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Mundeshwari Temple
The Mundeshwari Devi Temple (also spelled ''Mundesvari'') is a Hindu temple, located at Ramgarh Village, on the Mundeshwari Hills of Kaimur Range, Kaimur plateau near Son River, in the India, Indian state of Bihar. It is an Archaeological Survey of India (ASI) protected monument since 1915. The ASI has recently dated the structure to 108 CE making it the oldest Hindu temple in the country. An :File:Information board at Mundeshwari devi temple.jpg, information plaque at the site indicates the dating of the temple at least to 625 CE and Hindu inscriptions dated 635 CE were found in the temple. It is an ancient temple dedicated to the worship of the goddess Durga and is considered one of the oldest functional Hindu temples in India. The findings also established that here was a religious and educational center spread over the hillock and Mandaleshwar (Shiva) temple was the main shrine. The Mandaleshwari (Durga) was on the southern side. The temple was damaged and the idol of Mandales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Temple Architecture
Hindu temple architecture as the main form of Hindu architecture has many varieties of style, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the ''garbha griha'' or womb-chamber, where the primary ''Murti'' or the image of a deity is housed in a simple bare cell. This chamber often has an open area designed for movement in clockwise rotation for rituals and prayers. Around this chamber there are often other structures and buildings, in the largest cases covering several acres. On the exterior, the garbhagriha is crowned by a tower-like ''shikhara'', also called the ''vimana'' in the south. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. There may be other mandapas or other buildings, connected or detached, in large temples, together with other small temples in the compound. Hindu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huen Tsang
Xuanzang (, ; 602–664), born Chen Hui / Chen Yi (), also known as Hiuen Tsang, was a 7th-century Chinese Buddhist monk, scholar, traveler, and translator. He is known for the epoch-making contributions to Chinese Buddhism, the travelogue of his journey to India in 629–645 CE, his efforts to bring over 657 Indian texts to China, and his translations of some of these texts.Li Rongxi (1996), ''The Great Tang Dynasty Record of the Western Regions'', Bukkyo Dendo Kyokai and Numata Center for Buddhist Translation and Research, Berkeley, , pp. xiii-xiv Xuanzang was born on 6 April 602 in Chenliu, what is now Kaifeng municipality in Henan province. As a boy, he took to reading religious books, and studying the ideas therein with his father. Like his elder brother, he became a student of Buddhist studies at Jingtu monastery. Xuanzang was ordained as a ''śrāmaṇera'' (novice monk) at the age of thirteen. Due to the political and social unrest caused by the fall of the Sui dynasty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linga
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लिऊग ) meaning he is transcen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctum Sanctorum
The Latin phrase ''sanctum sanctorum'' is a translation of the Hebrew term ''קֹדֶשׁ הַקֳּדָשִׁים'' (Qṓḏeš HaQŏḏāšîm), literally meaning Holy of Holies, which generally refers in Latin texts to the holiest place of the Ancient Israelites, inside the Tabernacle and later inside the Temple in Jerusalem, but the term also has some derivative use in application to imitations of the Tabernacle in church architecture. The plural form ''sancta sanctorum'' is also used, arguably as a synecdoche, referring to the holy relics contained in the sanctuary. The Vulgate translation of the Bible uses ''sancta sanctorum'' for the Holy of Holies. Hence the derivative usage to denote the Sancta Sanctorum chapel in the complex of the Archbasilica of Saint John Lateran, Rome. In Hinduism, a temple's innermost part where the ''Murti'' of the deity is kept forms the ''Garbha griha'', also referred to as a sanctum sanctorum. Etymology The Latin word '' sanctum'' is the neu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murti
In the Hindu tradition, a ''murti'' ( sa, मूर्ति, mūrti, ) is a devotional image such as a statue, or "idol" (a common and non-pejorative term in Indian English), of a deity or saint. In Hindu temples, it is a symbolic icon. Thus, not all Hindu images of gods and saints are ''murti'', for example, purely decorative sculptures in temples and on the streets. A ''murti'' is itself not a god in Hinduism, but it is a shape, embodiment, or manifestation of a deity. ''Murti'' are also found in some nontheistic Jain traditions, where they serve as symbols of revered mortals inside Jain temples, and are worshiped in ''murtipujaka'' rituals. A ''murti'' is typically made by carving stone, wood working, metal casting or through pottery. Ancient era texts describing their proper proportions, positions and gestures include the Puranas, Agamas, and Samhitas.Klaus Klostermaier (2010), ''A Survey of Hinduism'', State University of New York Press, , pages 264–267 The expressio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamuna
