Music Markup Language
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Music Markup Language
Music Markup Language (MML) was an early application of XML to describe music objects and events. MML pioneered features commonly used in later music markup formalisms, such as the IEEE 1599 standard. These features included the use of XML as a foundation; the ability to describe a musical object or event comprehensively (as opposed to merely providing a machine-readable format for a traditional musical score, or for a determinate sound recording of one performance); and the division of this comprehensive information into modules (often termed ''layers'' in later work), with separate modules for metadata, lyrics, notation, sound, and performance. MML makes it possible to state relationships among written syllables, phonemes, notes in traditional musical notation, pitch, and rhythm in a flexible and extensible way. See also * HTML5 audio * MusicXML * Music Encoding Initiative The Music Encoding Initiative (MEI) is an open-source effort to create a system for representation of m ...
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Music Macro Language
Music Macro Language (MML) is a music description language used in sequencing music on computer and video game systems. Background Early automatic music generation functions were used in arcade games, which used many computer sounds. An example of an early popular Arcade game with music is The ''Circus'' from Exidy Corporation in 1977. The boom in Japanese video games was heralded in 1978 by the appearance in Japanese game centers (Amusement arcades) of ''Space Invaders'' by Taito.Compiled by worked in the Pacific Industrial Co.,Ltd. All compiled alone. The music was all proprietary (closed source). The 1978 release of the Programmable interval timer by Intel was significant. The Intel 8253 Mode 3 Square Wave generator was used for music, in the Kit computer MZ-40K () by SHARP Corporation, made in Japan at May 1978. Another Micro computer BASIC MASTER MB-6880(ja) used a 5Bit D/A converter music automated reference signal. Also important was the development of a method to ...
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Extensible Markup Language
Extensible Markup Language (XML) is a markup language and file format for storing, transmitting, and reconstructing arbitrary data. It defines a set of rules for encoding documents in a format that is both human-readable and machine-readable. The World Wide Web Consortium's XML 1.0 Specification of 1998 and several other related specifications—all of them free open standards—define XML. The design goals of XML emphasize simplicity, generality, and usability across the Internet. It is a textual data format with strong support via Unicode for different human languages. Although the design of XML focuses on documents, the language is widely used for the representation of arbitrary data structures such as those used in web services. Several schema systems exist to aid in the definition of XML-based languages, while programmers have developed many application programming interfaces (APIs) to aid the processing of XML data. Overview The main purpose of XML is serialization, i ...
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IEEE 1599
The Institute of Electrical and Electronics Engineers (IEEE) is a 501(c)(3) professional association for electronic engineering and electrical engineering (and associated disciplines) with its corporate office in New York City and its operations center in Piscataway, New Jersey. The mission of the IEEE is ''advancing technology for the benefit of humanity''. The IEEE was formed from the amalgamation of the American Institute of Electrical Engineers and the Institute of Radio Engineers in 1963. Due to its expansion of scope into so many related fields, it is simply referred to by the letters I-E-E-E (pronounced I-triple-E), except on legal business documents. , it is the world's largest association of technical professionals with more than 423,000 members in over 160 countries around the world. Its objectives are the educational and technical advancement of electrical and electronic engineering, telecommunications, computer engineering and similar disciplines. History Origins ...
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Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also '' ...
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Phoneme
In phonology and linguistics, a phoneme () is a unit of sound that can distinguish one word from another in a particular language. For example, in most dialects of English, with the notable exception of the West Midlands and the north-west of England, the sound patterns (''sin'') and (''sing'') are two separate words that are distinguished by the substitution of one phoneme, , for another phoneme, . Two words like this that differ in meaning through the contrast of a single phoneme form a ''minimal pair''. If, in another language, any two sequences differing only by pronunciation of the final sounds or are perceived as being the same in meaning, then these two sounds are interpreted as phonetic variants of a single phoneme in that language. Phonemes that are established by the use of minimal pairs, such as ''tap'' vs ''tab'' or ''pat'' vs ''bat'', are written between slashes: , . To show pronunciation, linguists use square brackets: (indicating an aspirated ''p'' in ''p ...
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Musical Note
In music, a note is the representation of a musical sound. Notes can represent the Pitch (music), pitch and Duration (music), duration of a sound in musical notation. A note can also represent a pitch class. Notes are the building blocks of much written music: musical analysis#Discretization, discretizations of musical phenomena that facilitate performance, comprehension, and musical analysis, analysis. The term ''note'' can be used in both generic and specific senses: one might say either "the piece 'Happy Birthday to You' begins with two notes having the same pitch", or "the piece begins with two repetitions of the same note". In the former case, one uses ''note'' to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch. (See also: Key signature names and translations.) Two notes with fundamental frequency, fundamental frequencies in a ratio equal to any integer power of two (e.g., half, twice, or four times ...
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Musical Notation
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols, including notation for durations of absence of sound such as rests. The types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary. Even in the same time period, such as in the 2010s, different styles of music and different cultures use different music notation methods; for example, for professional classical music performers, sheet music using staves and noteheads is the most common way of notating music, but for professional country music session musicians, the Nashville Number System is the main method. The symbols used include ancient symbols and modern symbols made upon any media such as symbols cut into stone, made in clay tablets, made using a pen on papyrus or ...
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Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ...
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Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mov ...
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HTML5 Audio
HTML5 Audio is a subject of the HTML5 specification, incorporating audio input, playback, and synthesis, as well as speech to text, in the browser. <audio> element The element represents a sound, or an audio stream. It is commonly used to play back a single audio file within a web page, showing a GUI widget with play/pause/volume controls. The element has these attributes: * global attributes (accesskey; class; contenteditable; contextmenu; dir; draggable; dropzone; hidden; id; lang; spellcheck; style; tabindex; title; translate) * autoplay = "autoplay" or "" (empty string) or emptyInstructs the User-Agent to automatically begin playback of the audio stream as soon as it can do so without stopping. * preload = "none" or "metadata" or "auto" or "" (empty string) or emptyRepresents a hint to the User-Agent about whether optimistic downloading of the audio stream itself or its metadata is considered worthwhile. ** "none": Hints to the User-Agent that the user is not expec ...
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MusicXML
MusicXML is an XML-based file format for representing Western musical notation. The format iopen fully documented, and can be freely used under the W3C Community Final Specification Agreement. History MusicXML was invented by Michael Good and initially developed by Recordare LLC. It derived several key concepts from existing academic formats (such as Walter Hewlett's ASCII-based MuseData and David Huron's Humdrum). It is designed for the interchange of scores, particularly between different scorewriters. MusicXML development was managed by MakeMusic following the company's acquisition of Recordare in 2011. MusicXML development was transferred to the W3C Music Notation Community Group in July 2015. Version 1.0 was released in January 2004. Version 1.1 was released in May 2005 with improved formatting support. Version 2.0 was released in June 2007 and included a standard compressed format. All of these versions were defined by a series of document type definitions (DTDs). An XML Sc ...
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Music Encoding Initiative
The Music Encoding Initiative (MEI) is an open-source effort to create a system for representation of musical documents in a machine-readable structure. MEI closely mirrors work done by text scholars in the Text Encoding Initiative (TEI) and while the two encoding initiatives are not formally related, they share many common characteristics and development practices. The term "MEI", like "TEI", describes the governing organization and the markup language. The MEI community solicits input and development directions from specialists in various music research communities, including technologists, librarians, historians, and theorists in a common effort to discuss and define best practices for representing a broad range of musical documents and structures. The results of these discussions are then formalized into the MEI schema, a core set of rules for recording physical and intellectual characteristics of music notation documents. This schema is expressed in an XML schema Language, with R ...
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