Paris, Fernand de La Tombelle had piano lessons in his childhood with his mother Louise Gueyraud, a pupil of Sigismund Thalberg and Franz Liszt. From the age of eighteen he took private organ and harmony lessons with Alexandre Guilmant. At the Conservatoire de Paris he studied counterpoint, fugue and composition with Théodore Dubois. For his compositions he was twice awarded the gold medal at the Grand Prix Pleyel. In the following years he performed as a concert organist throughout France. From 1896 to 1904, he was the first harmony teacher at the Schola Cantorum.Kurt Lueders, "La Tombelle, (Antoine Louis Joseph Gueyrand) Fernand Baron Fouant de", in ''Die Musik in Geschichte und Gegenwart'', biographical part, vol. 10 (Kassel: Bärenreiter, 2003), c. 1316. Among his students were Louis Boyer, Auguste Leguenant, Marc de Ranse, Blanche ...
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Isaac Watts
Isaac Watts (17 July 1674 – 25 November 1748) was an English Congregational minister, hymn writer, theologian, and logician. He was a prolific and popular hymn writer and is credited with some 750 hymns. His works include "When I Survey the Wondrous Cross", "Joy to the World", and " Our God, Our Help in Ages Past". He is recognized as the "Godfather of English Hymnody"; many of his hymns remain in use today and have been translated into numerous languages. Life Watts was born in Southampton, Hampshire, England, in 1674 and was brought up in the home of a committed religious nonconformist; his father, also Isaac Watts, had been incarcerated twice for his views. Watts had a classical education at King Edward VI School, Southampton, learning Latin, Greek, and Hebrew. Watts displayed a propensity for rhyme from an early age. He was once asked why he had his eyes open during prayers, to which he responded: He received corporal punishment for this, to which he cried: Watts ...
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Sacred Harp
Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from ''The Sacred Harp'', a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ever since. Sacred Harp music represents one branch of an older tradition of American music that developed over the period 1770 to 1820 from roots in New England, with a significant, related development under the influence of "revival" services around the 1840s. This music was included in, and became profoundly associated with, books using the shape note style of notation popular in America in the 18th and early 19th centuries. Sacred Harp music is performed ''a cappella'' (voice only, without instruments) and originated as Protestant music. The music and its notation The name of the tradition comes from the title of the shape-no ...
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Edmund Dumas
Edmund Dumas (February 15, 1810 – October 22, 1882) was an American Primitive Baptist minister, politician, and musician today remembered for his association with the Sacred Harp movement. Dumas was the son of Benjamin F. Dumas and Martha Ussery, and through his father was the descendant of Huguenot refugees who had first settled in Jamestown, Virginia in 1700. He was born in a part of Richmond County, North Carolina that is today located in Montgomery County, but at the age of four moved with his family to Georgia, where they settled in Putnam County. In 1821 they moved again, this time to Monroe County, Georgia. Dumas married Isabel Martha Gibson in 1830; the couple were the parents of thirteen children. A circuit rider, Dumas spent over forty years as a Primitive Baptist minister, founding the Union Primitive Baptist Church in Goggins, Georgia in 1837. He was prominent in the community, being active as a local judge in Montgomery County and serving in the Georgia House ...
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Théodore Dubois
Clément François Théodore Dubois (24 August 1837 – 11 June 1924) was a French Romantic composer, organist, and music teacher. After study at the Paris Conservatoire, Dubois won France's premier musical prize, the Prix de Rome in 1861. He became an organist and choirmaster at several well-known churches in Paris, and at the same time was a professor in the Conservatoire, teaching harmony from 1871 to 1891 and composition from 1891 to 1896, when he succeeded Ambroise Thomas as the Conservatoire's director. He continued his predecessor's strictly conservative curriculum and was forced to retire early after a scandal erupted over the faculty's attempt to rig the Prix de Rome competition to prevent the modernist Maurice Ravel from winning. As a composer, Dubois was seen as capable and tasteful, but not strikingly original or inspired. He hoped for a career as an opera composer, but became better known for his church compositions. His books on music theory were influential, and rem ...
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