Musica Fiorita
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Musica Fiorita
Musica Fiorita was an ensemble for baroque music founded in 1990 and based in Basel, which was conducted by the harpsichordist Daniela Dolci. The ensemble concentrated in particular on rediscovering unknown works by composers of the 17th and 18th centuries and their historical performance practice. In March 2020, it ceased its concert activities. The Ensemble For 30 years, the ensemble, under the direction of Daniela Dolci, performed works of the late Renaissance and the Baroque, being committed to historical performance practice and , as well as to new ways of musical interpretation . The instrumentation with instruments such as cornet, baroque violin, transverse flute, viola da gamba among others as well as the basso continuo group with lute, theorbo, baroque guitar, salterio, harp, harpsichord and organ aimed at exploring the wealth of finest nuances in 17th century music and 18th century music and to bring it to life. One of the ensemble's focuses was the re-performanc ...
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Basel
, french: link=no, Bâlois(e), it, Basilese , neighboring_municipalities= Allschwil (BL), Hégenheim (FR-68), Binningen (BL), Birsfelden (BL), Bottmingen (BL), Huningue (FR-68), Münchenstein (BL), Muttenz (BL), Reinach (BL), Riehen (BS), Saint-Louis (FR-68), Weil am Rhein (DE-BW) , twintowns = Shanghai, Miami Beach , website = www.bs.ch Basel ( , ), also known as Basle ( ),french: Bâle ; it, Basilea ; rm, label= Sutsilvan, Basileia; other rm, Basilea . is a city in northwestern Switzerland on the river Rhine. Basel is Switzerland's third-most-populous city (after Zürich and Geneva) with about 175,000 inhabitants. The official language of Basel is (the Swiss variety of Standard) German, but the main spoken language is the local Basel German dialect. Basel is commonly considered to be the cultural capital of Switzerland and the city is famous for its many museums, including the Kunstmuseum, which is the first collection of art accessibl ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Élisabeth Jacquet De La Guerre
Élisabeth Claude Jacquet de La Guerre (, née Jacquet, 17 March 1665 – 27 June 1729) was a French musician, harpsichordist and composer. Life and works Élisabeth-Claude Jacquet de La Guerre (née Jacquet) was born on March 17, 1665, into a family of musicians and master instrument-makers in the parish of Saint-Louis-en-l'Île, Paris. She came from a rich family of masons, musicians, composers, and instrument makers. Her grandfather, Jehan Jacquet, and her father, Claude Jacquet, were harpsichord makers. Rather than just teaching his sons, Claude Jacquet taught both his sons and daughters how to survive and thrive in the world. This upbringing, support from her father, and her family's rich history of musicianship was a major stepping stone for her musical career. She received her initial musical education from her father. At the age of five, Louis XIV took notice of her when she performed, evidently as a child prodigy, at his palace of Versailles. This eventually led to her ...
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Johann Melchior Gletle
Johann Melchior Gletle (July 1626 – 6 September 1683) was a Swiss organist, Kapellmeister and composer. Life Gletle was born in Bremgarten. He was a prolific composer of church music - masses, psalms, motets, and also several pieces for the tromba marina. He died, aged 57, in Augsburg. Works, editions and recordings Works * ''Motetta Sacra concertata'', Op. 1 (1667) * ''36 Trompeter-Stückle'' (1675), edited by Christian Blümel (Leverkusen: Mark Tezak, 1985) * ''Beatus Vir (Psalm 111)'' (1676/1677) (Ammerbuch: C. Hofius, 2010) * ''Expeditio musicae, classis IV'', Op. 5'' (1677) ** ''Cantate Domino'', motet for soprano, tenor, 2 violins, 2 violas, Cello and continuo, edited by Eberhard Hofmann (Ditzingen: Edition Musica Rinata, 2005) ** ''O wie ein so rauhe Krippen'' (Vilsbiburg: Musica pretiosa, 1996) ** ''Puellule decore'', pastorella (Magdeburg: Edition Walhall, 2005) * ''Litaneien op. 6'' (1681) * ''Marienvesper'' * ''O benignissime Jesu'', motet (Strasbourg: Les Cahiers De T ...
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Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the most ...
