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Motezuma
''Motezuma'', RV 723, is an opera in three acts by Antonio Vivaldi with an Italian libretto by Alvise Giusti. The libretto is very loosely based on the life of the Aztec ruler Montezuma who died in 1520. The first performance was given in the Teatro Sant'Angelo in Venice on 14 November 1733. (In earlier reference books the opera is referred to as ''Montezuma'', but since the reappearance of the original manuscript this has been corrected to ''Motezuma''.) The music was thought to have been lost, but was discovered in 2002 in the archive of the music library of the Sing-Akademie zu Berlin. Its first fully staged performance in modern times took place in Düsseldorf, Germany, on 21 September 2005. Background and performance history Vivaldi's librettist was the Venetian lawyer Girolamo Giusti. His libretto was a highly fictionalised account of an episode in the life of the Aztec ruler Montezuma. The opera has a happy ending, unlike the real Montezuma who was killed during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Girò
Anna Girò (also Girrò or Giraud), also known as l'Annina del Prete Rosso, la Nina del Prete Rosso, or l'Annina della Pietà, was the stage name of Anna Maria(?) Maddalena Tessieri (or Tesieri, Teseire or Testeiré), an Italian mezzo-soprano/contralto of the 18th century. She is best remembered for her numerous collaborations with composer Antonio Vivaldi who wrote operatic roles for her. She is the singer who performed the greatest number of Vivaldi's operas, the one who kept them in her repertoire the longest time and who made them known across the largest geographical area. Early life and career Mantua Anna Girò was born in Mantua in 1710 or a few years earlier. She was the daughter of a wig maker of French descent called Pietro, whose surname Giraud was made into Girò in italian and passed onto the offspring in its italianized graphy. Her mother was Bartolomea, widow of Giacomo Trevisan. Venice At twelve she was sent to Venice to study singing. There, she was welcomed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moctezuma II
Moctezuma Xocoyotzin ( – 29 June 1520; oteːkˈsoːmaḁ ʃoːkoˈjoːt͡sĩn̥), nci-IPA, Motēuczōmah Xōcoyōtzin, moteːkʷˈsoːma ʃoːkoˈjoːtsin variant spellings include Motewksomah, Motecuhzomatzin, Montezuma, Moteuczoma, Motecuhzoma, Motēuczōmah, Muteczuma, and referred to retroactively in European sources as Moctezuma II, was the ninth Emperor of the Aztec Empire (also known as Mexica Empire), reigning from 1502 or 1503 to 1520. Through his marriage with queen Tlapalizquixochtzin of Ecatepec, one of his two wives, he was also king consort of that ''altepetl''. The first contact between the indigenous civilizations of Mesoamerica and Europeans took place during his reign, and he was killed during the initial stages of the Spanish conquest of the Aztec Empire, when conquistador Hernán Cortés and his men fought to take over the Aztec capital Tenochtitlan. During his reign, the Aztec Empire reached its greatest size. Through warfare, Moctezuma expanded the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alvise Giusti
Luigi (Alvise) Giusti (Venice, 1709 – Vienna, 1766) was an Italian lawyer, poet, and librettist. He is often confused with his uncle, Girolamo Giusti (1703 – ?), who also wrote libretti. Between them, they produced at least four, although it has been unclear which Giusti wrote which libretto, and sometimes they have wrongly been assumed to be the same person. In the past, the libretto for Vivaldi's 1733 opera ''Motezuma'' had been attributed to Girolamo on the basis of a later archivist handwriting the name on a printed copy. However, according to Michael Talbot writing in ''The Vivaldi Compendium'', "the scholarly consensus is that Alvise is at least the author of the libretto for Vivaldi's ''Motezuma''."Talbot, Michael (2011''The Vivaldi Compendium'' p. 89. Boydell Press Boydell & Brewer is an academic press based in Woodbridge, Suffolk, England, that specializes in publishing historical and critical works. In addition to British and general history, the company publishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Giusti
Girolamo Giusti (1703 – ?) was an Italian librettist and composer. He is often confused with his uncle, Alvise Giusti (1709–1766) an Italian lawyer, poet, and librettist, who also wrote libretti. Between them, they produced at least four, although it has been unclear which Giusti wrote which libretto, and sometimes they have wrongly been assumed to be the same person. In the past, the libretto for Vivaldi's 1733 opera ''Motezuma'' had been attributed to Girolamo on the basis of a later archivist handwriting the name on a printed copy. However, according to Michael Talbot writing in ''The Vivaldi Compendium'', "the scholarly consensus is that Alvise Giusti not Girolamo Giusti is at least the author of the libretto for Vivaldi's ''Motezuma''."Talbot, Michael (2011''The Vivaldi Compendium'' p. 89. Boydell Press Boydell & Brewer is an academic press based in Woodbridge, Suffolk, England, that specializes in publishing historical and critical works. In addition to British and g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Barga Festival
