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Motorcity Records Albums Discography
{{Short description, none This is a discography for albums released by Motorcity Records. Album discography ''Unissued albums are marked with an (NR) for '"not released".'' *MOTCLP 1 – Various Artists – Motortown Sound of Detroit Vol. 1 (1989) *MOTCLP 2 – Various Artists – Motortown Sound of Detroit Vol. 2 (1990) *MOTCLP 3 – Various Artists – Motortown Sound of Detroit Vol. 3 (1990) *MOTCLP 4 – Various Artists – Motortown Sound of Detroit Vol. 4 (1990) *CDMOTCLP 5 – Various Artists – Motortown Sound of Detroit Vol. 5 (1991) *MOTCCD 6 – Various Artists – Motortown Sound of Detroit Vol. 6 (1992) *MOTCCD 7 – Various Artists – Motortown Sound of Detroit Vol. 7 (1992) *MOTCCD 8 – Various Artists – Motortown Sound of Detroit Vol. 8 (NR) *MOTCCD 9 – Various Artists – Motortown Sound of Detroit Vol. 9 (NR) *MOTCCD 10 – Various Artists – Motortown Sound of Detroit Vol. 10 (NR) *MOTCLP 11 – Various Artists – Motorcity Soul Sampler Vol. 1 (1989) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motorcity Records
Motorcity Records is a British record label formed by producer Ian Levine in 1989. The label aimed to record new material with former Motown artists. History Levine, a Motown fan since his childhood in the 1960s, was offered a chance to record Kim Weston on his Hi-NRG label Nightmare in 1987. The result ''Signal Your Intention'' topped the UK Hi-NRG charts and met with enthusiasm from Motown fans. Kim Weston brought other former Motown acts to the label, including Mary Wells (of ''My Guy'' fame), The Velvelettes and Marv Johnson. Mary Wilson of The Supremes followed next and during 1988, a full Motown reunion began to take shape. In April 1989, more than 60 artists gathered in front of the Hitsville studios in Detroit, receiving ample media coverage. Later in the year, Levine changed the label name to Motorcity Records. Joined by former Motown writers like Sylvia Moy, Johnny Bristol and Ivy Jo Hunter, Levine and his crew wrote and produced around the clock, getting the back ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Taylor & The Vancouvers
Bobby Taylor & the Vancouvers were a Canadian soul band from Vancouver, British Columbia, Canada. The group recorded for the Gordy Records division of Motown Records in 1968, where they had a top 30 hit single, "Does Your Mama Know About Me". As a producer and solo artist, Bobby Taylor contributed to several other soul recordings, both inside and outside of Motown. Taylor is most notable for discovering and mentoring The Jackson 5. Tommy Chong was a member of Bobby Taylor & the Vancouvers before he became famous as a comedian. Career Bobby Taylor, born Robert Edward Taylor on February 18, 1934, in Washington, D.C., was raised in Washington. As a young man, he moved to New York City and sang in doo-wop groups with singers who later joined successful acts such as Frankie Lymon & the Teenagers and Little Anthony and the Imperials. In 1958 he began his music career as a member of The Four Pharaohs, who released a few locally-selling recordings in the Columbus, Ohio area. In the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fantastic Four (band)
The Fantastic Four (also known as Sweet James and The Fantastic Four) were a Detroit based soul group, formed in 1965. "Sweet" James Epps, brothers Ralph and Joseph Pruitt, and Wallace "Toby" Childs were the original members. Childs and Ralph Pruitt later departed, and were replaced by Cleveland Horne and Ernest Newsome. Career Their first single on Ric-Tic, " The Whole World Is a Stage," was their only big hit single, peaking at number 6 on the US ''Billboard'' R&B chart in 1967. The next release, "You Gave Me Something (And Everything's Alright)," reached number 12 that same year. Motown eventually purchased Ric-Tic, and they had another Top 20 R&B hit with "I Love You Madly," which came out in 1968 and was also issued on Soul. Before the Motown takeover, The Fantastic Four were the Ric-Tic label's biggest-selling act, outselling Edwin Starr in the US. Their songs were regularly played on Detroit/Windsor's 50,000 watt powerhouse station, CKLW (The Big 8). They continued to rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwin Starr
Charles Edwin Hatcher (January 21, 1942 – April 2, 2003), known by his stage name Edwin Starr, was an American singer and songwriter. Starr was famous for his Norman Whitfield-produced Motown singles of the 1970s, most notably the number-one hit "War". Born in Nashville and raised in Cleveland, Ohio, he later lived in Detroit while singing for Ric-Tic and Motown Records. He was backed by the band that became known as "Black Merda". Hawkins and Veasey of the group played on most of his early hits on the Ric Tic Label. Starr's songs " Twenty-Five Miles" and "Stop the War Now" were also major successes, in 1969 and 1971 respectively. In the 1970s Starr's base shifted to the United Kingdom, where he continued to produce music, and resided until his death. Early life Charles Edwin Hatcher was born in Nashville, Tennessee, on January 21, 1942. He and his cousins, soul singers Roger and Willie Hatcher, moved to Cleveland, Ohio, where they were raised. In 1957, Hatcher formed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Andantes
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings. The Andantes provided back-up singing on Motown singles starting in 1962. The group was most prominently used on all of the Four Tops' Holland–Dozier–Holland-produced hits, including "Baby I Need Your Loving", "I Can't Help Myself (Sugar Pie Honey Bunch)", "Reach Out I'll Be There", and more. Motown began to use the Andantes as background vocal substitutes for the vast majority of recordings for its girl groups beginning with the Marvelettes recordings in 1965, Martha & the Vandellas in 1966, and major p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liz Lands
