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Museo Civico Filangieri
The Museo Civico Filangieri ("Filangieri civic museum") is an eclectic collection of artworks, coins, and books assembled in the nineteenth century by Gaetano Filangieri, prince of Satriano, who gave it to the city of Naples as a museum. It is housed in his former palace, Palazzo Cuomo (or Como) on Via Duomo, by the church of San Severo al Pendino, Naples, San Severo al Pendino. History Palazzo Cuomo is in Renaissance style with an ashlar stone façade. It was built between 1464 and 1490 by the Florentine Giuliano da Maiano for a wealthy merchant, Angelo Como (or Cuomo). It was sold in 1587 and was incorporated into an adjacent monastery. In 1881–82, during the urban renewal of Naples, the entire building was dismantled and moved back some 20 meters to widen the street. The museum was inaugurated in 1888 by Gaetano Filangieri Junior (1824–92), principe di Satriano. Much of the collection was destroyed by the retreating German troops during September 1943. Since then works fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture In Naples
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Establishments In Italy
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Naples
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums Established In 1888
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Della Robbia
Luca della Robbia (, also , ; 1399/1400–1482) was an Italian Renaissance sculptor from Florence. Della Robbia is noted for his colorful, Tin-glazed pottery, tin-glazed terracotta statuary, a technique which he invented and passed on to his nephew Andrea della Robbia and great-nephews Giovanni della Robbia and Girolamo della Robbia. Though a leading sculptor in stone, he worked primarily in terracotta after developing his technique in the early 1440s. His large workshop produced both cheaper works cast from molds in multiple versions, and more expensive one-off individually modeled pieces. The vibrant, polychrome glazes made his creations both more durable and expressive. His work is noted for its charm rather than the drama of the work of some of his contemporaries. Two of his famous works are ''The Nativity'' () and ''Madonna and Child'' (). In stone his most famous work is also his first major commission, the choir gallery, ''Cantoria'' in the Florence Cathedral (1431–143 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesualdo Gatti
Gesualdo may refer to: *Gesualdo, Campania, a town in Italy Given name * Gesualdo Bufalino (1920–1996), Italian writer *Gesualdo Francesco Ferri (1728–1788), Italian painter *Gesualdo Lanza (1779–1859), Italian teacher of music who made his career in London *Gesualdo Piacenti (born 1954), Italian professional football player Surname *Alfonso Gesualdo (1540–1603), Italian Cardinal *Ascanio Gesualdo (died 1638), Italian archbishop *Carlo Gesualdo (1566–1613), Italian late Renaissance composer **'' Gesualdo: Death for Five Voices'', a film about the composer **''Gesualdo'', opera by Alfred Schnittke **''Gesualdo'', opera by Bo Holten *Eddy Gesualdo Eduardo "Eddy" Gesualdo (born November 28, 1968) was a midfielder who played for the Winnipeg Fury. Playing career Eddy played with the Winnipeg Fury, from 1990 to 1992. In 1992, he asked for his release from the club, after their 5-2 victory ... (born 1968), Canadian professional football player * Scipione Gesualdo ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Tagliolini
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman *Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter *Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician * Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer * Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist * Filippo Grandi (born 1957), Italian diplomat *Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Mili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Vaccaro
Lorenzo Vaccaro (1655 – 10 August 1706) was an Italian late-Baroque sculptor. He worked in a formalized restrained style. He was born in Naples, the son of a lawyer. He apprenticed with Cosimo Fanzago and Dionisio Lazzari. He was a close friend of Francesco Solimena. He was murdered at Torre del Greco in August 1706. His son Domenico Antonio Vaccaro was also a sculptor. The ceramic sculptor Giuseppe Laguidara Giuseppe Laguidara (16971742) was an Italian sculptor of the Baroque period, active in his native Naples. He became a pupil of Lorenzo Vaccaro Lorenzo Vaccaro (1655 – 10 August 1706) was an Italian late- Baroque sculptor. He worked in a for ... was one of his pupils. . Sources * ''A Bozzetto by Lorenzo Vaccaro'' Revies by Andrew Ciechanowiecki, The Burlington Magazine (1979) p250-253 * {{DEFAULTSORT:Vaccaro, Lorenzo 1655 births 1706 deaths 17th-century Neapolitan people 17th-century Italian sculptors Italian male sculptors 18th-century Italian sculptor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Jerace
Francesco Jerace (26 July 1853 – 18 January 1937) was an Italian sculptor. Biography He was born at Polistena in Calabria, in the Kingdom of the Two Sicilies. He trained locally under his grandfather, a sculptor, but moved to Naples where he frequented the Neapolitan Academy of Fine Arts under Tito Angelini. In 1878, he displayed sculptures of ''Eve and Lucifer'' and ''Guappatiello'' (Neapolitan Street Boy) in 1878 at the Neapolitan Exhibition. In 1880, he displayed sculptures of ''Victa'' (bust), ''Marion'', and the ''Legionnaires of Germanicus'' at the National Exhibition in Turin. The Legionnaire sculpture was interpreted by the critic Salazar as a response to the Hermannsdenkmal, then a recently erected monument in Germany to Arminius, the Germanic general that vanquished the Roman Varro in the Battle of the Teutoburg Forest. Germanicus was viewed by later historians as Augustus' response to the defeat as well as the loss of the legionary eagles, and called the ''Ave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fedele Fischetti
Fedele Fischetti (30 March 1732 – 25 January 1792) was an Italian painter of the Neoclassical period. He was born and died in Naples the capital of the Kingdom of Naples. Biography F. Fischetti was mainly active as a fresco painter for palaces and villas in and around the city, including the Royal Palace at Portici. He painted frescoes of the seasons, ''Summer'' and ''Winter'', in the conversation rooms of the appartamento vecchio of the Royal Palace of Caserta. He was active all over Naples area between the 1750 ca until his last year of life. Among his works are listed: *''Virgin, St Anne, with Saints Carlo and Geronimo'' in the Chapel of the Assumption in the church of Spirito Santo *Three oil canvases in the Chapel of the Verdi in the church of Spirito Santo *''Virgin of the Rosary with Santa Rosa'' for the Chapel of the Prince della Roccella in the Church of San Domenico Maggiore *Canvases in Santa Caterina da Siena, San Eligio, and Santa Maria in Portico *''Summer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
