Munsell Color System
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Munsell Color System
In colorimetry, the Munsell color system is a color space that specifies colors based on three properties of color: hue (basic color), chroma (color intensity), and value ( lightness). It was created by Professor Albert H. Munsell in the first decade of the 20th century and adopted by the United States Department of Agriculture (USDA) as the official color system for soil research in the 1930s. Several earlier color order systems had placed colors into a three-dimensional color solid of one form or another, but Munsell was the first to separate hue, value, and chroma into perceptually uniform and independent dimensions, and he was the first to illustrate the colors systematically in three-dimensional space. Munsell's system, particularly the later renotations, is based on rigorous measurements of human subjects' visual responses to color, putting it on a firm experimental scientific basis. Because of this basis in human visual perception, Munsell's system has outlasted its c ...
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Lightness (color)
Lightness is a visual perception of the luminance (L) of an object. It is often judged relative to a similarly lit object. In colorimetry and color appearance models, lightness is a prediction of how an illuminated color will appear to a standard observer. While luminance is a linear measurement of light, lightness is a linear prediction of the human perception of that light. This is because human vision's lightness perception is non-linear relative to light. Doubling the quantity of light does not result in a doubling in perceived lightness, only a modest increase. The symbol for perceptual lightness is usually either J as used in CIECAM02 or L^* as used in CIELAB and CIELUV. L^* ("Lstar") is not to be confused with L as used for luminance. In some color ordering systems such as Munsell color system, Munsell, Lightness is referenced as value. Chiaroscuro and Tenebrism both take advantage of dramatic contrasts of value to heighten drama in art. Artists may also employ shading ...
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Lightness
Lightness is a visual perception of the luminance (L) of an object. It is often judged relative to a similarly lit object. In colorimetry and color appearance models, lightness is a prediction of how an illuminated color will appear to a standard observer. While luminance is a linear measurement of light, lightness is a linear prediction of the human perception of that light. This is because human vision's lightness perception is non-linear relative to light. Doubling the quantity of light does not result in a doubling in perceived lightness, only a modest increase. The symbol for perceptual lightness is usually either J as used in CIECAM02 or L^* as used in CIELAB and CIELUV. L^* ("Lstar") is not to be confused with L as used for luminance. In some color ordering systems such as Munsell, Lightness is referenced as value. Chiaroscuro and Tenebrism both take advantage of dramatic contrasts of value to heighten drama in art. Artists may also employ shading, subtle manipulatio ...
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Philipp Otto Runge
Philipp Otto Runge (; 1777–1810) was a German artist, a draftsman, painter, and color theorist. Runge and Caspar David Friedrich are often regarded as the leading painters of the German Romantic movement.Koerner, Joseph Leo. 1990. ''Caspar David Friedrich and the Subject of Landscape.'' Yale University Press. New Haven, Connecticut. 256 pp. Rauch, Alexander. 2000. ''Neoclassicism and the Romantic Movement: Painting in Europe between Two Revolutions 1789 – 1848.'' pages 318–479. in Tomam, Rolf, editor. ''Neoclassicism and Romanticism: Architecture, Sculpture, Painting, Drawings, 1750-1848.'' Könemann, Verlagsgesellschaft. Cologne. 520 pp. He is frequently compared with William Blake by art historians, although Runge's short ten-year career is not easy to equate to Blake's career.Connelly, Frances S. 1993. ''Poetic Monsters and Nature Hieroglyphics: The Precocious Primitivism of Philipp Otto Runge.'' Art Journal. 52(2): 31-39. By all accounts he had a brilliant mind and was ...
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Johann Heinrich Lambert
Johann Heinrich Lambert (, ''Jean-Henri Lambert'' in French; 26 or 28 August 1728 – 25 September 1777) was a polymath from the Republic of Mulhouse, generally referred to as either Swiss or French, who made important contributions to the subjects of mathematics, physics (particularly optics), philosophy, astronomy and map projections. Biography Lambert was born in 1728 into a Huguenot family in the city of Mulhouse (now in Alsace, France), at that time a city-state allied to Switzerland. Some sources give 26 August as his birth date and others 28 August. Leaving school at 12, he continued to study in his free time while undertaking a series of jobs. These included assistant to his father (a tailor), a clerk at a nearby iron works, a private tutor, secretary to the editor of ''Basler Zeitung'' and, at the age of 20, private tutor to the sons of Count Salis in Chur. Travelling Europe with his charges (1756–1758) allowed him to meet established mathematicians in the German ...
