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Much In Common
''Much in Common'' is an album by bassist Ray Brown and vibraphonist Milt Jackson recorded in 1964 and released on the Verve label.Milt Jackson discography accessed January 24, 2012. Reception The review by Michael G. Nastos awarded the album 3½ stars, describing "two jazz giants in the prime of their careers, playing music not readily identifiable aside from their work with (Brown) or MJQ (Jackson) aroun ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verve Records Albums , pronounced verve
{{disambiguation ...
Verve may refer to: Music * The Verve, an English rock band * ''The Verve E.P.'', a 1992 EP by The Verve * ''Verve'' (R. Stevie Moore album) * Verve Records, an American jazz record label Businesses * Verve Coffee Roasters, an American coffee house chain * Verve Energy, a corporation owned by the Government of Western Australia * Verve International, a payment card brand * Ford Verve concepts, a series of small car concepts from Ford of Europe Other uses * ''Verve'' (French magazine), an art magazine * ''Verve'' (Indian magazine), a luxury-lifestyle magazine * Verve (operating system), an operating system by Microsoft Research * VRV (streaming service) VRV (officially pronounced "verve", though it is also referred to by its letters) is an over-the-top streaming service launched in November 2016. Owned by Crunchyroll, LLC, run by Sony through a joint venture between Sony Pictures and Sony M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marion Williams
Marion Williams (August 29, 1927 – July 2, 1994) was an American gospel singer. Early years Marion Williams was born in Miami, Florida, to a religiously devout mother and musically inclined father. She left school when she was nine years old to help support the family, and worked as a maid, a nurse, and in factories and laundries. She began singing in front of audiences while young. As was common in the area, Williams learned African American blues and jazz, alongside Caribbean calypso. Poverty caused Williams to leave school at fourteen to work with her mother at a laundry, although she eventually graduated from Pacific Union College in 1987. She sang at church and on street corners, inspired by a wide range of musicians, including Sister Rosetta Tharpe and the Smith Jubilee Singers. She stayed with gospel in spite of pressure to switch to popular blues tunes or the opera. Career In 1946, while visiting a friend in Philadelphia, Williams happened to sing befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Heath
Albert "Tootie" Heath (born May 31, 1935) is an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath. Born in Philadelphia, Pennsylvania, United States, he first recorded in 1957 with John Coltrane. From 1958 to 1974, he worked with, among others, J. J. Johnson, Wes Montgomery, Art Farmer and Benny Golson's Jazztet, Cedar Walton, Bobby Timmons, Kenny Drew, Sonny Rollins, Dexter Gordon, Johnny Griffin, Herbie Hancock, Friedrich Gulda, Nina Simone, and Yusef Lateef. In 1975, he, Jimmy and Percy formed the Heath Brothers. He remained with the group until 1978, then left to freelance. He has recorded extensively throughout his career. Among his many workshop and classroom teaching assignments, Heath is a regular instructor at the Stanford Jazz Workshop. Tootie Heath is now the producer and leader of The Whole Drum Truth, a jazz drum ensemble featuring Ben Riley, Ed Thigpen, Jackie Williams, Billy Hart, Charlie Persip, Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Jones
Henry Jones Jr. (July 31, 1918 – May 16, 2010) was an American jazz pianist, bandleader, arranger, and composer. Critics and musicians described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored him with the NEA Jazz Masters Award. He was also honored in 2003 with the American Society of Composers, Authors, and Publishers (ASCAP) Jazz Living Legend Award. In 2008, he was awarded the National Medal of Arts. On April 13, 2009, the University of Hartford presented Jones with an honorary Doctorate of Music for his musical accomplishments. Jones recorded more than 60 albums under his own name, and countless others as a sideman, including Cannonball Adderley's celebrated album '' Somethin' Else''. On May 19, 1962, he played piano as actress Marilyn Monroe sang her famous "Happy Birthday, Mr. President" song to then U.S. president John F. Kennedy. Biography Born in Vicksburg, Mississippi, Henry "Hank" Jones moved to Pontiac, Michiga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Bill Davis
Wild Bill Davis (November 24, 1918 – August 17, 1995) was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. He is best known for his pioneering jazz electric organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis (whom Smith had reportedly first seen playing organ in the 1930s) was the pacesetter among organists. Biography Davis was born in Glasgow, Missouri and grew up in Parsons, Kansas. He first learned music from his father who was a professional singer. He received further musical training at the Tuskegee Institute (now Tuskegee University) in Alabama, and at Wiley College in Marshall, Texas. In his early career he took inspiration from Fats Waller and Art Tatum. Davis moved to Chicago, where he originally played guitar and wrote arrangements for Milt Larkin's big band from 1939 through 1942; a band which included Arnett Cobb, Illinoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Burrell
Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 ''Billboard'' Top Twenty hit Verve album '' Organ Grinder Swing''. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.Cohassey, John. "Kenny Burrell: Guitarist, Educator." ''Contemporary Musicians. Profiles of the People in Music.'' Ed. Julia M. Rubiner. Vol. 11. Detroit, MI: Gale Research, 1994. 29–31. PrintNash, Sunny. "Kenny Burrell Biography." ''PRLog,'' May 13, 2009. Burrell is a professor and Director of Jazz Studies at the UCLA Herb Alpert School of Music. Early life Burrell was born in Detroit. Both his parents played instruments,Sallis, James. "Middle Ground: Herb Ellis, Howard Roberts, Jim Hall, Kenny Burrell, Joe Pass, Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Give Me That Old Time Religion
("Give Me That") "Old-Time Religion" (and similar spellings) is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs—or earlier. It has become a standard in many Protestant hymnals, though it says nothing about Jesus or the gospel, and covered by many artists. Some scholars, such as Forrest Mason McCann, have asserted the possibility of an earlier stage of evolution of the song, in that "the tune may go back to English folk origins" (later dying out in the white repertoire but staying alive in the work songs of African Americans). In any event, it was by way of Charles Davis Tillman that the song had incalculable influence on the confluence of black spiritual and white gospel song traditions in forming the genre now known as southern gospel. Tillman was largely responsible for publishing the song into the repertoire of white audiences. It was first heard sung by African-Americans and written down by Tillman when he attended a camp meeting in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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