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Museo Civici Di Padua
The Musei Civici di Padova or degli Eremitani is a complex of museums and historic sites, centered on the former convent of the Eremitani (Augustinian order), and its famous Cappella degli Scrovegni with its Giotto fresco masterpieces. The complex is located on Piazza Eremitani, at the edge of the historic center of Padua, region of Veneto, Italy. The complex includes halls of archaeological objects and – in the nearby Palazzo Zuckermann – a museum of modern and medieval applied art. History The original collection arose with the acquisition of works from suppressed ecclesiastical institutions, including in 1783 of the convent of San Giovanni da Verdara and in 1810 of many other institutions. In 1825, the abbot Giuseppe Furlanetto displayed his collection of Roman and Greek lapidary inscriptions in the logge del Palazzo della Ragione. The collection was expanded by the donation of 1864 by Leonardo Capodilista. Under the patron Andrea Gloria, this collection and other wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Dom or DOM may refer to: People and fictional characters * Dom (given name), including fictional characters * Dom (surname) * Dom La Nena (born 1989), stage name of Brazilian-born cellist, singer and songwriter Dominique Pinto * Dom people, an ethnic group in the Middle East * Domba or Dom, an ethnic group in India * Doms, people of indigenous origin found in the Indian state of West Bengal Arts and entertainment * ''Dom'' (film), a 1958 Polish film * ''DOM'' (album), a 2012 album by German singer Joachim Witt * DOM (band), a band from Worcester, Massachusetts, US Linguistics * Differential object marking, a linguistic phenomenon * Dom language, spoken in Papua New Guinea Places * Dom (mountain), Switzerland, the third highest mountain in the Alps * Overseas department, (''Département d'outre-mer''), a department of France that is outside metropolitan France * Dóm Square, a large town square in Szeged, Hungary * Dominican Republic (ISO 3166-1 country code) * Douglas–Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Costa
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boccaccio Boccaccino
Boccaccio Boccaccino (c. 1467 – c. 1525) was a painter of the early Italian Renaissance, belonging to the Emilian school. He is profiled in Vasari's ''Le Vite delle più eccellenti pittori, scultori, ed architettori'' (or, in English, ''Lives of the Most Excellent Painters, Sculptors, and Architects''). He was born in Ferrara and studied there, probably under Domenico Panetti. Few facts of his life are known. His principal artistic activity was in Venice, Ferrara, and especially in Cremona, where he founded a school in which Garofalo was a pupil. His most celebrated achievement is the frescoes in the Cathedral of Cremona (1506–1519) representing the ''Birth of the Virgin'' and some subjects from her life. His position there was taken over by Altobello Melone. His remaining works, which include the ''Marriage of Saint Catherine'' ( Gallerie dell'Accademia, Venice), the ''Virgin and Child with Four Saints'' (Venice, San Giuliano), the ''Virgin and Two Saints'' (Cremo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guariento
Guariento di Arpo (13101370), sometimes incorrectly referred to as Guerriero, was a 14th-century painter whose career was centered in Padua. The painter is buried in the church of San Bernardino, Padua. Guariento's major commissions in Padua include the choir frescoes for the Augustinian hermits' church of the Eremitani, which depict scenes from the life of St. Augustine, the order's founder. Painted in 1338, the cycle was severely damaged by the bombardment of 1944. Guariento also decorated the chapel of the Palazzo Carrara in Padua with panel paintings of the Madonna, St Matthew Evangelist and 25 angels. After the reconstruction of the palace in 1779 the panels were transferred to the Museo Civico of Padua. The decoration of the chapel is the subject of a recent study by Kornelia Mohl. In 1365, having already acquired high renown in his native city, he was invited by the Venetian republic to paint a representation of the Coronation of the Virgin in the Palazzo Ducale, which s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiziano Aspetti
Tiziano Aspetti (15591606) was an Italian sculptor of the Renaissance. He was born in Padua and active mainly there and in Venice. He completed both large and small sculpture in bronze. Among his large works are bronze statues in the façade of San Francesco della Vigna and of ''Saint Anthony'' and many other sculptural decorations for the Basilica of Sant'Antonio of Padua. When Aspetti began his public career in the 1590s, Alessandro Vittoria had practically stopped sculpting and Girolamo Campagna had a monopoly on the main sculptural commissions. Although Aspetti beat Campagna to the commission for the Sant'Antonio altar, he was not so successful in Venice, producing nothing quite as powerful as Campagna's high altar for San Giorgio Maggiore (1590-1593) and the altar at San Salvatore (). However, he had no rivals in Florence for producing reliefs, other than perhaps Giovanni Battista Caccini and his contemporary Giambologna, which may have been Aspetti's reason for moving th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Briosco
Andrea Riccio (1532) was an Italian sculptor and occasional architect, whose real name was Andrea Briosco, but is usually known by his sobriquet meaning "curly"; he is also known as Il Riccio and Andrea Crispus ("curly" in Latin). He is mainly known for small Bronze sculpture, bronzes, often practical objects such as inkwells, door knockers or fire-dogs, exquisitely sculpted and decorated in a classicising Renaissance style. He was born at Padua, and first trained as a goldsmith by his father, Ambrogio di Cristoforo Briosco. He later began to study bronze casting under Bartolomeo Bellano, a pupil of Donatello. As an architect, he is known for the Abbey of Santa Giustina, church of Santa Giustina in his native city. His masterpieces are the bronze Paschal candelabrum in the choir in Basilica of Saint Anthony of Padua, Basilica of Sant'Antonio at Padua (1515), and the two bronze reliefs (1507) of ''David dancing before the Ark'' and ''Judith and Holofernes'' in the same church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Canova
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Maria Angela Zardo Fantolini.. In 1761, his father died. A year later, his mother remarried. As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroque style". He led Antonio into the art of sculpt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quentin Metsys
Quentin Matsys ( nl, Quinten Matsijs) (1466–1530) was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. There is a tradition alleging that he was trained as an ironsmith before becoming a painter. Matsys was active in Antwerp for over 20 years, creating numerous works with religious roots and satirical tendencies. He is regarded as the founder of the Antwerp school of painting, which became the leading school of painting in Flanders in the 16th century. He introduced new techniques and motifs as well as moralising subjects without completely breaking with the tradition.Nanny Schrijvers, ''Quinten Massijs '' at Flemish Primitives Early life Most early accounts of Matsys' life are composed primarily of legend and very little con ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Il Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidobal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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