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Mourning Becomes Electra (opera)
''Mourning Becomes Electra'' is an opera in 3 acts by composer Marvin David Levy. The work uses an English language libretto by Henry W. Butler after the 1931 Mourning Becomes Electra, play of the same name by Eugene O'Neill. It premiered at the Metropolitan Opera in New York City on March 17, 1967 with Zubin Mehta conducting. Michael Cacoyannis directed the production and Boris Aronson designed the sets, costumes, and lighting. The original production was critically well received, returned for a second season at the Met, and was presented successfully in Germany. However, it then vanished from the stage. After thirty years, the opera was presented by Lyric Opera of Chicago in 1998 in a revised version that reduced the orchestration and simplified the harmonic language. A more drastic revision of the opera was subsequently premiered at the Seattle Opera on October 18, 2003. The orchestration was further cut down and electronic samplers added. A number of passages were re-writt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mourning Becomes Electra (10821902183)
''Mourning Becomes Electra'' is a play cycle written by American playwright Eugene O'Neill. The play premiered on Broadway at the August Wilson Theatre, Guild Theatre on 26 October 1931 where it ran for 150 performances before closing in March 1932, starring Lee Baker (Ezra), Earle Larrimore, Earle Larimore (Orin), Alice Brady (Lavinia) and Alla Nazimova (Christine). In May 1932, it was unsuccessfully revived at the Alvin Theatre (now the Neil Simon Theatre) with Thurston Hall (Ezra), Walter Abel (Orin), Judith Anderson (Lavinia) and Florence Reed (Christine), and, in 1972, at the Circle in the Square Theatre, with Donald Davis (actor), Donald Davis (Ezra), Stephen McHattie (Orin), Pamela Payton-Wright (Lavinia), and Colleen Dewhurst (Christine). Characters and background Main characters * Brigadier General Ezra Mannon * Christine Mannon, ''his wife'' * Lavinia Mannon – ''their daughter'' * Orin Mannon – ''their son, First Lieutenant of Infantry'' * Captain Adam Brant – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Reardon (baritone)
John Reardon (April 8, 1930April 16, 1988) ( aged 58 ) was an American baritone and actor who was noted for his performances on television, including many appearances on the PBS children's television show ''Mister Rogers' Neighborhood''. Making his debut with the New York City Opera in 1954, he sang 33 roles with them until 1972, returning in 1983 for performances as Danilo in ''The Merry Widow''. Reardon was a member of the New York Metropolitan Opera from 1965 until 1977, appearing in such operas as '' Carmen'' and '' Jenufa''. In 1967, Reardon created the role of Orin Mannon (the equivalent of Orestes in Aeschylus' ''Oresteia'') in the world premiere of Marvin David Levy's ''Mourning Becomes Electra''. His last performance at the Met was as Papageno in ''The Magic Flute'' on April 6, 1977. He co-starred with Phil Silvers on Broadway in the Jule Styne musical '' Do Re Mi'', introducing the standard song " Make Someone Happy". He also appeared on Broadway in ''New Faces of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adaptations Of Works By Eugene O'Neill
In biology, adaptation has three related meanings. Firstly, it is the dynamic evolutionary process of natural selection that fits organisms to their environment, enhancing their evolutionary fitness. Secondly, it is a state reached by the population during that process. Thirdly, it is a phenotypic trait or adaptive trait, with a functional role in each individual organism, that is maintained and has evolved through natural selection. Historically, adaptation has been described from the time of the ancient Greek philosophers such as Empedocles and Aristotle. In 18th and 19th century natural theology, adaptation was taken as evidence for the existence of a deity. Charles Darwin proposed instead that it was explained by natural selection. Adaptation is related to biological fitness, which governs the rate of evolution as measured by change in allele frequencies. Often, two or more species co-adapt and co-evolve as they develop adaptations that interlock with those of the ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Based On Plays
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera World Premieres At The Metropolitan Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Set In The United States
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Marvin David Levy
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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