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Moulin Rouge (1940 Film)
Moulin Rouge (, ; ) is a cabaret in Paris, on Boulevard de Clichy, at Place Blanche, the intersection of, and terminus of Rue Blanche. In 1889, the Moulin Rouge was co-founded by Charles Zidler and Joseph Oller, who also owned the Paris Olympia. The original venue was destroyed by fire in 1915. Moulin Rouge is southwest of Montmartre, in the Paris district of Pigalle on Boulevard de Clichy in the 18th ''arrondissement'', it has a red windmill on its roof. The closest métro station is Blanche. Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today, the Moulin Rouge is a tourist attraction, offering predominantly musical dance entertainment for visitors from around the world. The club's decor still contains much of the roma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Willette
Adolphe Léon Willette (30 July 1857, Châlons-sur-Marne4 February 1926, Paris) was a French Painting, painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "antisemitism, anti-semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections. Biography Willette studied for four years at the École des Beaux-Arts under Alexandre Cabanel. His graphical work ranged from dainty triviality or political satire: he made Pierrot an imaginary hero of France, and established Mimi Pinson as frail, lovable, and essentially good-hearted. He could also be bitter and fierce, a partisan of political ideas. The guillotine and the figure of Death appear in his caricatures. At the time of the Dreyfus affair he was an ''anti-dreyfusard''; with Jean-Louis Forain, he moved to the political right. Works The artist was a prolific contributor to the French illustrated press under the pseudon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fin De Siècle
() is a French term meaning "end of century,” a phrase which typically encompasses both the meaning of the similar English idiom "turn of the century" and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence.” The term is commonly applied to French art and artists, as the traits of the culture first appeared there, but the movement affected many European countries. The term becomes applicable to the sentiments and traits associated with the culture, as opposed to focusing solely on the movement's initial recognition in France. The ideas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-U-Kao
Cha-U-Kao was a French entertainer who performed at the Moulin Rouge and the Nouveau Cirque in the 1890s. Her stage name was also the name of a boisterous popular dance, similar to the can-can, which came from the French words "chahut", meaning "noise" and "chaos". She was depicted in a series of paintings by Henri de Toulouse-Lautrec. Cha-U-Kao soon became one of his favorite models. The artist was fascinated by this woman who dared to choose the classic male profession of clowning and was not afraid to openly declare that she was a lesbian. Little is known about her life, including her real name, though she was a gymnast before she worked as a Parisian female clown or "clownesse." During her time as a gymnast, Maurice Guilbert photographed her, capturing her younger self that contrasted with Toulouse-Lautrec's later depictions. Her clown performances included a "distinctive black-and-yellow costume with her hair piled up on her head Toulouse-Lautrec sometimes sketched Cha-u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentin Le Désossé
Valentin le Désossé ("Valentin the Boneless"; 26 February 1843 – 4 March 1907) was the stage name of Jacques Renaudin, a French can-can dancer who was a star of the Moulin Rouge in the 1890s as the partner of Louise Weber, known as La Goulue (The Glutton). Star of the Moulin Rouge Not much is known about the life of Jacques Renaudin. He may have been the son of a notary from Sceaux, a commune in the southern suburbs of Paris, and it is thought that, as an adult, he worked as a wine merchant by day. It is certain, however, that at night he danced at the Moulin Rouge, the famed cabaret in the Pigalle district of Paris, near Montmartre. There he formed a partnership with La Goulue, dancing the ''chahut'', a form of the can-can. As a team, they were the toast of ''tout le monde'' in ''fin de siècle'' Paris. Renaudin was tall and slender, with an aquiline nose and a prominent chin, which gave him a distinctive profile, and long arms and legs, which gave him an elongated silhou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Avril
Jane Avril (9 June 186817 January 1943) was a French can-can dancer made famous by Henri de Toulouse-Lautrec through his paintings. Extremely thin, "given to jerky movements and sudden contortions", she was nicknamed ''La Mélinite'', after an explosive. Biography She was born Jeanne Louise Beaudon on 9June 1868 in Belleville, in the 20th arrondissement of Paris (though her biographer, Jose Shercliff—whose account of the dancer's life is highly romanticised—employed the surname “Richepin” in her publication). Her mother Léontine Clarisse Beaudon was a prostitute who was known as "La Belle Élise", and her father was an Italian aristocrat named Luigi de Font who separated from her mother when Avril was two years old. Avril was raised by her grandparents in the countryside until her mother took her back with the intent of turning her into a prostitute. Living in poverty and abused by her alcoholic mother, she ran away from home as a teenager, and was eventually admitt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Goulue
