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Mudgarpani
Mudgarpani was a Yaksha deity in ancient India. His name means "Mudgar-holder", the ''Mudgar'' being an ancient form of heavy cub, usually made of wood, but it can also be made of iron. A Yaksha Yakshas seem to have been the object of an important cult in the early periods of Indian history, many of them being known such as Kubera, king of the Yakshas, Manibhadra or Mudgarpani. The Yakshas are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness, and were the object of popular worship. Many of them were later incorporated into Buddhism, Jainism or Hinduism. Sculptures Some of the earliest works of art of the Mathura school of art are the Yakshas, monumental sculptures of earth divinities that have been dated to the 2nd-1st century BCE. Yakshas became the focus of the creation of colossal cultic images, typically around 2 meters or more in height, which are consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudgarpani Yaksha, Mathura, 100 BCE (hem)
Mudgarpani was a Yaksha deity in ancient India. His name means "Mudgar-holder", the ''Mudgar'' being an ancient form of heavy cub, usually made of wood, but it can also be made of iron. A Yaksha Yakshas seem to have been the object of an important cult in the early periods of Indian history, many of them being known such as Kubera, king of the Yakshas, Manibhadra or Mudgarpani. The Yakshas are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness, and were the object of popular worship. Many of them were later incorporated into Buddhism, Jainism or Hinduism. Sculptures Some of the earliest works of art of the Mathura school of art are the Yakshas, monumental sculptures of earth divinities that have been dated to the 2nd-1st century BCE. Yakshas became the focus of the creation of colossal cultic images, typically around 2 meters or more in height, which are consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha Carrying Human Figure And Mudgar - 2nd Century BCE - Government Museum - Mathura 2013-02-24 6089
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature-fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakshas
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature-fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathura Museum
__NOTOC__ Government Museum, Mathura, commonly referred to as Mathura museum, is an archaeological museum in Mathura city of Uttar Pradesh state in India. The museum was founded by then collector of the Mathura district, Sir F. S. Growse in 1874. Initially, it was known as Curzon Museum of Archaeology, then Archaeology Museum, Mathura, and finally changed to the Government Museum, Mathura. Overview The museum houses artifacts pottery, sculptures, paintings, and coins primarily from in and around Mathura, plus discoveries made by noted colonial archaeologists like Alexander Cunningham, F. S. Growse, and Fuhrer. The museum is famous for ancient sculptures of the Mathura school dating from 3rd century BC to 12th century AD., during Kushan Empire and Gupta Empire. today it is one of the leading museums of Uttar Pradesh. The Government of India issued a postage stamp on 9 October 1974 on the centenary of the museum. Notable collections File:Archaic Mother Goddess - Terracott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Mathura
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths",Srinivasan, 4 and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent. Chronologically, Mathuran sculpture becomes prominent after Mauryan art, the art of the Mauryan Empire (322 and 185 BCE). It is said to represent a "sharp break" with the previous Mauryan style, either in scale, material or style. Mathura became India's most important artistic production center from the second century BCE, with its highly recognizable red sandstone statues being admired and exported all over India. In partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudgar
A Mudgar is a type of "'' Gada''" mace from India, and it is generally considered to be made of wood, but can also be made of iron. Usage The ''mudgar'' appears is ancient Indian sculptures, where it is commonly held Yaksha deities, known as "Mudgarpanis" (Mudgar-holders). An ancient Jain story named the ''Antagadadasao'' tell the story of a man named Ajjunaka who was worshipping the image of the "Yaksa who held a mace", when he was attacked by five bandits, an event which shaked is devotion to the Yashka. Afterwards the Yaksa possessed Ajjunaka, giving him the strength to kill the five bandits. Nowadays, for training purposes when using Indian clubs, one or two wooden gada ("mudgar"), reaching up to 70 kilograms in weight, can be used: they can be swung behind the back in several different ways; this is particularly useful for building grip strength and shoulder endurance. Examples File:Yaksha Carrying Human Figure and Mudgar - 2nd Century BCE - Government Museum - Mathura 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudgar
A Mudgar is a type of "'' Gada''" mace from India, and it is generally considered to be made of wood, but can also be made of iron. Usage The ''mudgar'' appears is ancient Indian sculptures, where it is commonly held Yaksha deities, known as "Mudgarpanis" (Mudgar-holders). An ancient Jain story named the ''Antagadadasao'' tell the story of a man named Ajjunaka who was worshipping the image of the "Yaksa who held a mace", when he was attacked by five bandits, an event which shaked is devotion to the Yashka. Afterwards the Yaksa possessed Ajjunaka, giving him the strength to kill the five bandits. Nowadays, for training purposes when using Indian clubs, one or two wooden gada ("mudgar"), reaching up to 70 kilograms in weight, can be used: they can be swung behind the back in several different ways; this is particularly useful for building grip strength and shoulder endurance. Examples File:Yaksha Carrying Human Figure and Mudgar - 2nd Century BCE - Government Museum - Mathura 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Club
Indian clubs, which originated in the Indian subcontinent, are a type of exercise equipment used to present resistance in movement to develop strength and mobility. They consist of juggling club shaped wooden clubs of varying sizes and weights, which are swung in certain patterns as part of a strength exercise program. They can range in weight from a few pounds each to special clubs that can weigh as much as up to 100 pounds. They were used in carefully choreographed routines in which the clubs were swung in unison by a group of exercisers, led by an instructor, similar to 21st-century aerobics or zumba classes. The routines would vary according to the group's ability along with the weights of the clubs being used. When the 19th-century British colonists came across exercising clubs in India, they named them Indian clubs. History Club swinging is believed to have originated in India by soldiers as a method of improving strength, agility, balance and physical ability. Gada c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain
Jainism ( ), also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the cosmology. The three main pillars of Jainism are ''ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and '' aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), '' satya'' (truth), '' asteya'' (not stealing), ''brahmacharya'' (chastity), and '' aparigraha'' (non-possessiveness). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysos
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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