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Mundilfari
In Norse mythology Mundilfari (Old Norse: ; rendered variously ''Mundilfari'', ''Mundilföri'' and ''Mundilfœri'') (Old Norse, possibly "the one moving according to particular times"Simek (2007:222).) is the father of Sól, goddess associated with the Sun, and Máni, associated with the Moon. Mundilfari is attested in the ''Poetic Edda'' poem ''Vafþrúðnismál'' stanza 23, and in chapter 11 of the ''Prose Edda'' book ''Gylfaginning''. Etymology The name appears in various forms in attestations for the figure, some of them significantly different, and various theories have been proposed for the name. John Lindow states that if the first element, ''mundil-'' is related to ''mund'', meaning "period of time," then the name may be a kenning for the Moon,Lindow (2001:233). as Rudolf Simek theorizes. See also *Hyperion (Titan) * World Mill Notes References * Lindow, John (2001). Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs'. Oxford University Press O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Máni
Máni (Old Norse: ; "Moon"Orchard (1997:109).) is the Moon personified in Germanic mythology. Máni, personified, is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. Both sources state that he is the brother of the personified sun, Sól, and the son of Mundilfari, while the ''Prose Edda'' adds that he is followed by the children Hjúki and Bil through the heavens. As a proper noun, Máni appears throughout Old Norse literature. Scholars have proposed theories about Máni's potential connection to the Northern European notion of the Man in the Moon, and a potentially otherwise unattested story regarding Máni through skaldic kennings. Attestations ''Poetic Edda'' In the poem ''Völuspá'', a dead völva recounts the history of the universe and foretells the future to the disguised god Odin. In doing so, the völva recounts the early days of the universe: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lindow
John Frederick Lindow (born July 23, 1946) is an American philologist who is Professor Emeritus of Old Norse and Folklore at University of California, Berkeley. He is a well known authority on Old Norse religion and literature. Biography John Lindow was born in Washington, D.C. on July 23, 1946, the son of Wesley Lindow and Eleanor Niemetta. His father was a banker and his mother was a teacher. John Lindow received his undergraduate degree at Harvard University, where he gained a A.B. magna cum laude in 1968, and a PhD in 1972, both in Germanic Languages and Literatures. After gaining his Ph.D, Lindow joined the faculty at University of California, Berkeley, serving as Acting Assistant Professor (1972-1974), Assistant Professor (1974-1977), Associate Professor (1977-1983), and Professor of Scandinavian (1983-?). He was since retired as Professor Emeritus of Old Norse and Folklore. In 1977, Lindow was elected as a corresponding member of the Royal Gustavus Adolphus Academy. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Mill
The World Mill (also "heavenly mill", "cosmic mill" and variants) is a mytheme suggested as recurring in Indo-European and other mythologies. It involves the analogy of the cosmos or firmament and a rotating millstone. The mytheme was extensively explored in Viktor Rydberg's 1886 '' Investigations into Germanic Mythology'', who provides both ancient Scandinavian and Indian examples. Donald Mackenzie described the World Mill’s relationship to the sacred spiral and the revolution of the starry heavens, providing analogs in Chinese, Egyptian, Babylonian, and AmerInd folklore, before concluding "that the idea of the World Mill originated as a result of the observation of the seasonal revolutions of the constellation of the 'Great Bear'." Clive Tolley (1995) examined the significance of the mytheme in Indo-European and Finnish mythology. Tolley found that "the image of a cosmic mill, ambivalently churning out well-being or disaster, may be recognized in certain fragmentary myths", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperion (Titan)
In Greek mythology, Hyperion (; grc-gre, Ὑπερίων, 'he who goes before') was one of the twelve Titan (mythology), Titan children of Gaia (the Earth) and Uranus (mythology), Uranus (the Sky). With his sister, the Titaness Theia, Hyperion fathered Helios (the Sun), Selene (the Moon) and Eos (the Dawn). Hyperion was, along with his son Helios, a personification of the sun, with the two sometimes identified. John Keats's abandoned epic poem Hyperion (poem), ''Hyperion'' is among the literary works that feature the figure. Etymology "Hyperion" means "he that walks on high" or simply "the god above", often joined with "Helios". There is a possible attestation of his name in Linear B (Mycenaean Greek) in the lacunose form '']pe-rjo-['' (Linear B: ]-[), found on the Knossos, KN E 842 tablet (reconstructed ''[u]-pe-rjo-[ne]'') though it has been suggested that the name actually reads "Apollo" (''[a]-pe-rjo-[ne]''). Mythology Hyperion is one of the twelve or thirteen Titans, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Simek
