Musical Antiquarian Society
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Musical Antiquarian Society
The Musical Antiquarian Society was a British society established in 1840. It published, during seven years, 19 volumes of choral music from the 16th and 17th centuries. History The society was established in 1840 "for the publication of scarce and valuable works by the early English composers", and started publications in November of that year. Examples of old English melody had been reproduced in ''A Collection of National English Airs'', then recently completed, and this society was designed to provide examples of the English school of harmony in and after the madrigalian era. As motets, madrigals, and other choral music were originally published only in separate parts, it became necessary, for this object, to reproduce them in score. The separate parts were difficult to obtain, and not in all cases correct; the editors had therefore a considerable amount of labour, and occasionally of thought, in making the scores. Nevertheless, the duties were cheerfully undertaken by eminent ...
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Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ...
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Edward John Hopkins
Dr. Edward John Hopkins FRCO (30 June 1818 - 4 February 1901) was an English English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national ide ... organist and composer. Life He was born on 30 June 1818 in Westminster. He was the eldest son of George Hopkins, a clarinet player who played with the orchestra of the Royal Opera House. Two of his brothers, John and Thomas Hopkins, also became organists – John at Rochester Cathedral and Thomas at St Saviour's Church, York. His uncle Edward Hopkins was also an outstanding clarinettist and bandmaster of the Scots Guards in 1815.''The Musical Times'' (September 1, 1897) p. 585, H.W. Gray, New York; Novello, London In 1826 he became a chorister of the Chapel Royal under William Hawes and sang at the coronation of King William IV in Westminster Abbey in 183 ...
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John Bull (composer)
John Bull (1562/63 – 12/13 March 1628) was an English composer, organist, virginalist and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. Life and career Bull's place of birth is uncertain. In an article published in 1952, Thurston Dart presumed that Bull's family originated in Somerset, where it is possible the composer was born. It was the 17th-century antiquarian Anthony Wood who first proposed that he was related to the Bull family of Peglich, Somerset, but in 1959 Dart wrote that Bull was ''probably the son of a London goldsmith…''. Then, in the second edition of his ''Calendar of the Life of John Bull'', Dart proposed Hereford as a third possibility. More recent research by Susi Jeans suggests that Bull was born in the Radnorshire parish of Old Radnor within the Diocese of Hereford, although no birth records have yet been discovered. Bull's appointment as organist of Hereford ...
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Parthenia (music)
''Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls'' was, as the title states, the first printed collection of music for keyboard in England. 'Virginals' was a generic word at the time that covered all plucked keyboard instruments – the harpsichord, muselaar and virginals, but most of the pieces are also suited for the clavichord and chamber organ. Though the date is uncertain, it was probably published around 1612. The 21 pieces included are ascribed to William Byrd, John Bull, and Orlando Gibbons, in three sections. The title ''Parthenia'' comes from the Greek ''parthenos'' meaning "maiden" or "virgin." The music is written for the Virginals, the etymology of which is unknown, but may either refer to the young girls who are often shown playing it, or from the Latin ''virga'', which means "stick" or "wand", possibly referring to part of the mechanism that plucks a string in the harpsichord family of instruments. The "Maydenhead" r ...
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John Bennet (composer)
John Bennet (c. 1575 – after 1614) was a composer of the English madrigal school. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599. Life Bennet's madrigals include " All Creatures Now" as well as " Weep, O Mine Eyes". The latter is an homage to John Dowland, using part of Dowland's most famous piece, " Flow My Tears", also known in its pavane form as '' Lachrymae Antiquae''. John Bennet's life is mostly undocumented. Bennet did however leave behind evidence that his impact is great. Bennet dedicated his madrigal volume, ''These First Fruits of My Simple Skill The Endeavors of a Young Wit'' to Ralph Assheton in 1599. Assheton held civic office in both Lancashire and Cheshire, he was dedicated as a token for favours received. It seems probable, therefore, that Bennet came from the north-west of England, and was born about 1575–80. Early life Bennet was born into a prosperous family and received his first exposur ...
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Thomas Bateson
Thomas Bateson, ''Batson'' or ''Betson'' (c. 15701630) was an Anglo-Irish writer of madrigals in the early 17th century. Life He is said to have been organist of Chester Cathedral Chester Cathedral is a Church of England cathedral and the mother church of the Diocese of Chester. It is located in the city of Chester, Cheshire, England. The cathedral, formerly the abbey church of a Benedictine monastery dedicated to Saint ... in 1599, and is believed to have been the first musical graduate of Trinity College, Dublin. He served as Vicar Choral and organist of Christ Church Cathedral, Dublin from 1609 until his death. He is known to have written church music, but only one of his anthems has survived, a seven-voice composition entitled "Holy, Lord God Almighty". His fame rests on madrigals, which give him an important place among Elizabethan composers. He published a set of madrigals in 1604 and a second set in 1618, and both collections have been reprinted in recent years. He ...