Elizabeth Lands (February 11, 1939 – January 11, 2013) was an American soul singer. Her purported five octave vocal range started her Motown career before Berry Gordy tried to make a name for her in the R&B/Pop market on Gordy Records. Life and career Lands was born Elizabeth Lands in the Georgia Sea Islands on February 11, 1939. She grew up in New York City before moving to Detroit and becoming involved in the Southern Christian Leadership Conference. While performing with Harry Belafonte at a benefit show she was scouted by Berry Gordy. He signed her to his gospel label Divinity, but soon switched her to his R&B Gordy label where she released her first single in 1963. In December 1963, a month after the assassination of President John F. Kennedy, Lands released a vocal tribute to Kennedy that was distributed to 2,000 delegates at the 1964 Democratic National Convention in Atlantic City. Her song "May What He Lived for Live," was included in the memorial to Kennedy at the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Lewis
Pat Lewis is an American soul singer and backing vocalist since the 1960s. Biography Patsy Lewis was born October 23, 1947 in Johnstown, Pennsylvania, United States, and moved to Detroit, Michigan in 1951. In the early 1960s, Pat, her sister Dianne, and two friends (Betty and Jackie Winston) formed the group, The Adorables, who recorded a record and began singing backing vocals for Golden World Records. Lewis debuted as a solo artist in 1966 with ''Can't Shake It Loose'' while also beginning to do outside backing vocals sessions. She met Motown Records' in-house backing group The Andantes, and one day when one of the girls could not make the session for Stevie Wonder's "Up-Tight", Lewis stepped in and did it as well as several other Motown sessions. She signed to Solid Hit Bound Records and released a string of singles, including "Look At What I Almost Missed", "Warning", "No One to Love", "No Baby No", and "The Loser". From the late 1960s on, she became a permanent backing singe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Stubbs
Joe Stubbs (born Joseph Stubbles; December 9, 1942 – February 5, 1998) was an American R&B/soul singer who became the lead singer of four different groups throughout his recording career. He was the younger brother of The Four Tops' lead Levi Stubbs. Biography Joe Stubbs was born six years after his brother Levi. The two grew up together in Detroit, Michigan, United States. As a teenager, Stubbs joined the R&B group The Falcons in 1957 and led them on several of their early hits, among them the million-seller, "You're So Fine" (1959), and "The Teacher" (1960). He was then replaced by Wilson Pickett, who took over as lead in 1960. Stubbs also recorded a solo single for the Lu Pine label entitled "Keep On Loving Me", released in 1964. He joined Motown R&B group The Contours in the mid-1960s. Several original members had left in 1964, along with lead singer Billy Gordon, who had departed the following year. A renewed version of the group, with Joe Stubbs as lead singer, began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brenda Holloway
Brenda Holloway (born June 26, 1946) is an American singer and songwriter, who was a recording artist for Motown Records during the 1960s. Her best-known recordings are the soul hits, "Every Little Bit Hurts", " When I'm Gone", and " You've Made Me So Very Happy." The latter, which she co-wrote, was later widely popularized when it became a Top Ten hit for Blood, Sweat & Tears. She left Motown after four years, at the age of 22, and largely retired from the music industry until the 1990s, after her recordings had become popular on the British " Northern soul" scene. Biography Early life and career She was born in Atascadero, California on June 26, 1946, the eldest of three children to Wade and Johnnie Mae (Fossett) Holloway. In 1948, she and her infant brother, Wade, Jr., moved with their parents to the Watts section of Los Angeles where her sister, Patrice, was born in 1951. Brenda took up violin, flute and piano and sang in her church choir, as well as developing a love of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankie Gaye
Frankie Gaye (born Frances Gay; November 15, 1941 – December 30, 2001) was an American recording artist and the brother of fellow recording artist Marvin Gaye. Gaye's recollections of his tenure in the Vietnam War inspired Marvin's song "What's Happening, Brother," from the album '' What's Going On''. Early life Gaye was born in Washington, D.C., the third of four children born to Alberta Williams and Marvin Gay, Sr. in 1941. Both Frankie and elder brother Marvin sang, first in church and then with local doo-wop groups. Frankie had several jobs in Washington, D.C. before answering the draft to serve his country during the Vietnam War at 25; he served as a radio disk jockey in the army. In 1970, Frankie returned to civilian life in D.C. Emotional conversations between Frankie and Marvin over Frankie's horrific recollections of the war led to Marvin to compose the song "What's Happening, Brother", later issued for Marvin's album, '' What's Going On'', released in 1971. Music c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue-eyed Soul
Blue-eyed soul (also called white soul) is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly-black Motown and Stax record labels. Though many R&B radio stations in the United States in that period would only play music by black musicians, some began to play music by white acts considered to have "soul feeling"; their music was then described as "blue-eyed soul." 1960s Georgie Woods, a Philadelphia radio DJ, is thought to have coined the term "blue-eyed soul" in 1964, initially to describe The Righteous Brothers, then white artists in general who received airplay on rhythm and blues radio stations. The Righteous Brothers in turn named their 1964 LP ''Some Blue-Eyed Soul''. According to Bill Medley of the Righteous Brothers, R&B radio stations who played their songs were surprised to find them to be white when they turned up for interviews, and one DJ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Garage
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular " 2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. Origins The evolution of house music in the United Kingdom in the early to mid-1990s led to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