Rudolf Simek (born 21 February 1954) is an Austrian philologist and religious studies scholar who is Professor and Chair of Ancient German studies, German and Scandinavian studies, Nordic Studies at the University of Bonn. Simek specializes in Germanic studies, and is the author of several notable works on Germanic paganism, Germanic religion and Germanic mythology, mythology (including Old Norse religion and Norse mythology, mythology), Germanic peoples, Vikings, Old Norse literature, and the culture of Medieval Europe. Biography Since 1995, Simek has been Professor and Chair of Ancient German and Nordic Studies at the University of Bonn. Simek was appointed Professor of Comparative Religion at the University of Tromsø in 1999, and Professor of Old Nordic Studies at the University of Sydney in 2000. Simek has held a number of visiting professorships, having had long research stays at the universities of Reykjavík University, Reykjavik, University of Copenhagen, Copenhagen, Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenning
A kenning ( Icelandic: ) is a figure of speech in the type of circumlocution, a compound that employs figurative language in place of a more concrete single-word noun. Kennings are strongly associated with Old Norse-Icelandic and Old English poetry. They continued to be a feature of Icelandic poetry (including ''rímur'') for centuries, together with the closely related heiti. A kenning has two parts: a base-word (also known as a head-word) and a determinant. For example, the base-word of the kenning "íss rauðra randa" ('icicle of red shields' WORD Einarr Skúlason: ''Øxarflokkr'' 9) is ''íss'' ('ice, icicle') and the determinant is ''rǫnd'' ('rim, shield-rim, shield'). The thing, person, place or being to which the kenning refers is known as its referent (in this case a sword). Although kennings are sometimes hyphenated in English translation, Old Norse poetry did not require kennings to be in normal word order, nor do the parts of the kenning need to be side-by-side. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prose Edda
The ''Prose Edda'', also known as the ''Younger Edda'', ''Snorri's Edda'' ( is, Snorra Edda) or, historically, simply as ''Edda'', is an Old Norse textbook written in Iceland during the early 13th century. The work is often assumed to have been to some extent written, or at least compiled, by the Icelandic scholar, lawspeaker, and historian Snorri Sturluson 1220. It is considered the fullest and most detailed source for modern knowledge of Norse mythology, the body of myths of the North Germanic peoples, and draws from a wide variety of sources, including versions of poems that survive into today in a collection known as the ''Poetic Edda''. The ''Prose Edda'' consists of four sections: The Prologue, a euhemerized account of the Norse gods; ''Gylfaginning'', which provides a question and answer format that details aspects of Norse mythology (consisting of approximately 20,000 words), ''Skáldskaparmál'', which continues this format before providing lists of kennings and ''heit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gylfaginning
''Gylfaginning'' (Old Norse: 'The Beguiling of Gylfi' or 'The Deluding of Gylfi'; c. 20,000 words; 13th century Old Norse pronunciation ) is the first part of the 13th century ''Prose Edda'' after the Prologue. The ''Gylfaginning'' deals with the creation and destruction of the world of the Æsir and many other aspects of Norse mythology. The second part of the Prose Edda is called the ''Skáldskaparmál'' and the third '' Háttatal''. Summary The ''Gylfaginning'' tells the story of Gylfi, a king of "the land that men now call Sweden", who, after being tricked by one of the goddesses of the Æsir, wonders if all Æsir use magic and tricks for their will to be done. This is why he journeys to Asgard, but on the way he is tricked by the gods and arrives in some other place, where he finds a great palace. Inside the palace he encounters a man who asks Gylfi's name and so King Gylfi introduces himself as Gangleri. Gangleri then is taken to the king of the palace and comes upon thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vafþrúðnismál
''Vafþrúðnismál'' (Old Norse: "The Lay of Vafþrúðnir") is the third poem in the ''Poetic Edda''. It is a conversation in verse form conducted initially between the Æsir Odin and Frigg, and subsequently between Odin and the jötunn Vafþrúðnir. The poem goes into detail about the Norse cosmogony and was evidently used extensively as a source document by Snorri Sturluson in the construction of the ''Prose Edda'' who quotes it. The poem is preserved in Codex Regius and partially in AM 748 I 4to. There are preservation problems relating to stanzas 40-41. ''Vafþrúðnismál'' is believed to be a 10th century poem.''Norse Mythology A to Z'' p.111 Synopsis The lay commences with Odin asking advice and directions of Frigg as to whether it would be wise to seek out the hall of Vafþrúðnir Vafþrúðnir (Old Norse: ; "mighty weaver"Orchard (1997:170).) is a wise jötunn in Norse mythology. His name comes from ''Vaf'', which means weave or entangle, and ''thrudnir'', which mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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