Motown (Michael McDonald Album)
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Motown (Michael McDonald Album)
''Motown'' is the sixth studio album by American singer-songwriter Michael McDonald. The album was released on June 24, 2003, by Universal Music International and Motown. Track listing Personnel * Michael McDonald – lead and backing vocals, acoustic piano, Fender Rhodes, arrangements * Toby Baker – keyboards, synthesizers, programming, acoustic guitar, electric guitar, bass, drum programming, arrangements, backing vocals * Tony Swain – keyboards, synthesizers, Fender Rhodes * Bob James – keyboards * Tim Akers – Hammond organ * Tim Carmon – Hammond organ * Simon Climie – arrangements, ProTools programming, acoustic guitar, electric guitar, backing vocals * Chris Rodriguez – electric guitar, electric sitar * Michael Thompson – guitar * Larry Carlton – guitar * Nathan East – bass * Nicky Shaw – drums, percussion drum programming, arrangements * Ricky Lawson – drums * Harvey Mason – drums, percussion * Paul Waller – percussion, programmin ...
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Michael McDonald (musician)
Michael McDonald (born February 12, 1952) is an American singer, keyboardist and songwriter known for his distinctive, soulful voice and as a member of the bands the Doobie Brothers (1975–1982, 1987, 2019–present) and Steely Dan (1973–1974). McDonald wrote and sang several hit singles with the Doobie Brothers, including " What a Fool Believes", "Minute by Minute", and " Takin' It to the Streets." McDonald has also performed as a prominent backing vocalist on numerous recordings by artists including Steely Dan, Christopher Cross, and Kenny Loggins. McDonald's solo career consists of nine studio albums and a number of singles, including the 1982 hit "I Keep Forgettin' (Every Time You're Near)". During his career, McDonald has collaborated with a number of other artists, including James Ingram, David Cassidy, Van Halen, Patti LaBelle, Lee Ritenour, the Winans, Aretha Franklin, the rock band Toto, Grizzly Bear, Joni Mitchell, and Thundercat. He has also recorded for televi ...
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Lee Garrett
Lee Garrett (born June 30, 1943, in Mississippi) is an American rhythm and blues singer-songwriter, most famous for co-writing the classic song "Signed, Sealed, Delivered I'm Yours". He recorded a handful of solo singles during the 1960s, one of which was "I Can't Break the Habit". He had a hit in 1976 with " You're My Everything". Artists that have covered his compositions include Taka Boom, Carl Graves, Peter Frampton, Eddie Money, Jackie Moore, Marlena Shaw, The Spinners and many more. He has also been a radio show host. Background Garrett is a Mississippi born singer, composer and radio D.J., and a graduate of the Missouri School for the Blind. He wrote several songs with Stevie Wonder, including the Jermaine Jackson song " Let's Get Serious" and The Spinners " It's a Shame". Garrett worked in radio during the 1960s and 1970s. In 1976, his solo track "You're My Everything" reached number 15 in the UK Singles Chart. Without any further chart presence, he became a one-hit ...
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How Sweet It Is (To Be Loved By You)
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!" Marvin Gaye version Produced by Brian Holland and Lamont Dozier, the song was released as a single in September 1964. It peaked at number six on the US ''Billboard'' Hot 100 chart in January 1965 and at number three on US ''Billboard's'' R&B Singles chart. Up to that point, it was Gaye's most successful single with record sales exceeding 900,000 copies. The song's personnel includes Marvin Gaye on lead vocals; The Andantes on background vocals; and The Funk Brothers on various instruments, including piano and percussion. Gaye also released a German-language version of the song entitled ...
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Holland–Dozier–Holland
Holland–Dozier–Holland was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and Eddie Holland wrote the lyrics and arranged the vocals. Their most celebrated productions were singles for the Four Tops and the Supremes, including 10 of the Supremes' 12 US No. 1 singles, including "Baby Love", "Stop! In the Name of Love", and "You Keep Me Hangin' On". From 1969 to 1972, due to a legal dispute with Motown, they did not write material under their own names, but instead used the collective pseudonym "Edythe Wayne". When the trio left Motown, they continued to work as a production team (with Eddie Holland being added to the producer credits), and as a songwriting team, until about 1974. The trio ...
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Reflections (The Supremes Song)
"Reflections" is a 1967 song recorded by The Supremes for the Motown label. It was the first Supremes record released under the new billing, ''Diana Ross & the Supremes'', and is among their last hit singles to be written and produced by Motown's main production team Holland–Dozier–Holland (H–D–H). It peaked at number 2 on the United States ''Billboard'' Hot 100 pop singles chart and number 5 on the UK Singles Chart in September 1967. Background This single, released at the height of the Summer of Love of 1967 and the Vietnam War, was the first Supremes' release to delve into psychedelic pop; H–D–H's production of the song, influenced by the psychedelic rock sounds of bands such as The Beatles and The Beach Boys, represented a shift in Motown's pop sound during the latter half of the 1960s. The psychedelic influence is apparent in the song's arrangement. Although it is sometimes cited as one of the first mainstream pop recordings to feature a Moog synthesizer, the unu ...
