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Music Of The Civilization Series
The music in the ''Civilization'' video game series has been composed by various composers. Civilization The soundtrack of the original ''Civilization'' game was available in either digital MIDI format for DOS version, or in tracker format for Amiga version. Most of original tunes were composed by Jeff Briggs, while others were taken from traditional or classic compositions, referring to each national culture (civilization) represented in the game. The same music used for the Aztecs was also applied to the Barbarians whenever they invaded a city. *Romans – "''Rise of Rome''" (original) *Babylonians – "''Hammurabi's Code''" (original) *Germans – DOS version: "''Variatio 4: Lo stesso movimento''" from ''Goldberg Variations'' (Johann Sebastian Bach); Amiga version: "'' Rondo alla Turca''" (Wolfgang Amadeus Mozart) *Egyptians – "''Harvest Of the Nile''" (original) *Americans – "''Battle Hymn of the Republic''" *Greek – "''Aristotle's Pupil''" (original) *Mongols – "''Mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Civilization (series)
''Civilization'' is a series of turn-based strategy video games, first released in 1991. Sid Meier developed the first game in the series and has had creative input for most of the rest, and his name is usually included in the formal title of these games, such as ''Sid Meier's Civilization VI''. There are six main games in the series, a number of expansion packs and spin-off games, as well as board games inspired by the video game series. The series is considered a formative example of the 4X genre, in which players achieve victory through four routes: "eXplore, eXpand, eXploit, and eXterminate". All titles in the series share similar gameplay, centered on building a civilization on a macro-scale from prehistory up to the near future. Each turn allows the player to move their units on the map, build or improve new cities and units, and initiate negotiations with the human or Artificial intelligence, computer-controlled players. The player will also choose technologies to research. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Danube Waltz
"The Blue Danube" is the common English title of "An der schönen blauen Donau", Opus number, Op. 314 (German for "By the Beautiful Blue Danube"), a waltz (music), waltz by the List of Austrian composers, Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, "The devil take the waltz, my only regret is for the coda (music), coda—I wish that had been a success!" After the original music was written, the words were added by the Choral Association's poet, Joseph Weyl. Strauss later added more music, and Weyl needed to change some of the words. Strauss adapted it into a purely orchestral version for the International Exposition (1867), 1867 Paris World's Fai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solomon (oratorio)
''Solomon'', Händel-Werke-Verzeichnis, HWV 67, is an oratorio by George Frideric Handel. The anonymous libretto – currently thought to have been penned by the English Jewish poet/playwright Moses Mendes (d.1758) – is based on the biblical stories of the wise king Solomon from Books of Kings, the First Book of Kings and Books of Chronicles, the Second Book of Chronicles, with additional material from ''Antiquities of the Jews'' by ancient historian Josephus, Flavius Josephus. The music was composed between 5 May and 13 June 1748 in music, 1748, and the first performance took place on 17 March 1749 in music, 1749, with Caterina Galli in the title role at the Royal Opera House, Covent Garden Theatre in London, where it had two further performances. Handel revived the work in 1759. The oratorio contains a short and lively instrumental passage for two oboes and strings in Act Three, known as "The Arrival of the Queen of Sheba", which has become famous outside the context of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Philip Sousa
John Philip Sousa ( ; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among his best-known marches are "The Stars and Stripes Forever" (National March of the United States of America), "Semper Fidelis" (official march of the United States Marine Corps), " The Liberty Bell", "The Thunderer", and "The Washington Post". Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1880 he rejoined the Marine Band, and he served there for 12 years as director, after which he was hired to conduct a ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Capitan (operetta)
''El Capitan'' is an operetta in three acts by John Philip Sousa and has a libretto by Charles Klein (with lyrics by Charles Klein and Tom Frost). The piece was Sousa's first successful operetta and his most successful stage work. The march "El Capitan" became a standard work both for brass bands and a crossover into other genres. History ''El Capitan'' was first produced at the Tremont Theatre in Boston, beginning on April 13, 1896. After this tryout, it transferred to the old Broadway Theatre on 41st Street in New York on April 20, 1896, where it ran for 112 performances, starring DeWolf Hopper, Edna Wallace Hopper, John Parr, and Alfred Klein. It then toured almost continuously for four years in the United States and Canada and was quickly revived on Broadway. It was produced at the Lyric Theatre in London beginning on July 10, 1899, where it ran for 140 performances. Thereafter, the operetta was produced numerous times internationally and remained popular for some time. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry V (play)
''Henry V'' is a history play by William Shakespeare, believed to have been written near 1599. It tells the story of King Henry V of England, focusing on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War. In the First Quarto text, it was titled ''The Cronicle History of Henry the fift'', and ''The Life of Henry the Fifth'' in the First Folio text. The play is the final part of a tetralogy, preceded by '' Richard II'', ''Henry IV, Part 1'', and '' Henry IV, Part 2''. The original audiences would thus have already been familiar with the title character, who was depicted in the ''Henry IV'' plays as a wild, undisciplined young man. In ''Henry V'', the young prince has matured. He embarks on an expedition to France and, his army badly outnumbered, defeats the French at Agincourt. Characters * Chorus The English * King Henry V * Duke of Gloucester – Henry's brother * Duke of Bedford – Henry's brother * Duke of Clarence – He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata And Fugue In D Minor
The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach (1685–1750). The piece opens with a toccata section, followed by a fugue that ends in a coda. Scholars differ as to when it was composed. It could have been as early as . Alternatively, a date as late as the 1750s has been suggested. To a large extent, the piece conforms to the characteristics deemed typical of the north German organ school of the Baroque era with divergent stylistic influences, such as south German characteristics. Despite a profusion of educated guesswork, there is not much that can be said with certainty about the first century of the composition's existence other than that it survived that period in a manuscript written by Johannes Ringk. The first publication of the piece, in the Bach Revival era, was in 1833, through the efforts of Felix Mendelssohn, who also performed the piece in an acclaimed concert in 1840. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to '' Grove Music Online'', Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement." Biography Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States to N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Papae Marcelli
''Missa Papae Marcelli'', or ''Pope Marcellus Mass'', is a mass ''sine nomine'' by Giovanni Pierluigi da Palestrina. It is his best-known mass, and is regarded as an archetypal example of the complex polyphony championed by Palestrina. It was sung at the papal coronation Masses (the last being the coronation of Paul VI in 1963). Style The ''Missa Papae Marcelli'' consists, like most Renaissance masses, of a Kyrie, Gloria, Credo, Sanctus/Benedictus, and Agnus Dei, though the third part of the Agnus Dei is a separate movement (designated "Agnus II"). Taruskin, Richard. ''Music from the Earliest Notations to the Sixteenth Century''. The Oxford History of Western Music, Volume 1. New York: Oxford University Press, 2010. pp. 653–663 The mass is freely composed, not based upon a cantus firmus, paraphrase, or parody. Perhaps because of this, the mass is not as thematically consistent as Palestrina's masses based on models. It is primarily a six-voice mass, but voice combinations are va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, ''Head Hunters''. Hancock's best-known compositions include " Cantaloupe Island", " Watermelon Man", " Maiden Voyage", and " Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental " Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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