La Goulue (, meaning ''The Gourmand''), was the stage name of Louise Weber (12 July 1866 – 29 January 1929), a French can-can dancer who was a star of the Moulin Rouge, a popular cabaret in the Pigalle district of Paris, near Montmartre. Weber became known as ''La Goulue'' because as an adolescent, she was known for guzzling cabaret patrons' drinks while dancing. She also was referred to as the Queen of Montmartre. Childhood Very little is known about her early childhood, but it is believed that Louise Weber was born into a Jewish family from Alsace that eventually moved to Clichy, Hauts-de-Seine, near Paris. Her mother worked in a laundry. As an impoverished young girl who loved to dance, Weber is said to have enjoyed dressing up in laundry customers' expensive clothing and pretending to be a glamorous star on a great stage. At age 16, she was working with her mother in the laundry, but behind her mother's back began sneaking off to a dance hall dressed in a customer's "bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Pétomane
Joseph Pujol (June 1, 1857 – August 8, 1945), better known by his stage name Le Pétomane (, ), was a French flatulist (professional farter) and entertainer. He was famous for his remarkable control of the abdominal muscles, which enabled him to seemingly fart at will. His stage name combines the French verb ''péter'', "to fart" with the -''mane'', "-maniac" suffix, which translates to "fartomaniac". The profession is referred to as "flatulist", "farteur", or "fartiste". It was a common misconception that Pujol passed intestinal gas as part of his stage performance. Rather, he was allegedly able to "inhale" or move air into his rectum and then control the release of that air with his anal sphincter muscles. Evidence of his ability to control those muscles was seen in the early accounts of demonstrations of his abilities to fellow soldiers. Life and career Joseph Pujol was born in Marseille, one of five children of stonemason and sculptor François Pujol and his wife Rose, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Café Chantant
A coffeehouse, coffee shop, or café is an establishment that primarily serves coffee of various types, notably espresso, latte, and cappuccino. Some coffeehouses may serve cold drinks, such as iced coffee and iced tea, as well as other non-caffeinated beverages. In continental Europe, cafés serve alcoholic drinks. A coffeehouse may also serve food, such as light snacks, sandwiches, muffins, fruit, or pastries. Coffeehouses range from owner-operated small businesses to large multinational corporations. Some coffeehouse chains operate on a franchise business model, with numerous branches across various countries around the world. While ''café'' may refer to a coffeehouse, the term "café" generally refers to a diner, British café (colloquially called a "caff"), "greasy spoon" (a small and inexpensive restaurant), transport café, teahouse or tea room, or other casual eating and drinking place. A coffeehouse may share some of the same characteristics of a bar or restaurant, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri De Toulouse-Lautrec
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times. Born into the aristocracy, Toulouse-Lautrec broke both his legs around the time of his adolescence and, due to the rare condition Pycnodysostosis, was very short as an adult due to his undersized legs. In addition to his alcoholism, he developed an affinity for brothels and prostitutes that directed the subject matter for many of his works recording many details of the late-19th-century bohemian lifestyle in Paris. Toulouse-Lautrec is among the painters described as being Post-Impressionists, with Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Georges Seurat also commonly considered as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japonism
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert & Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eiffel Tower
The Eiffel Tower ( ; french: links=yes, tour Eiffel ) is a wrought-iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel, whose company designed and built the tower. Locally nicknamed "''La dame de fer''" (French for "Iron Lady"), it was constructed from 1887 to 1889 as the centerpiece of the 1889 World's Fair. Although initially criticised by some of France's leading artists and intellectuals for its design, it has since become a global cultural icon of France and one of the most recognisable structures in the world. The Eiffel Tower is the most visited monument with an entrance fee in the world: 6.91 million people ascended it in 2015. It was designated a '' monument historique'' in 1964, and was named part of a UNESCO World Heritage Site ("Paris, Banks of the Seine") in 1991. The tower is tall, about the same height as an 81- building, and the tallest structure in Paris. Its base is square, measuring on each sid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_at_concert.jpeg "Click for more on -> Le Pétomane")
