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Morosco Theater
The Morosco Theatre was a Broadway theatre near Times Square in New York City from 1917 to 1982. It housed many notable productions and its demolition, along with four adjacent theaters, was controversial. History Located at 217 West 45th Street, the Morosco Theatre was designed by architect Herbert J. Krapp for the Shubert family, who constructed it for Oliver Morosco in gratitude for his helping them break the monopoly of the Theatrical Syndicate. It had approximately 955 seats. After an invitation-only preview performance on February 4, 1917, it opened to the public on February 5. The inaugural production was ''Canary Cottage'', a musical with a book by Morosco and a score by Earl Carroll. The Shuberts lost the building in the Great Depression, and City Playhouses, Inc. bought it at auction in 1943. It was sold in 1968 to Bankers Trust Company and, after a massive "Save the Theatres" protest movement led by Joe Papp and supported by various actors and other theatrical folk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Papp
Joseph Papp (born Joseph Papirofsky; June 22, 1921 – October 31, 1991) was an American theatrical producer and director. He established The Public Theater in what had been the Astor Library Building in Lower Manhattan. There Papp created a year-round producing home to focus on new plays and musicals. Among numerous examples of these were the works of David Rabe, Ntozake Shange's ''For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf'', Charles Gordone's '' No Place to Be Somebody'' (the first off-Broadway play to win the Pulitzer Prize), and Papp's production of Michael Bennett's Pulitzer Prize–winning musical ''A Chorus Line''. Papp also founded Shakespeare in the Park, helped to develop other off-Broadway theatres and worked to preserve the historic Broadway Theatre District. Early life Papp was born as Joseph Papirofsky in the Brooklyn borough of New York City, the son of Yetta (née Miritch), a seamstress, and Samuel Papirofsky, a trunkmaker. His par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Albee
Edward Franklin Albee III ( ; March 12, 1928 – September 16, 2016) was an American playwright known for works such as ''The Zoo Story'' (1958), '' The Sandbox'' (1959), ''Who's Afraid of Virginia Woolf?'' (1962), '' A Delicate Balance'' (1966), and ''Three Tall Women'' (1994). Some critics have argued that some of his work constitutes an American variant of what Martin Esslin identified and named the Theater of the Absurd. Three of his plays won the Pulitzer Prize for Drama, and two of his other works won the Tony Award for Best Play. His works are often considered frank examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. His middle period comprised plays that explored the psychology of maturing, marriage, and sexual relationships. Younger American playwrights, such as Paula Vogel, credit Albee's mix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Barry
Philip Jerome Quinn Barry (June 18, 1896 – December 3, 1949) was an American dramatist best known for his plays ''Holiday (play), Holiday'' (1928) and ''The Philadelphia Story (play), The Philadelphia Story'' (1939), which were both made into films starring Katharine Hepburn and Cary Grant. Biography Early life Philip Barry was born on June 18, 1896, in Rochester, New York to James Corbett Barry and Mary Agnes Quinn Barry. James died from appendicitis a year after Philip's birth, and the family's marble-and-tile business faltered from then on. His oldest brother, Edmund, who was 16 at the time, left school to take over the business and became a father figure for Philip. Barry's play ''The Youngest'', written when he was 28, is an autobiographical account of his family history following his father's death. In 1910, at the age of 14, Barry discovered that a New York State interpretation of his father's will entitled him to a share of his father's estate that eventually left him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy New Year (musical)
''Happy New Year'' is a musical with a book by Burt Shevelove and music and lyrics by Cole Porter. Based on Philip Barry's comic 1928 play '' Holiday'' and its subsequent 1930 film adaptation and better known 1938 remake, it focuses on hedonistic young Wall Street attorney Johnny Case who, driven by his passion to live life as a holiday, contemplates abandoning his career for a carefree existence by marrying wealthy upper class Julia Seton. History Porter successfully had transformed Barry's 1939 play '' The Philadelphia Story'' into the 1956 musical film ''High Society'', so Shevelove pored through the composer's catalogue in search of tunes that would fit ''Holidays plot. When the show previewed at the Stratford Festival in Canada, the score consisted of lesser-known Porter songs, and Shevelove decided to eliminate most of them in favor of music more familiar to audiences. He also opted to replace much of Barry's original repartee with songs that suited neither the char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquis Theatre
The Marquis Theatre is a Broadway theater on the third floor of the New York Marriott Marquis hotel in the Theater District of Midtown Manhattan in New York City. Opened in 1986, it is operated by the Nederlander Organization. There are about 1,612 seats in the auditorium, spread across an orchestra level and a balcony. The Marquis was designed by John C. Portman Jr., who designed the Marriott Marquis and included the theater to increase the size of the hotel. The theater's main entrance and box office are at 210 West 46th Street. The box office is at ground level, and there are escalators leading from the ground floor to the auditorium. Due to a lack of space, the wings on each side of the proscenium arch are smaller than mandated by city building codes. The theater also has no freight elevator, no dedicated restroom facilities, and small hallways. A theater was proposed on the site in 1973 as part of a hotel (later the Marriott Marquis), the completion of which was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Marriott Marquis
The New York Marriott Marquis is a Marriott hotel on Times Square, in the Theater District of Midtown Manhattan in New York City. Designed by architect John C. Portman Jr., the hotel is at 1535 Broadway, between 45th and 46th Streets. With 1,966 rooms and of meeting space, it is one of the largest hotels in the city. The hotel has two wings, one on 45th Street and one on 46th Street, connected by a podium at ground level. The first two stories contain retail space, while the Marquis Theatre was built within the building's third floor. The hotel's atrium lobby is at the eighth floor and also includes meeting space and restaurants. Thirty-six stories of guestrooms rise above the lobby, overlooking it. The top three stories contain the View, one of New York City's highest restaurants. An architectural feature of the hotel is its concrete elevator core, which consists of a minaret-shaped structure with twelve glass elevator cabs on the exterior. Real estate agent Peter Sharp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaiety Theatre (New York City)
The Gaiety Theatre was a Broadway theatre at 1547 Broadway in Times Square, Manhattan, New York City from 1909 until 1982, when it was torn down. The office building that housed the theatre, the Gaiety Building, has been called the Black Tin Pan Alley for the number of African-American songwriters who rented office space there. It was designed by Herts & Tallant and owned by George M. Cohan. The theatre introduced revolutionary concepts of a sunken orchestra (the previous configuration had the orchestra on the same level as the seats in front of the stage) and also not having pillars obstructing sight lines for the balcony. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astor Theatre, New York City
The Astor Theatre was located at 1537 Broadway, at West 45th Street in Times Square in New York City. It opened September 21, 1906, with Shakespeare's ''A Midsummer Night's Dream'' and continued to operate as a Broadway theatre until 1925. From 1925 until it closed in 1972, it was a first-run movie theater. History The Astor was first managed by Lincoln A. Wagenhals and Collin Kemper, then by George M. Cohan and Sam Harris, and later by the Shubert Organization. The theater was designed by architect George W. Keister. Among the plays that debuted at the Astor were Cohan's '' Seven Keys to Baldpate'' (1913) and '' Why Marry?'' (1917) by Jesse Lynch Williams, the first winner of the Pulitzer Prize for Drama. In 1925, Loew's Theatres bought the Astor and converted it into a movie house in order to have a Times Square " road show" showcase for first-run films from the MGM film studio. ''The Big Parade'' (1925) was the first film shown at the Astor where it ran for a continuous 9 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
