Move It On Over (song)
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Move It On Over (song)
"Move It On Over" is a song written and recorded by the American country music singer-songwriter Hank Williams in 1947. Background "Move It On Over" was recorded on April 21, 1947 at Castle Studio in Nashville, Hank's first session for MGM and the same session that produced " I Saw the Light," " (Last Night) I Heard You Crying in Your Sleep," and " Six More Miles to the Graveyard." Nashville had no session men during this period, so producer Fred Rose hired Red Foley's backing band, one of the sharpest around, to back Williams. As biographer Colin Escott observes, Rose probably felt the instrumental break needed a touch of class to smooth out Williams' hillbilly edges, and the band, especially guitarist Zeke Turner, was likely too fancy for the singer's taste. The song is considered one of the earliest examples of rock and roll music. Though many claim the song "Rock Around the Clock," released in 1954 by Bill Haley & His Comets, was the first rock and roll single, it resembl ...
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Acuff-Rose Music
Acuff-Rose Music, Inc. was an American music publishing firm formed in 1942 by Roy Acuff and Fred Rose (songwriter), Fred Rose in Nashville, Tennessee, United States. Acuff-Rose's honest behavior towards their writers set them apart from other music publishing firms at the time and led them to fame throughout the 1950s, 1960s, and 1970s. Currently, the company's catalog is owned by Sony Music Publishing, Sony Music Publishing (US), LLC (Delaware). Early history Acuff-Rose was formed by country and western music, country music performer Roy Acuff and Fred Rose (songwriter), Fred Rose, a major Nashville music-industry figure and songwriter, who had a respected ability as a talent scout. Many country performers had been badly cheated in the past with regard to copyright and other rights to their creations. Many were unsophisticated and naive and were taken advantage of by unscrupulous Casting agent, agents, Lawyer, attorneys, record promoters, record labels and others. When they sta ...
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Rock Around The Clock
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s. This is the first Rock and Roll record to top the Pop Charts in both the US and UK. (Bill Haley had American chart success with " Crazy Man, Crazy" in 1953, and in 1954, " Shake, Rattle and Roll" sung by Big Joe Turner reached No. 1 on the ''Billboard'' R&B chart). Haley's recording became an anthem for rebellious 1950s youth, particularly after it was included in the 1955 film ''Blackboard Jungle''. It was Number 1 on the pop charts for two months and went to Number 3 on the R&B chart. The recording is widely considered to ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-of ...
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Novelty Song
A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great popularity during the 1920s and 1930s. They had a resurgence of interest in the 1950s and 1960s. The term arose in Tin Pan Alley to describe one of the major divisions of popular music; the other two divisions were ballads and dance music. Humorous songs, or those containing humorous elements, are not necessarily novelty songs. Novelty songs are often a parody or humor song, and may apply to a current event such as a holiday or a fad such as a dance or TV programme. Many use unusual lyrics, subjects, sounds, or instrumentation, and may not even be musical. For example, the 1966 novelty song " They're Coming to Take Me Away, Ha-Haaa!", ...
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Jerry Rivers
Jerry Rivers (August 25, 1928 – October 4, 1996) was an American fiddle player. Biography Jerry Rivers was born in Miami, Florida. He played fiddle with the Drifting Cowboys, a band who will be forever associated with their "frontman", the legendary Hank Williams. Raised in Nashville, in a house that would later serve as an office for Atlantic Records, Jerry Rivers took up the fiddle as a teenager and was, by the mid-1940s, playing it semi- professionally whilst working during the day as a salesman for an electronic components company. He turned professional, briefly toured with the Short Brothers and then found himself back in Nashville working with Big Jeff Bess, husband of Hattie Louise "Tootsie" Bess, owner of the famous Tootsie's Orchid Lounge on Music City's Lower Broadway. It was whilst working with Bess that Rivers was first approached by Williams. Although Hank had performed with groups from the mid-1930s on, it was only following his successful early appearances on t ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts an ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles re ...
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Phrase (music)
In music theory, a phrase ( gr, φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells, and combining to form melodies, periods and larger sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." Edward Cone analyses the "typical musical phrase" as consisting of an "initial downbeat, a period of m ...
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Jim Jackson's Kansas City Blues
"Jim Jackson's Kansas City Blues" is a 1927 song, written and recorded by the American blues musician Jim Jackson. He recorded it on October 10, 1927 for Vocalion Records, who released it as a two-part A-side and B-side single. It was Jackson's first record and an early blues hit. Music writer Peter Silvester suggests it was one of the first million-seller records.Peter J. Silvester, ''A Left Hand Like God : A History of Boogie-Woogie Piano'' (1989), . This sales figure is disputed, but the recording was "immensely popular... and became a standard among Mississippi and Memphis bluesmen". William Harris's second and final recording stint occurred over three days in October 1928, in Richmond, Indiana, and included Harris's cover of the song. Jackson was also a medicine show singer and it is supposed that the two men knew each other from that time. The song's melody line was re-used and developed by Charlie Patton ("Going to Move to Alabama") and Hank Williams (" Move It on ...
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Jim Jackson (musician)
Jim Jackson (June 1876 – December 18, 1933) was an American blues and hokum singer, songster, and guitarist, whose recordings in the late 1920s were popular and influential on later musicians. Biography Jackson was born in Hernando, Mississippi. The researchers Bob Eagle and Eric LeBlanc date his birth as 1876, but other sources give 1884 or 1890. He was raised on a farm, where he learned to play guitar. Around 1905 he started working as a singer, dancer, and musician in medicine shows and played at dances and parties, often with other local musicians, such as Gus Cannon, Frank Stokes and Robert Wilkins. He soon began travelling with the Rabbit Foot Minstrels, featuring Ma Rainey and Bessie Smith, and other minstrel shows. He also played in clubs on Beale Street in Memphis, Tennessee. His popularity and proficiency secured him a residency at the prestigious Peabody Hotel in Memphis in 1919. Like Lead Belly, Jackson knew hundreds of songs, including blues, ballads, vaudevill ...
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Charley Patton
Charley Patton (April 1891 (probable) – April 28, 1934), also known as Charlie Patton, was an American Delta blues musician and songwriter. Considered by many to be the "Father of the Delta Blues", he created an enduring body of American music and inspired most Delta blues musicians. The musicologist Robert Palmer considered him one of the most important American musicians of the twentieth century. Patton (who was well educated by the standards of his time) spelled his name ''Charlie'', but many sources, including record labels and his gravestone, use the spelling ''Charley''. Biography Patton was born in Hinds County, Mississippi, near the town of Edwards, and lived most of his life in Sunflower County, in the Mississippi Delta. Most sources say he was born in April 1891, but the years 1881, 1885 and 1887 have also been suggested. Patton's parentage and race also are uncertain. His parents were Bill and Annie Patton, but locally he was regarded as having been fathered by ...
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Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, ra ...
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