|
Music Written For Monterey 1965
''Music Written for Monterey 1965'' (subtitled ''Not Heard... Played in its Entirety, at UCLA'') is a live album by the American bassist, composer and bandleader Charles Mingus, recorded at Royce Hall in Los Angeles and released on Mingus's own Jazz Workshop label in 1966.Charles Mingus discography accessed November 29, 2012 The album was rereleased by Sue Mingus on the Sunnyside label in 2006. Reception 's Jeff Tamarkin wrote that "as an adjunct to Mingus' lengthy ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Hillyer
Lonnie Hillyer (March 25, 1940 in Monroe, Georgia – July 1, 1985 in New York City) was an American jazz trumpeter, strongly influenced by Dizzy Gillespie, Charlie Parker, Thelonious Monk and other bebop legends of that era. Lonnie Hillyer moved with his family to Detroit at age three, and began studying music at 14 under Barry Harris. In 1960, he moved to New York City, where he played with Charles Mingus, Yusef Lateef, and Clifford Jarvis. Lonnie Hillyer's association with Mingus lasted more than a decade, performing on records such as "My Favorite Quintet" and "Let My Children Hear Music". In 1966, Lonnie Hillyer and Charles McPherson formed a quintet performed together during the years following. McPherson also grew up with Hillyer in Detroit. Around 1983 he and (former Monk tenor saxophonist) Charles Rouse formed a jazz quintet ("Bebop Quintessence"), with (drummer) Leroy Williams, (pianist) Hugh Lawson and (bassist) Ben Brown. Hillyer performed live with many musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narration
Narration is the use of a written or spoken commentary to storytelling, convey a narrative, story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the Plot (narrative), plot (the series of events). Narration is a required element of all written stories (novels, short story, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Gilbert
Ray Gilbert (September 5, 1912 – March 3, 1976) was an American lyricist. He grew up in Hartford, Connecticut. Career Gilbert is best remembered for the lyrics to the Oscar-winning song "Zip-a-Dee-Doo-Dah" from the film ''Song of the South'', which he wrote with Allie Wrubel in 1947. He also wrote American English lyrics for the songs in ''The Three Caballeros'' featuring Donald Duck. He also wrote the English lyrics of the Andy Williams' 1965 hit, " ...and Roses and Roses", and "Lost in Your Love" with Sidney Miller, to music by Bert Jay. Gilbert also wrote the English lyrics for a number of songs composed by Antonio Carlos Jobim, including "Dindi," ""Amor em Paz" ("Once I Loved"), and "Inútil Paisagem" ("Useless Landscape"/"If You Never Come to Me"). He married actress Janis Paige Janis Paige (born Donna Mae Tjaden; September 16, 1922) is an American retired actress and singer. Born in Tacoma, Washington, she began singing in local amateur shows at the age of five. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid Ory
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz. He was born near LaPlace, Louisiana and moved to New Orleans on his 21st birthday, to Los Angeles in 1910 and to Chicago in 1925. The Ory band later was an important force in reviving interest in New Orleans jazz, making radio broadcasts on ''The Orson Welles Almanac'' program in 1944, among other shows. In 1944–45, the group made a series of recordings for the Crescent label, which was founded by Nesuhi Ertegun for the express purpose of recording Ory's band. Ory retired from music in 1966 and spent his last years in Hawaii. Biography Ory was born in 1886 to a Louisiana French-speaking family of Black Creole descent, on Woodland Plantation in Laplace, now the site of 1811 Kid Ory Historic House. Ory started playing music with homemade ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muskrat Ramble
"Muskrat Ramble" is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the Dixieland revival repertoire in the 1930s and 1940s, and was recorded by Bob Crosby, Roy Eldridge, Lionel Hampton, Woody Herman, Muggsy Spanier, Chet Atkins, Lu Watters, the Andrews Sisters, Harry James, and Al Hirt, among others. It is considered a part of the jazz standard repertoire. Without Ory's consent, lyrics were written for the instrumental tune in 1950 by Ray Gilbert. After Gilbert protested that he was entitled to share credit with Ory, the American Society of Composers, Authors and Publishers awarded him one-third credit on all performances of "Muskrat Ramble", vocal and instrumental. History Kid Ory said that he originally composed the tune "Muskra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelfth Street Rag
"Twelfth Street Rag" is a ragtime musical composition published by Euday L. Bowman in 1914. Background A friend of Euday Bowman known as "Raggedy Ed" declared his intention to open a pawn shop on 12th Street in Kansas City while the two were walking along it. Bowman is rumored to have said "If you get rich on those three balls, I'll write a piece on three notes to make myself rich." It was more than 15 years after Bowman composed the song before he actually wrote the music down in manuscript form. He returned to Texas briefly and tried to sell the piece to a company in Dallas; but he only had an offer of ten dollars for it and was told it really was not worth publishing. Returning to Kansas City, he sold it to Jenkins Music Company in 1913. The Jenkins company felt Bowman's arrangement was far too difficult however, hiring C. E. Wheeler to simplify it. With a big advertising push "12th Street Rag" began to sell better. In 1919, James S. Sumner added lyrics. The song was popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Tadd Dameron")
.jpg "Click for more on -> Oscar Pettiford")