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Tobias Mayer
Tobias Mayer (17 February 172320 February 1762) was a German astronomer famous for his studies of the Moon. He was born at Marbach, in Württemberg, and brought up at Esslingen in poor circumstances. A self-taught mathematician, he earned a living by teaching mathematics while still a youth. He had already published two original geometrical works when, in 1746, he entered J. B. Homann's cartographic establishment at Nuremberg. Here he introduced many improvements in mapmaking, and gained a scientific reputation which led (in 1751) to his election to the chair of economy and mathematics at the University of Göttingen. In 1754 he became superintendent of the observatory, where he worked until his death in 1762. Career Mayer's first important astronomical work was a careful investigation of the libration of the Moon (''Kosmographische Nachrichten'', Nuremberg, 1750), and his chart of the full moon (published in 1775) was unsurpassed for half a century. But his fame rests chiefl ...
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Munsell Books
Munsell may refer to: *Albert Henry Munsell (1858–1918), American painter, teacher of art, and the inventor of the Munsell color system * Harvey M. Munsell, American soldier in the Civil War. *Munsell Color Company *Munsell color system developed by the company above ** Farnsworth-Munsell 100 hue test *Munsell, Missouri Munsell is an unincorporated community in Shannon County, in the U.S. state of Missouri Missouri is a state in the Midwestern region of the United States. Ranking 21st in land area, it is bordered by eight states (tied for the most with T ..., a community in the United States See also * Munsel {{disambig ...
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Runge Farbenkugel
Runge may refer to: Locations *Runge, Texas, a town, United States *Runge (crater), a lunar crater Mare Smythii Other uses *Runge Newspapers, a newspaper chain in Ontario, Canada *Inspector Heinrich Runge (though it is more often spelled as "Lunge"), a character in the ''Monster A monster is a type of fictional creature found in horror, fantasy, science fiction, folklore, mythology and religion. Monsters are very often depicted as dangerous and aggressive with a strange, grotesque appearance that causes terror and fe ...'' series * Runge (surname), a surname {{disambiguation ...
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Interpolation
In the mathematical field of numerical analysis, interpolation is a type of estimation, a method of constructing (finding) new data points based on the range of a discrete set of known data points. In engineering and science, one often has a number of data points, obtained by sampling or experimentation, which represent the values of a function for a limited number of values of the independent variable. It is often required to interpolate; that is, estimate the value of that function for an intermediate value of the independent variable. A closely related problem is the approximation of a complicated function by a simple function. Suppose the formula for some given function is known, but too complicated to evaluate efficiently. A few data points from the original function can be interpolated to produce a simpler function which is still fairly close to the original. The resulting gain in simplicity may outweigh the loss from interpolation error and give better performance in ca ...
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Achromatic Color
Grey (more common in British English) or gray (more common in American English) is an intermediate color between black and white. It is a neutral or achromatic color, meaning literally that it is "without color", because it can be composed of black and white. It is the color of a cloud-covered sky, of ash and of lead. The first recorded use of ''grey'' as a color name in the English language was in 700  CE.Maerz and Paul ''A Dictionary of Color'' New York:1930 McGraw-Hill Page 196 ''Grey'' is the dominant spelling in European and Commonwealth English, while ''gray'' has been the preferred spelling in American English; both spellings are valid in both varieties of English. In Europe and North America, surveys show that grey is the color most commonly associated with neutrality, conformity, boredom, uncertainty, old age, indifference, and modesty. Only one percent of respondents chose it as their favorite color. Etymology ''Grey'' comes from the Middle English or , ...
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Gamut
In color reproduction, including computer graphics and photography, the gamut, or color gamut , is a certain ''complete subset'' of colors. The most common usage refers to the subset of colors which can be accurately represented in a given circumstance, such as within a given color space or by a certain output device. Another sense, less frequently used but still correct, refers to the complete set of colors found within an image at a given time. In this context, digitizing a photograph, converting a digitized image to a different color space, or outputting it to a given medium using a certain output device generally alters its gamut, in the sense that some of the colors in the original are lost in the process. Introduction The term ''gamut'' was adopted from the field of music, where in middle age Latin "gamut" meant the entire range of musical notes of which musical melodies are composed; Shakespeare's use of the term in ''The Taming of the Shrew'' is sometimes attributed to ...
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