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Ashford & Simpson
Ashford & Simpson were an American husband-and-wife songwriting-production team and recording duo of Nickolas Ashford (May 4, 1941 – August 22, 2011) and Valerie Simpson (born August 26, 1946). Ashford was born in Fairfield, South Carolina, and Simpson in the Bronx, New York City. Afterwards, his family relocated to Ypsilanti, Michigan, where he became a member of Christ Temple Baptist Church. While there, he sang with a group called the Hammond Singers (named after the founding minister, James Hammond). Later, Nickolas attended and graduated from Willow Run High School in Ypsilanti, Michigan, before pursuing his professional career, where he would ultimately meet his wife, Valerie. They met at Harlem's White Rock Baptist Church in 1964. After having recorded unsuccessfully as a duo, they joined an aspiring solo artist and former member of the Ikettes, Joshie Jo Armstead, at the Scepter/Wand label, where their compositions were recorded by Ronnie Milsap ("Never Had It So G ...
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Tammi Terrell
Tammi Terrell (born Thomasina Winifred Montgomery; April 29, 1945 – March 16, 1970) was an American singer-songwriter, widely known as a star singer for Motown Records during the 1960s, notably for a series of duets with singer Marvin Gaye. Terrell's career began as a teenager, first recording for Scepter/Wand Records, before spending nearly nine months as a member of James Brown's Revue, recording for Brown's Try Me label. After a period attending college, Terrell recorded briefly for Checker Records, before signing with Motown in 1965. With Gaye, Terrell scored seven Top 40 singles on the ''Billboard'' Hot 100, including "Ain't No Mountain High Enough", which was inducted into the Grammy Hall of Fame in 1999, "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". Terrell's career was interrupted when she collapsed into Gaye's arms as the two performed at a concert at Hampden–Sydney College on October 14, 1967, with Terrell later being diagnosed with a bra ...
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Ain't Nothing Like The Real Thing
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's ''United'' LP. The first release off the duo's second album: ''You're All I Need'', the song - written and produced by regular Gaye/Terrell collaborators Ashford & Simpson - became a hit within weeks of release eventually peaking at number 8 on the ''Billboard'' Hot 100 and number 1 on the Hot Soul Singles chart, the first of the duo's two number 1 R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34. ''Cash Box'' called it "a potent ballad," saying that "Detroit backing puts a beat into the session" and praising the "splendid vocals." "Ain't Nothing Like the Real Thing" is ranked as the 57th biggest US hit of 1968. Chart performance Weekly charts Year-end charts Personnel * All lead vocals by Marvin Gaye and Tammi Terrell * B ...
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Jerry Ross (record Producer)
Jerry Jan Ross (May 1, 1933 – October 4, 2017) was an American songwriter, A&R man, record producer, and record label owner. As a writer, his greatest success was with "I'm Gonna Make You Love Me," which he co-wrote with his protégé Kenny Gamble. His greatest successes as a producer include " Sunny" by Bobby Hebb, and he also released "Venus" by Shocking Blue in the United States. Jerry produced The Mob on their self-titled first album in 1970. Biography Ross was born in Philadelphia, and grew up with aspirations to be a trumpeter and singer before deciding to become a songwriter and record producer. After a period in Armed Forces Radio, he studied at Temple University, and began working at WFIL-TV (later WPVI). When Dick Clark began hosting the TV show ''American Bandstand'', Ross became his booth announcer, and also started hosting Clark's WFIL radio show, ''Caravan of Music''. He set up his own record production and promotion business, Ross Associates, in Philadelphi ...
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Gamble And Huff
Kenneth Gamble (born August 11, 1943, Philadelphia, Pennsylvania) and Leon A. Huff (born April 8, 1942, Camden, New Jersey) are an American songwriting and production team credited for developing the Philadelphia soul music genre (also known as Philly sound) of the 1970s. In addition to forming their own label, Philadelphia International Records, Gamble and Huff have written and produced 175 gold and platinum records, earning them an induction into the Rock and Roll Hall of Fame in the non-performer category in March 2008. History Early years Gamble's childhood in Philadelphia shaped his adult life: he recorded himself on various arcade recording machines, assisted the morning show DJs on WDAS, operated a record store, and sang with The Romeos. In 1964, before there was "Gamble & Huff" there was "Gamble & Ross". Gamble was discovered and managed by Jerry Ross when Gamble was only 17 years old and they collaborated for many years. Gamble teamed up with Leon Huff (keyboards) for ...
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The Temptations
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single " Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group formed in 1960 in Detroit under the name ''the Elgins''. The founding members came from two rival Detroit vocal groups: Otis Williams, Elbridge "Al" Bryant, and Melvin Franklin of Otis Williams & the Distants, and Eddie Kendricks and Paul Williams of the Primes. In 1964, Bryant was replaced by David Ruffin, w ...
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Diana Ross & The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass public housing project in Detroit. They formed ''the Primettes'' as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlo ...
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