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Museo D'Arte Sacra Della Val D'Arbia
The Museo d'Arte Sacra della Val d'Arbia is a small museum of religious art in Buonconvento, in the Val d'Arbia to the south of Siena, in Tuscany in central Italy. It contain a number of paintings by important artists of the Sienese School, among them Duccio di Buoninsegna, Sano di Pietro and Pietro Lorenzetti. The museum is housed in the Palazzo Ricci Socini, close to the parish church of Santi Pietro e Paolo. History The museum was started by the parish priest, Crescenzio Massari, in 1926, and has since expanded. A number of works were originally in various churches in the area. Collection The museum holds paintings by several important artists of the Sienese School. Among them are: * a tetraptych of the ''Annunciation'', painted in 1397 by Andrea di Bartolo * a ''Madonna and Child'' (the "''Madonna di Buonconvento''") by Duccio di Buoninsegna * the ''Madonna del Latte'' of Luca di Tommè * a ''Madonna and Child with Two Angels'' by Matteo di Giovanni, painted be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buonconvento
Buonconvento is a ''comune'' (municipality) in the Province of Siena in the Italian region Tuscany, located about south of Florence and about southeast of Siena in the area known as the Crete Senesi. History Buonconvento (from the Latin ''bonus conventus'', "happy place") is mentioned for the first time in 1100. In 1313 the German emperor Henry VII died here. It was surrounded by a line of walls starting from 1371, carried on by the Republic of Siena to which it belonged until 1559, when it became part of the Grand Duchy of Tuscany. It was annexed to Italy in 1861. Main sights The local museum of art, the Museo d'Arte Sacra della Val d'Arbia, houses works by Duccio di Buoninsegna, Pietro Lorenzetti, Andrea di Bartolo, Matteo di Giovanni and other Tuscan painters, taken from local churches. The church of Santi Pietro e Paolo has a ''Madonna Enthroned with Child'' (c. 1450) by Matteo di Giovanni and an early-fifteenth century fresco of the Sienese school. The fortified ''pieve'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Di Giovanni
Matteo di Giovanni (c. 1430 – 1495) was an Italian Renaissance artist from the Sienese School. Biography Matteo di Giovanni di Bartolo was born in Borgo Sansepolcro around 1430. His family relocated to Siena and he is firmly associated with the art of that city. Matteo was twice married—first in 1463 to a wealthy noble woman and, after her death, to a rich widow, who made it possible for Matteo to buy real estate and by whom he fathered many children. Documentation concerning the early phases of Matteo's life and career as an artist is scanty and nothing is recorded about his apprenticeship. Left to conjecture, we might imagine him as having been trained in the workshop of sculptor/painter Lorenzo di Pietro, better known as Vecchietta but he clearly was influenced by Stefano di Giovanni, called Sassetta and Domenico di Bartolo. The miniaturist Girolamo da Cremona and the Florentine painter Antonio del Pollaiuolo also seemed to have contributed to Matteo's distinctive styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Tuscany
Art is a diverse range of human behavior, human activity, and resulting product, that involves creative or imagination, imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative arts, decorative or applied arts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Art
Religious art is artistic imagery using religious inspiration and motifs and is often intended to uplift the mind to the spiritual. Sacred art involves the ritual and cultic practices and practical and operative aspects of the path of the spiritual realization within the artist's religious tradition. Buddhist art Buddhist art originated on the Indian subcontinent following the historical life of Siddhartha Gautama, 6th to 5th century BC, and thereafter evolved by contact with other cultures as it spread throughout Asia and the world. Buddhist art followed believers as the dharma spread, adapted, and evolved in each new host country. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art. Buddhist art followed to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, the Buddhist art flourished and even influenced the development of Hindu art, until Buddhism nearly disappeared in In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Di Giovanni
Benvenuto di Giovanni, also known as Benvenuto di Giovanni di Meo del Guasta (13 September 1436 – c. 1518) was an Italian painter and artist known for his choral miniatures, pavement designs, and frescoes. Working chiefly in Siena, he was first recognized to be working as an artist in 1453 and continued his work nearly until his death in approximately 1518. During his lifetime, he was influenced by many various artists and in the 1480s, Benvenuto's style changed drastically. Though Benvenuto did explore into other fields of work, painting was consistently a part of his life. His son, Girolamo di Giovanni, followed in his footsteps and also became a painter. In fact, there have often been instances in which the work of one the two has been confused for that of the other. Nevertheless, Benvenuto left behind significantly more works. Some of his works were both signed and dated, some were only signed, and some were only dated. However, regardless of debate over date or authorship, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florentine School