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Thomas Ford (composer)
Thomas Ford (c. 1580buried 17 November 1648) was an English composer, lutenist, viol player and poet. Life Ford was attached to the court of Henry Frederick, Prince of Wales, son of James I, who died in 1612. He was a musician to the household of Prince Henry from 1610 to 1612, a musician to the household of Prince Charles from 1617 to 1625, and a musician to Charles I from 1626 to 1642, the outbreak of the English Civil War. His will was made on 12 November 1648 and he was buried in St. Margaret's, Westminster on 17 November, but it is not known exactly when he died.Grove's Dictionary of Music and Musicians, 5th ed (1954), Vol. III, p. 427 Ford wrote anthems, for three to six voices; four sacred canons; 35 partsongs; six fantasias for five parts; and a few other pieces for viols. His most important collection was probably the ''Musicke of Sundrie Kindes'' (London, 1607), which was in two parts. The first book included lute ayres, described as "Aries for 4 voices to the Lute ...
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Michael East (composer)
Michael East (or Easte, Est, Este) (ca. 1580–1648) was an English organist and composer. He was a nephew of London music publisher Thomas East (ca. 1540–1608), although it was once thought that he was his son. In 1601, East wrote a madrigal that was accepted by Thomas Morley for publication in his collection ''The Triumphs of Oriana''. In 1606, he received a ''Bachelor of Music'' degree from the University of CambridgeGrove Dictionary of Music (online edition) and in 1609 he joined the choir of Ely Cathedral, initially as a lay clerk. By 1618 he was employed by Lichfield Cathedral, where he worked as a choirmaster, probably until 1644, when the Civil War brought an end to sung services. Elias Ashmole was a chorister at Lichfield, and later recalled that "Mr Michael East … was my tutor for song and Mr Henry Hinde, organist of the Cathedral … taught me on the virginals and organ". East's exact date of death is not known, but he died at Lichfield. His will was writte ...
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Warren, Joseph (DNB00)
Joseph Warren (June 11, 1741 – June 17, 1775), a Founding Father of the United States, was an American physician who was one of the most important figures in the Patriot (American Revolution), Patriot movement in Boston, Massachusetts, Boston during the early days of the American Revolution, eventually serving as President of the revolutionary Massachusetts Provincial Congress. Warren enlisted Paul Revere and William Dawes on April 18, 1775, to leave Boston and spread the alarm that the British garrison in Boston was setting out to raid the town of Concord, Massachusetts, Concord and arrest rebel leaders John Hancock and Samuel Adams. Warren participated in the Battles of Lexington and Concord the following day, the opening engagements of the American Revolutionary War. Warren had been commissioned a major general in the colony's militia shortly before the June 17, 1775 Battle of Bunker Hill. Rather than exercise his rank, Warren chose to participate in the battle as a priv ...
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John Hilton The Younger
John Hilton (ca. 15991657) was an English early Baroque composer.Peter Le Huray; Ian Spink: ''Hilton, John (ii)'', New Grove Dictionary of Music and Musicians, 1980 He is best known for his books ''Ayres or Fa-Las for Three Voices'' and ''Catch That Catch Can''. Life Hilton was born about 1599 in Cambridge. His father was probably the church musician and composer John Hilton the elder, who died in Cambridge in 1609. Hilton junior became organist at St. Margaret's Church, Westminster in 1628, having published his music book ''Ayres or Fa-Las for Three Voices'' in 1627. In 1635, Hilton was lutenist to Charles I. Some time in the 1630s, he composed ''The Judgement of Solomon'', ''The Judgement of Paris'', and ''The Temptation of Job''. These are all similar to small-scale oratorios and operas. His collection of glees and catches, ''Catch That Catch Can'', was published in 1652. He died in 1657 and was buried on 21 March 1657 at Westminster. Works ''Catch That Catch Can'' ' ...
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William Chappell (writer)
William Chappell (20 November 180920 August 1888) was an English writer on music, a partner in the London musical firms of Chappell & Co. and, later, Cramer & Co. Biography He was born in London on 20 November 1809. His father, Samuel Chappell, soon after the son's birth, entered into partnership with Johann Baptist Cramer and F. T. Latour, and opened a music publishing business at 124 New Bond Street. In 1826, he became sole partner, and in 1830 was established at 50 New Bond Street, where he died in December 1834. William, his eldest son, then managed the business for his mother until 1843. Chappell began the study of English folk-tunes and ballads. In 1838, he issued his first work, ''A Collection of National English Airs, consisting of Ancient Song, Ballad, and Dance Tunes,'' in two volumes, one containing 245 tunes, the second some elucidatory remarks and an essay on English minstrelsy. The airs were harmonised by Macfarren, Dr. Crotch, and Wade; only Macfarren's we ...
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John Dowland
John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", " Come again", "Flow my tears", " I saw my Lady weepe", " Now o now I needs must part" and " In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Career and compositions Very little is known of John Dowland's early life, but it is generally thought he was born in London; some sources even put his birth year as 1563. Irish historian W. H. Grattan Flood claimed that he was born in Dalkey, near Dublin, but no corroborating evidence has ever been found either for that or for Thomas Fuller's claim that he was born in Westminster. There is, however, one very clear piece of evidence pointing to Dublin as his place of origin: he dedi ...
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