The Opera Barga Festival is an annual opera festival held in July in the town of Barga, Italy, founded in 1967 by Peter Hunt and Gillian Armitage together with Peter Gellhorn as musical director and Lorenzo Malfatti, head of didactics. Its performances take place in the late 18th century theatre, Teatro dei Differenti which seats 289. (Between 1982 and 1998, the theatre was taken over by the town administration and closed for renovations.) The main artistic aim of the festival is to perform works from the Baroque era - in addition to modern operas - and, since its inception, it has staged more than 40 operas, many being heard for the first time in modern times. The performers are young musicians taking part in the festival's summer school. Past participants have included the Welsh operatic tenor Dennis O'Neill, and the bass-baritone, John Del Carlo. The Festival is currently run by Nicholas Hunt and Giancarlo Morganti, with the musical counsel of Massimo Fino. In recent years it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Maria Sardelli
Federico Maria Sardelli (born 1963) is an Italian conductor, historicist, composer, musicologist, comic artist, and flautist. He founded the medieval ensemble Modo Antiquo in 1984. In 1987, Modo Antiquo also became a baroque orchestra, debuting with the performance of Jean-Baptiste Lully's ''Ballet des Saisons'' in front of an audience of about five thousand. Life and career He is the main conductor of the Accademia Barocca di S. Cecilia (Rome) and guest conductor of the Orchestra Filarmonica di Torino, Maggio Musicale Fiorentino, Orquestra de la Comunitat Valenciana, Gewandhaus Leipzig, Staatskapelle Halle, Kammerakademie Potsdam, Moscow State Chamber Orchestra, etc. He has recorded more than forty Albums as soloist and conductor, published by the labels Naïve, Deutsche Grammophon, Sony, Brilliant, Tactus. A notable protagonist in the Vivaldi renaissance, he performed, recorded and edited a large number of Vivaldi compositions, often in world premiere (''Arsilda, regina di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modo Antiquo
Modo Antiquo is an Italian instrumental ensemble dedicated to the performance of Baroque, Renaissance, and Medieval music. It was founded in 1984 by Federico Maria Sardelli. Twice nominated for a Grammy award, the ensemble has an extensive discography, primarily on the Naïve, Brilliant Classics, and Tactus labels and have given the first performances in modern times of several works by Vivaldi. Modo Antiquo's larger ensemble is its Baroque orchestra led by Sardelli. It also has a smaller ensemble devoted to Medieval and Renaissance music led by Bettina Hoffmann. History and repertoire Modo Antiquo was founded in 1984 by the musicologist and flautist Federico Maria Sardelli and initially focused on Medieval and Renaissance music. The Baroque orchestra began in 1987, the 300th anniversary of Jean-Baptiste Lully's death, when Sardelli organised a concert in Livorno which gave the first Italian performance in modern times of Lully's ''Ballet des Saisons''. The 25-piece orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Sant'Angelo
The Teatro San Angelo (in Venetian dialect) or Teatro Sant' Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi Giovanni e Paolo in 1654, Teatro San Samuele 1655, Teatro San Salvatore 1661, Teatro San Giovanni Crisostomo in 1667. The Teatro San Angelo was located in the Campo San 'Angelo, facing the Grand Canal and Rialto Bridge, on the sites of two demolished palazzi belonging to the Marcellos and Capellos. The project was completed in 1676 by Francesco Santorini, and opened in 1677 under the families of Benedetto Marcello and the Capellos. The house was opened with the opera ''Helena rapita da Paride'' of Domenico Freschi, (1677) and continued with operas by Freschi, Gasparini, Albinoni and Bononcini. From around 1715 onwards the house was best known as the venue of many of the operas of Antonio Vivaldi.John Booth ''Vivaldi'' 1989 "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Doelen
De Doelen is a concert venue and convention centre in Rotterdam, Netherlands. It was originally built in 1934 but then destroyed in 1940 during the German bombardment of Rotterdam in May 1940 at the outset of World War II. It was rebuilt in 1966, originally with one hall to which two more were added in the 1990s. It has a variety of facilities, including the Grote Zaal (Grand Hall), a 2,200-seat concert hall, two smaller halls which each seat about 700 people, and convention rooms. In 2015 it was classified as a Rijksmonument. Although mainly known as a venue for classical music, de Doelen is also a stage for jazz, world music and as the Central Boxoffice for the International Film Festival Rotterdam. It is also the home of the Rotterdam Philharmonic Orchestra. See also * List of convention centres in the Netherlands {{short description, None There are several convention centres in the Netherlands. Traditionally there is a distinction in the Netherlands between conventio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