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Thirty Years' War
The Thirty Years' War was one of the longest and most destructive conflicts in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD 500), the Middle Ages (AD 500 to AD 1500), and the modern era (since AD 1500). The first early ..., lasting from 1618 to 1648. Fought primarily in Central Europe, an estimated 4.5 to 8 million soldiers and civilians died as a result of battle, famine, and disease, while some areas of what is now modern Germany experienced population declines of over 50%. Related conflicts include the Eighty Years' War, the War of the Mantuan Succession, the Franco-Spanish War (1635–1659), Franco-Spanish War, and the Portuguese Restoration War. Until the 20th century, historians generally viewed it as a continuation of the religious struggle initiated by the 16th-century Reformation within the Holy Roman Empire. The 1555 Peace of Augsburg atte ...
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Order Of Merit Of The Italian Republic
The Order of Merit of the Italian Republic ( it, Ordine al Merito della Repubblica Italiana) is the senior Italian order of merit. It was established in 1951 by the second President of the Italian Republic, Luigi Einaudi. The highest-ranking honour of the Republic, it is awarded for "merit acquired by the nation" in the fields of literature, the arts, economy, public service, and social, philanthropic and humanitarian activities and for long and conspicuous service in civilian and military careers. The post-nominal letters for the order are OMRI. The order effectively replaced national orders such as the Civil Order of Savoy (1831), the Order of the Crown of Italy (1868), the Order of Saints Maurice and Lazarus (1572) and the Supreme Order of the Most Holy Annunciation (1362). Grades Investiture takes place twice a year – on 2 June, the anniversary of the foundation of the Republic, and on 27 December, the anniversary of the promulgation of the Italian Constitution. H ...
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Master Class
A master class is a Class (education), class given to students of a particular Academic discipline, discipline by an expert of that discipline—usually music, but also science, painting, drama, games, or on any other occasion where skills are being developed. "Masterclass" is also used in a figurative sense to describe a display of great skill in a context where education was not the primary intention; e.g., “his last few laps were a ''masterclass'' in overtaking” (referencing a race around a track). Around music The difference between a normal class and a ''master class'' is typically the setup. In a master class, all the students (and often spectators) watch and listen as the master takes one student at a time. The student (typically intermediate or advanced, depending on the status of the master) usually performs a single piece (music), piece which they have prepared, and the master will give them advice on how to play it, often including anecdotes about the composer, ...
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Music Education
Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and graduate education students at university education or music schools, who are training to become music teachers. Music education touches on all learning domains, including the psychomotor domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and understanding of a secondary language or cult ...
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Hans-Martin Linde
Hans-Martin Linde (born 24 May 1930 in Werne, Germany) is a German noted virtuoso flute and recorder (musical instrument), recorder player of (mainly) baroque and early music. He authored a number of original and highly instructive books on the flute and recorder respectively. * ''Recorder Player Handbook'' (Handbuch des Blockflötenspiels, 1997) * ''Complete F recorder method'' * ''Complete C recorder method'' * ''Studies in the French clef for recorder'' * ''History of fipple-flutes'' He then set up the Linde Consort (a baroque orchestra) and has made numerous recordings. External linksShort biography with some photos
1930 births Living people People from Iserlohn German classical flautists Academic staff of Schola Cantorum Basiliensis German recorder players German male writers {{germany-classical-musician-stub ...
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René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs r ...
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Jesper Bøje Christensen
Jesper Bøje Christensen (born 3 December 1944) is a Danish harpsichordist and music researcher, especially in the field of basso continuo. Life Born in Copenhagen, Christensen was a lecturer in historical composition, continuo and performance practice at the Royal Danish Academy of Music in Copenhagen from 1972 to 1985. He has taught harpsichord, basso continuo, chamber music and performance practice at the Schola Cantorum Basiliensis since 1988. He has also been a visiting professor at the CNSM in Lyon, at the ''Département de musique ancienne'' of the Geneva Conservatory, at the , as well as at numerous master classes. In 1992, 1995, 1998 and 2001, Christensen was a member of the jury at the international harpsichord competition within the framework of the MAfestival Brugge and in 2006 president of the jury at the chamber music competition ''Premio Bonporti'' in Rovereto, as well as several times chairman of the Telemann competition in Magdeburg. He is the author of the tex ...
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