Florentine painting or the Florentine School refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine School are Fra Angelico, Botticelli, Filippo Lippi, the Ghirlandaio family, Masolino, and Masaccio. Florence was the birthplace of the High Renaissance, but in the early 16th century the most important artists, including Michelangelo and Raphael were attracted to Rome, where the largest commissions then were. In part this was following the Medici, some of whom became cardinals and even the pope. A similar process affected later Florentine artists. By the Baroque period, the many painters working in Florence were rarely major figures. Before 1400 The earliest distinctive Tuscan art, produced in the 13th century in Pisa and Lucca, formed the basis for later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ventura Salimbeni
Ventura di Archangelo Salimbeni (also later called Bevilacqua; 20 January 1568 – 1613) was an Italian Counter-Maniera painter and printmaker highly influenced by the ''vaghezza'' and sensual reform of Federico Barocci. Biography Salimbeni was born in Siena. He studied painting, together with his half-brother Francesco Vanni, under their father Arcangelo Salimbeni in his native Siena, He possibly spent some time, in Northern Italy and then moved to Rome in 1588 to work, together with others, on the fresco painting of the Vatican Library under pope Sixtus V. During 1590-1591, he received a commission from Cardinal Bonifazio Bevilacqua Aldobrandini for paintings in the Roman Jesuit Church of the Gesù and the Basilica di Santa Maria Maggiore. These paintings show the influence of Cavalier D'Arpino and the Counter-Mannerist Barocci pupil Andrea Lilio. Salimbeni returned to Siena in 1595. Here he persisted in a Reformist or Counter-Maniera style. He was here influenced by F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutilio Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), ''Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Egypt'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Vanni
Francesco Vanni (1563 – 26 October 1610) was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.Francesco Vanni at the British Museum Biography Vanni was part of a family of painters, including his half-brother and stepfather , the latter of whom died when Francesco was young. As a 16-year-old, Vanni went first to , then to Rome. H ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Mei
The Italian painter and engraver Bernardino Mei (1612/15 – 1676) worked in a Baroque manner in his native Siena and in Rome, finding patronage above all in the Chigi family. Briefly a pupil of the Sienese cartographer and draughtsman Giuliano Periccioli, where he learned the art of engraving, Bernardino passed to the studio of the painter Rutilio Manetti and probably also served in the workshop of Francesco Rustici. He painted in and around Siena, where his work came to the attention of Cardinal Fabio Chigi, who, once elected pope as Alexander VII (1655), called Bernardino Mei to Rome in 1657. There Bernardino came under the influences of Mattia Preti, Andrea Sacchi and Pier Francesco Mola, and of Guercino, to the extent that until the 20th century Bernardino's fresco of ''Aurora'' in Palazzo Bianchi Bandinelli was attributed to Guercino himself. Through the fast friendship that bonded him to Gian Lorenzo Bernini, whose studio he frequented, he applied that sculptor's sense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Di David
Bartolomeo or Bartolommeo is a masculine Italian given name, the Italian equivalent of Bartholomew. Its diminutive form is Baccio. Notable people with the name include: * Abramo Bartolommeo Massalongo (1824–1860), Italian paleobotanist and lichenologist * Bartolomeo Aimo (1889–1970), Italian professional bicycle road racer * Bartolomeo Altomonte, a.k.a. Bartholomäus Hohenberg (1694–1783), Austrian baroque painter * Bartolomeo Amico a.k.a. Bartholomeus Amicus (1562–1649), Jesuit priest, teacher and writer who spent his adult life in Naples * Bartolomeo Ammanati (1511–1592), Florentine architect and sculptor * Bartolomeo Avanzini (1608–1658), Italian architect of the Baroque period * Bartolomeo Bacilieri (1842–1923), Italian cardinal, Bishop of Verona 1900–1923 * Bartolommeo Bandinelli (1488–1560), Italian sculptor * Bartolomeo Barbarino (c. 1568–c. 1617 or later), Italian composer and singer of the early Baroque era * Bartolomeo Bassi (early 1600s-1640s), Genoese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Piccinelli
Andrea del Brescianino or Dei Piccinelli was an Italian painter of the Renaissance period, active mainly in Siena. Together with his brother Raffaello they were known as the Brescianini of Siena. Biography He was the son of a dancing-master at Siena, where he flourished from 1507 to 1525. He was the pupil of a Sienese painter, named Giovanni Battista Giusi, and they together painted an altar-piece, representing the ''Virgin and Child, with Saints'', which is in the Siena Academy. In 1524, he painted the ''Baptism of Christ'' for the baptistery of the cathedral of the same city. In 1525 the brothers went to Florence, and in the same year Andrea, and probably Raffaello also, was registered in the Painters' Guild. A ''Holy Family'' by Andrea, who was the better artist of the two, is in the Uffizi Gallery at Florence, and another ''Holy Family'', ascribed to him, is in the Berlin Gallery. The beautiful altar-piece, a ''Holy Family'' displayed at the church of Torre di Bibiano, long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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