|
Musica Reservata
In music history, ''musica reservata'' (also ''musica secreta'') is either a style or a performance practice in ''a cappella'' vocal music of the latter half of the 16th century, mainly in Italy and southern Germany, involving refinement, exclusivity, and intense emotional expression of sung text. Definition The exact meaning, which appears in scattered contemporary sources, is a matter of debate among musicologists. While some of the sources are contradictory, four aspects seem clear: # ''musica reservata'' involved the use of chromatic progressions and voice-leading, a manner of composing which became fashionable in the 1550s, both in madrigals and motets; # it involved a style of performance, perhaps with extra ornamentation or other emotive methods; # it used word-painting, i.e. use of specific and recognizable musical figures to illuminate specific words in the text; and # the music was designed to be performed by, and appreciated by, small groups of connoisseurs. Composers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music History
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Indian music or the history of rock). In practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based. The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music" (by analogy to art history, which tends to focus on elite art). The methods of music history include source studies (esp. manuscript studies), paleography, philology (especially textual criticism), style criticism, historiography (the choice of historical method), musical analysis, and iconography. The application of musical analysis to further these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlande De Lassus
Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria as the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. Name Lassus's name appears in many spellings, often changed depending on the place in which his music was being performed or published. In addition to Orlande de Lassus, variations include Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Life and career Orlande de Lassus was born in Mons in the County of Hainaut, Habsburg Netherlands (modern-day Belgium). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Gesualdo
Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century. He is also known for killing his first wife and her aristocratic lover upon finding them ''in flagrante delicto''. Biography Early life Gesualdo's family had acquired the principality of Venosa in what is now the Province of Potenza, Southern Italy, in 1560. He was probably born on March 30, 1566, three years after his older brother Luigi, though some sources have stated that he was born on March 8. Older ones give the year of birth as 1560 or 1561, but this is no longer accepted. A letter from Gesualdo's mother, Geronima Borromeo, indicates that the year is most likely 1566. Gesualdo's uncle was Carlo Borromeo, later Saint Charles Borromeo. His mother was the niece of Pope Pius IV. Most likely Carlo was born at Venosa, then par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avignon
Avignon (, ; ; oc, Avinhon, label=Provençal dialect, Provençal or , ; la, Avenio) is the Prefectures in France, prefecture of the Vaucluse Departments of France, department in the Provence-Alpes-Côte d'Azur Regions of France, region of Southeastern France. Located on the left bank of the river Rhône, the Communes of France, commune had a population of 93,671 as of the census results of 2017, with about 16,000 (estimate from Avignon's municipal services) living in the ancient town centre enclosed by its Walls of Avignon, medieval walls. It is Functional area (France), France's 35th largest metropolitan area according to Institut national de la statistique et des études économiques, INSEE with 336,135 inhabitants (2019), and France's 13th largest urban unit with 458,828 inhabitants (2019). Its urban area was the fastest-growing in France from 1999 until 2010 with an increase of 76% of its population and an area increase of 136%. The Communauté d'agglomération du Grand Av ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ars Subtilior
''Ars subtilior'' (Latin for 'subtler art') is a musical style characterized by rhythmic and notational complexity, centered on Paris, Avignon in southern France, and also in northern Spain at the end of the fourteenth century.Hoppin 1978, 472–73. The style also is found in the French Cypriot repertory. Often the term is used in contrast with ars nova, which applies to the musical style of the preceding period from about 1310 to about 1370; though some scholars prefer to consider ''ars subtilior'' a subcategory of the earlier style. Primary sources for ''ars subtilior'' are the Chantilly Codex, the Modena Codex (Mod A M 5.24), and the Turin Manuscript (Torino J.II.9). Overview and history Musically, the productions of the ''ars subtilior'' are highly refined, complex, and difficult to sing, and probably were produced, sung, and enjoyed by a small audience of specialists and connoisseurs. Musicologist Richard Hoppin suggests the superlative ''ars subtilissima'', saying, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
