Muriel Dickson
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Muriel Dickson
Muriel Dickson (12 July 1903 – 11 March 1990) was a Scottish soprano who was particularly known for her performances in the works of Gilbert and Sullivan. After performing with the D'Oyly Carte Opera Company for seven years, she sang for four seasons with the Metropolitan Opera and went on to a concert career. In later years, she taught singing at the Royal Scottish Academy of Music and Drama and privately. Early years and D'Oyly Carte Born Constance Muriel Dickson in Edinburgh, she studied singing in Florence, Italy with Luigi Ricci. In March 1928 she became a member of the D'Oyly Carte Opera Company, initially as a member of the chorus, performing in the company's repertory of Gilbert and Sullivan operas. Her nickname with the company was "Poppy". She had the opportunity, during her first season, to fill in as the principal soprano, Mabel, in ''The Pirates of Penzance''. Soon, she was given the small roles of Fleta in ''Iolanthe'', and, the next year, Ada in ''Princess I ...
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Muriel Dickson
Muriel Dickson (12 July 1903 – 11 March 1990) was a Scottish soprano who was particularly known for her performances in the works of Gilbert and Sullivan. After performing with the D'Oyly Carte Opera Company for seven years, she sang for four seasons with the Metropolitan Opera and went on to a concert career. In later years, she taught singing at the Royal Scottish Academy of Music and Drama and privately. Early years and D'Oyly Carte Born Constance Muriel Dickson in Edinburgh, she studied singing in Florence, Italy with Luigi Ricci. In March 1928 she became a member of the D'Oyly Carte Opera Company, initially as a member of the chorus, performing in the company's repertory of Gilbert and Sullivan operas. Her nickname with the company was "Poppy". She had the opportunity, during her first season, to fill in as the principal soprano, Mabel, in ''The Pirates of Penzance''. Soon, she was given the small roles of Fleta in ''Iolanthe'', and, the next year, Ada in ''Princess I ...
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Winifred Lawson
Winifred Lawson (15 November 1892 – 30 November 1961) was an English opera and concert singer in the first half of the 20th century. She is particularly remembered for her performances in the soprano roles in the Gilbert and Sullivan operas as a member of the D'Oyly Carte Opera Company between 1922 and 1932. She started her career as a concert singer. In 1920, she made her operatic debut as Countess Almaviva in ''The Marriage of Figaro'', appeared in the first performances of Purcell's ''The Fairy-Queen'' in more than 200 years, and created the role of Guinevere in ''The Round Table''. Lawson was soon playing a range of roles, from as Marguerite in ''Faust'' to Bessie Throckmorton in '' Merrie England''. She was a D'Oyly Carte principal soprano for nearly a decade, playing 10 of the leading Savoy opera roles. The only other role she played during this time was Lili in '' Lilac Time'', although she also began a broadcast career in 1929 on BBC radio. In the mid-1930s, Lawson app ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ...
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Amelia Goes To The Ball
''Amelia al ballo'' (''Amelia Goes to the Ball'') is a one-act ''opera buffa'' by Gian Carlo Menotti, who set his own Italian libretto. Composed during 1936 when Menotti was in his mid-twenties, it was the composer's first mature opera and first critical success. The opera recounts a series of farcical events as a young Italian socialite overcomes obstacles to her attendance at the first ball of the season. Performance history Menotti secured a premiere for the work in Philadelphia. This required, however, a translation into English of the original libretto. George Mead prepared the translation and Menotti made minor revisions to the music to fit the new English words. Staged by the Curtis Institute of Music, ''Amelia Goes to the Ball'' premiered on April 1, 1937, at the Philadelphia Academy of Music under the direction of Austrian composer, librettist, and stage director Ernst Lert, with set and costume designs by Tony Award-winning designer Donald Oenslager. The opera was presen ...
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Gian Carlo Menotti
Gian Carlo Menotti (, ; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent. Like Wagner, Menotti wrote the libretti of all his operas. He wrote the classic Christmas opera '' Amahl and the Night Visitors'' (1951), along with over two dozen other operas intended to appe ...
