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Music For The Royal Fireworks
The ''Music for the Royal Fireworks'' ( HWV 351) is a suite in D major for wind instruments composed by George Frideric Handel in 1749 under contract of George II of Great Britain for the fireworks in London's Green Park on 27 April 1749. The music celebrates the end of the War of the Austrian Succession and the signing of the Treaty of Aix-la-Chapelle (Aachen) in 1748. The work was very popular when first performed and following Handel's death. Rehearsal and final production During the preparations Handel and the Duke of Montagu, the Master-General of the Ordnance and the officer responsible for the Royal Fireworks, had an argument about adding violins. The duke made clear to Handel that King George had a preference for only martial instruments (winds and percussion), and hoped there would be "no fiddles". Handel omitted the string instruments against his will. Also against Handel's will, there was a full rehearsal of the music in Vauxhall Gardens and not in Green Park. On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Suite
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penny (British Pre-decimal Coin)
The British pre-decimal penny was a denomination of sterling coinage worth of one pound or of one shilling. Its symbol was ''d'', from the Roman denarius. It was a continuation of the earlier English penny, and in Scotland it had the same monetary value as one pre-1707 Scottish shilling. The penny was originally minted in silver, but from the late 18th century it was minted in copper, and then after 1860 in bronze. The plural of "penny" is "pence" when referring to an amount of money, and "pennies" when referring to a number of coins. Thus 8''d'' is eight pence, but "eight pennies" means specifically eight individual penny coins. Before Decimal Day in 1971, sterling used the Carolingian monetary system (£sd), under which the largest unit was a pound (£) divisible into 20 shillings (s), each of 12 pence (d). The penny was withdrawn in 1971 due to decimalisation, and replaced (in effect) by the decimal half new penny, with p being worth 1.2''d''. History The kingdoms o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a movement in the early classical symphony. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible connection of the name to the expression ''pas menus'' is Gottfried Taubert's ''Rechtschaffener Tantzmeister'', published in Leipzig in 1717, but this source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourrée
The bourrée ( oc, borrèia; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the classical suite of dances, and J. S. Bach, Handel and Chopin wrote bourrées, not necessarily intending them to be danced. History The bourrée originates in Auvergne in France. It is sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Overture
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in style (slow in dotted rhythms and fast in fugal style), and the first ends with a half-cadence (i.e., on a dominant harmony) that requires an answering structure with a tonic ending. The second section often but not always ends with a brief recollection of the first, sometimes even repeating some of its melodic content. The form is first encountered in Jean-Baptiste Lully's ballet overtures from the 1650s. Later examples can be found as the opening movement of each of Johann Sebastian Bach's orchestral suites, Partita in D major, BWV 828, C minor Cello Suite, BWV 1011, and as an opening to many operas and oratorios by George Frideric Handel (including ''Messiah'' and ''Giulio Cesare''). The 16th of Bach's ''Goldberg Variations'' is a miniature French overture. The French overtur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavilion
In architecture, ''pavilion'' has several meanings: * It may be a subsidiary building that is either positioned separately or as an attachment to a main building. Often it is associated with pleasure. In palaces and traditional mansions of Asia, there may be pavilions that are either freestanding or connected by covered walkways, as in the Forbidden City ( Chinese pavilions), Topkapi Palace in Istanbul, and in Mughal buildings like the Red Fort. * As part of a large palace, pavilions may be symmetrically placed building ''blocks'' that flank (appear to join) a main building block or the outer ends of wings extending from both sides of a central building block, the ''corps de logis''. Such configurations provide an emphatic visual termination to the composition of a large building, akin to bookends. The word is from French (Old French ) and it meant a small palace, from Latin (accusative of ). In Late Latin and Old French, it meant both ‘butterfly’ and ‘tent’, becaus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Desaguliers
Lieutenant-General Thomas Desaguliers (5 January 1721 – 1 March 1780) was a British Army general and a Colonel Commandant of the Royal Artillery. Biography Desaguliers was born 5 January 1721, the youngest son of Dr. John Theophilus Desaguliers. He was the grandson of Jean Desaguliers who, as Protestant pastor of Aytré, near La Rochelle, was exiled in 1682 prior to the revocation of the edict of Nantes. Jean was ordained in the Anglican Church, but served briefly as ''lecteur'' at the French chapel in Swallow Street, London. As a young man Thomas Desaguliers was a Freemason who accompanied his father to masonic meetings and is mentioned in the 1738 edition of the Constitutions of the Freemasons. There is no evidence that he continued his masonic activity. Desaguliers entered the Royal Regiment of Artillery as a cadet on 1 January 1740, and was promoted to second lieutenant on 1 September 1741, first lieutenant on 1 February 1742, captain-lieutenant on 3 April 1743, and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Frederick (MP)
Sir Charles Frederick KB FRS (21 December 1709 – 18 December 1785) was a British politician who sat in the House of Commons from 1741 to 1784. Early life Frederick was the third son of Sir Thomas Frederick, sometime Governor of Fort St David, and his wife Mary Moncrieff, daughter of William Moncrieff and was born on 21 December 1709. He was a younger brother of Sir John Frederick, 4th Baronet. He was educated at Westminster School from 1719 to 1720 and matriculated at New College, Oxford on 19 March 1725. In 1728 he entered Middle Temple. He was elected a Fellow of the Royal Society in May 1733. He undertook a Grand Tour through Italy, Constantinople, the near East and France with his brother John from 1737 to 1739. Political career Frederick was returned unopposed as Member of Parliament for New Shoreham in the 1741 general election and also in 1747. In the 1754 general election he was elected as MP for Queenborough in a contest. He was made a Knight Companion of the O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded the Academy of Ancient Music, which specializes in performances of Baroque and Classical music using period instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Sarti
Giuseppe Sarti (also Sardi; baptised 1 December 1729 – 28 July 1802) was an Italian opera composer. Biography He was born at Faenza. His date of birth is not known, but he was baptised on 1 December 1729. Some earlier sources say he was born on 28 December, but his baptism certificate proves the later date impossible. Already organist at Faenza at age 13, he was invited to receive an education by Padre Martini in Bologna. Resigning his appointment in Faenza in 1750, Sarti devoted himself to the study of dramatic music, becoming director of the Faenza theatre in 1752. Opera In 1752 he produced his first documented opera, ''Il re pastore'' (because the date of ''Pompeo in Armenia'' is not certain). In 1753 Sarti went to Copenhagen with Pietro Mingotti and in 1755 King Frederick V of Denmark appointed him Hofkapellmeister and director of the opera. Here he produced his ''Ciro riconosciuto''. In 1765 he travelled to Italy to engage some new singers; meanwhile the death of King F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Soldi
Andrea Soldi (1703–1771) was an Italian portraitist active in Britain. Life The only remaining source for this painter's early years is George Vertue, who in 1738 stated he was "about thirty-five or rather more", had been born in Florence and had come to England in about 1736 on the advice of British merchants belonging to the Levant Company, who had commissioned their portraits from him during his travels in the Middle East. From 1738 to 1744 he won much success in London's art market and among Italophile noblemen back from their Grand Tour, being preferred to both English portrait practice (fluctuating between Rococo and Kneller-like styles) and to other Italian portraitists in England at the time, such as the Cavaliere Rusca (worked in London 1738–39), and Andrea Casali (worked in London 1741–66). Beginning "above thirty portraits" from April to August 1738 alone (according to Vertue), Soldi's only serious rival was Jean-Baptiste van Loo (in London 1737–42). Part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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