The Yamuna (Hindustani language, Hindustani: ), also spelt Jumna, is the second-largest tributary river of the Ganges by discharge and the longest tributary in List of major rivers of India, India. Originating from the Yamunotri Glacier at a height of about on the southwestern slopes of Bandarpunch peaks of the Lower Himalayan Range, Lower Himalaya in Uttarakhand, it travels a total length of and has a Drainage system (geomorphology), drainage system of , 40.2% of the entire Ganges Basin. It merges with the Ganges at Triveni Sangam, Allahabad, which is a site of the Kumbh Mela, a Hindu festival held every 12 years. Like the Ganges, the Yamuna is highly venerated in Hinduism and worshipped as the Yamuna in Hinduism, goddess Yamuna. In Hinduism she is the daughter of the sun god, Surya, and the sister of Yama, the god of death, and so is also known as Yami. According to popular legends, bathing in its sacred waters frees one from the torments of death. It crosses several s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganga (goddess)
Ganga ( sa, गङ्गा or गंगा, Gaṅgā) is the personification of the river Ganges, who is worshipped by Hindus as the goddess of purification and forgiveness. Known by many names, Ganga is often depicted as a fair, beautiful woman, riding a divine crocodile-like creature called the makara. Some of the earliest mentions of Ganga are found in the Rigveda, where she is mentioned as the holiest of the rivers. Her stories mainly appear in post-Vedic texts such as the ''Ramayana'', ''Mahabharata,'' and the ''Puranas''. The Ramayana describes her to be the firstborn of Himavat, the personification of the Himalayas, and the sister of the mother goddess Parvati. However, other texts mention her origin from the preserver deity, Vishnu. Legends focus on her descent to earth, which occurred because of a royal-sage Bhagiratha, aided by the god Shiva. In the epic Mahabharata, Ganga is the mother of the warrior Bhishma in a union with the Kuru Kingdom, Kuru king Shantanu. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvarapala
A Dvarapala or Dvarapalaka (Sanskrit, "door guard"; IAST: ' ) is a door or gate guardian often portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the ''gada'' (mace). The dvarapala statue is a widespread architectural element throughout Hindu, Buddhist and Jaina cultures, as well as in areas influenced by them like Java. Names In most Southeast Asian languages (including Thai, Burmese, Vietnamese, Khmer and Javanese), these protective figures are referred to as ''dvarapala''. Sanskrit ''dvāra'' means "gate" or "door", and ''pāla'' means "guard" or "protector". The related name in Indonesian and Malaysia is ''dwarapala''. Equivalent door guardians in northern Asian languages are ''Kongōrikishi'' or ''Niō'' in Japanese, ''Heng Ha Er Jiang'' in Chinese, and ''Narayeongeumgang'' in Korean. Origin and forms Dvarapalas as an architectural feature have their origin in tutelary deities, like Yaksha and warrior figures, such as A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jambs
A jamb (from French ''jambe'', "leg"), in architecture, is the side-post or lining of a doorway or other aperture. The jambs of a window outside the frame are called “reveals.” Small shafts to doors and windows with caps and bases are known as “jamb-shafts”; when in the inside arris of the jamb of a window, they are sometimes called "scoinsons." A doorjamb, door jamb (also sometimes doorpost) is the vertical portion of the door frame onto which a door is secured. The jamb bears the weight of the door through its hinges, and most types of door latches and deadbolts extend into a recess in the doorjamb when engaged, making the accuracy of the plumb (i.e. true vertical) and strength of the doorjambs vitally important to the overall operational durability and security of the door. The word ''jamb'' is also used to describe a wing of a building, perhaps just in Scottish architecture. John Adam added a 'jamb' to the old Leith Customs house in the Citadel of Leith in 1754–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sikhara
''Shikhara'' (IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is ''vimana''; unlike the ''shikhara'', this refers to the whole building, including the sanctum beneath. In the south, ''shikhara'' is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern ''vimana'' is not to be confused with the elaborate gateway-towers of south Indian temples, called ''gopuram'', which are often taller and more prominent features in large temples. Forms ''Shikhara'' can be classified into three main forms: *''Latina''. The ''shikhara'' has four faces, which may include proj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