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Il Matrimonio Segreto
' (''The Secret Marriage'') is a dramma giocoso in two acts, music by Domenico Cimarosa, on a libretto by Giovanni Bertati, based on the 1766 play ''The Clandestine Marriage'' by George Colman the Elder and David Garrick. It was first performed on 7 February 1792 at the Imperial Hofburg Theatre in Vienna in the presence of Emperor Leopold II. Performance history Cimarosa's only work still to be regularly performed, it is arguably one of the greatest 18th century opera buffa apart from those by Mozart. Its premiere was the occasion of the longest encore in operatic history; Leopold II was so delighted that he ordered supper served to the company and the entire opera repeated immediately after. The Italian premiere of the opera was given at La Scala in Milan on 17 February 1793 with Maria Gazzotti as Carolina and Vincenzo Del Moro as Paolino. On 23 May, the same year, it arrived at the Teatre de la Santa Creu in Barcelona. England saw the work for the first time on 11 January 1794 ...
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Time (magazine)
''Time'' (stylized in all caps) is an American news magazine based in New York City. For nearly a century, it was published Weekly newspaper, weekly, but starting in March 2020 it transitioned to every other week. It was first published in New York City on March 3, 1923, and for many years it was run by its influential co-founder, Henry Luce. A European edition (''Time Europe'', formerly known as ''Time Atlantic'') is published in London and also covers the Middle East, Africa, and, since 2003, Latin America. An Asian edition (''Time Asia'') is based in Hong Kong. The South Pacific edition, which covers Australia, New Zealand, and the Pacific Islands, is based in Sydney. Since 2018, ''Time'' has been published by Time USA, LLC, owned by Marc Benioff, who acquired it from Meredith Corporation. History ''Time'' has been based in New York City since its first issue published on March 3, 1923, by Briton Hadden and Henry Luce. It was the first weekly news magazine in the United St ...
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George Rasely
George Rasely (October 27, 1890, St. Louis, Missouri – 3 January 1965, Lawrence, Kansas) was an American tenor who had an active career in operas, concerts, and musicals during the first half of the 20th century. He was also a frequent performer on American radio during the 1920s through the 1940s. He won the National Music League singing competition in 1927 and the Walter W. Naumburg Foundation vocal competition in 1928. Born in St. Louis, Missouri, Rasely made his Broadway theatre, Broadway debut in 1917 as Nur-Al-Huda in Frederic Norton's ''Chu Chin Chow''. He was a part of The Greenwich Village Follies between 1922 and 1924. He returned to Broadway again in 1939 to portray Mr. Scratch in ''The Devil and Daniel Webster (opera), The Devil and Daniel Webster''. His other Broadway credits include ''La Vie parisienne (operetta), La Vie parisienne'' (1941), ''Helen Goes to Troy'' (1944), and ''Hollywood Pinafore'' (1945). In 1928, he was committed to the Philadelphia Civic Ope ...
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Mario Chamlee
Mario Chamlee (May 29, 1892 – November 13, 1966) was one of the lyric tenors who inherited several roles associated with Enrico Caruso at the Metropolitan Opera. Early years His birth name was Archer Ragland Chamlee. Some references erroneous state that his birth surname was "Cholmondeley" which was the original family name before immigration to America. There is no record of his using it especially since his father and grandfather already used "Chamlee." Born in Los Angeles, California, he was the son of a physician (these same sources that gave his incorrect name also claim that his father was a minister but census records show his occupation as "physician"). Chamlee graduated of the University of Southern California where he studied science; he also played violin. He first studied voice with Achille Alberti in Los Angeles, and later with Sibella and Dellera in New York City. He made his debut in Los Angeles in 1916 as Edgardo in ''Lucia di Lammermoor'' with the Lombard ...
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Wilfred Pelletier
Joseph Louis Wilfrid Pelletier (sometimes spelled Wilfred), (20 June 1896 – 9 April 1982) was a Canadians, Canadian conducting, conductor, pianist, composer, and arts administrator. He was instrumental in establishing the Montreal Symphony Orchestra, serving as the orchestra's first artistic director and conductor from 1935 to 1941. He had a long and fruitful partnership with the Metropolitan Opera in New York City that began with his appointment as a rehearsal accompanist in 1917; ultimately working there as one of the company's conductors in mainly the French opera repertoire from 1929 to 1950. From 1951 to 1966 he was the principal conductor of the Orchestre Symphonique de Québec. He was also a featured conductor for a number of RCA Victor recordings, including an acclaimed reading of Gabriel Fauré's ''Requiem (Fauré), Requiem'' featuring baritone Mack Harrell and the Montreal Symphony Orchestra and chorus. Pelletier was one of the most influential music educators in ...
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The Bartered Bride
''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second ...
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