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Morgenblätter
Morgenblätter (Morning Journals), Op. 279, is a Viennese waltz composed by Johann Strauss II in 1863 and first performed on 12 January 1864 at the Sofiensaal in Vienna. The work's genesis was attributed to the composition of a waltz by Jacques Offenbach later titled "Abendblätter" when Offenbach dedicated his work to the influential Vienna Authors' and Journalists' Association (). The association had earlier intended the "Abendblätter" waltz (untitled by Offenbach when first dedicated) to be played at their Concordia Ball on 12 January 1864. Strauss and his orchestra were engaged to provide music for the festivity and he was also obliged to dedicate a new composition of his own. Since he was clearly aware of Offenbach's dedication, he similarly left it to the association to decide the title of his own work. The committee, in a mood for a musical joust, titled Offenbach's work as "Abendblätter" (Evening Papers) and Strauss' work as "Morgenblätter" (Morning Papers). Friendly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartless
"Bartless" is the fifteenth episode of the thirty-fourth season of the American animated television series ''The Simpsons'', and the 743rd episode overall. It aired in the United States on Fox on March 5, 2023. The episode was directed by Rob Oliver and written by John Frink. In this episode, Homer and Marge wonder how their lives would be if Bart was not their son. The episode received positive reviews. Plot At school, Bart is reading to a shy kindergarten student, who is not interested in the story. He makes up a new story while drawing in the book, which inspires the kids to start drawing in their own books. Homer and Marge become angry at Bart for ruining the books at school and threaten him with punishments while lamenting to his teacher how awful he is. However, they are shocked to learn that his actions with the books turned all the kids (even Ralph) into avid readers. Homer and Marge reevaluate their feelings towards their son and wonder if they have become resentfu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Simpsons
''The Simpsons'' is an American animated sitcom created by Matt Groening for the Fox Broadcasting Company. The series is a satirical depiction of American life, epitomized by the Simpson family, which consists of Homer, Marge, Bart, Lisa, and Maggie. The show is set in the fictional town of Springfield and parodies American culture and society, television, and the human condition. The family was conceived by Groening shortly before a solicitation for a series of animated shorts with producer James L. Brooks. He created a dysfunctional family and named the characters after his own family members, substituting Bart for his own name; he thought Simpson was a funny name in that it sounded similar to " simpleton". The shorts became a part of '' The Tracey Ullman Show'' on April 19, 1987. After three seasons, the sketch was developed into a half-hour prime time show and became Fox's first series to land in the Top 30 ratings in a season (1989–1990). Since its debut on Dece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electrola
Electrola is a German record label and subsidiary of Universal Music Group. Based in Munich, its roster has included Chumbawamba, Matthias Reim, Helene Fischer, Brings, Höhner and Santiano. History On 8 May 1925 the British Gramophone Company founded Electrola GmbH in Nowawes near Berlin and received its record licence in December. In March 1931, through its parent company's merger with Lindström's parent Columbia Gramophone Company to form EMI, Electrola thus became the merged entity's German subsidiary. Around 300 publications per month allowed Electrola's general catalogue to grow to 11,000 titles by 1934. At the end of 1939 Electrola - like the other German record labels - came under National Socialist administration. As a result, the most typical US jazz song "In the Mood" was no longer released. Recorded on 1 August 1939 it was released in the United States in September. During the Second World War, 80 per cent of the facilities in the German subsidiaries were destroyed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moments Of Vision
''Moments of Vision and Miscellaneous Verses'' is a collection of poems by English poet Thomas Hardy published in 1917. His largest poetic collection (including as it did the wartime sequence 'Poems of War and Patriotism'), ''Moments of Vision'' is (for Hardy's poetry) unusually unified in emotional tone, and is considered to include some of the finest work of his late poetic career. Themes The key-note (and title) of the collection was given by the opening poem, with its examination of the mystery of consciousness in a material world, setting the stage for the introspective meditation on human feeling that pervades much of the volume. Having successfully achieved an integration of past and present in the ''Poems 1912-13'', Hardy was able to capitalise on his ability to work through long-buried emotions in the present, balancing the vitality of his past visions against the march of time. Some thirty poems related to his first wife, Emma, while other notable poems included were "T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Hardy
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as '' Far from the Madding Crowd'' (1874), ''The Mayor of Casterbridge'' (1886), '' Tess of the d'Urbervilles'' (1891), and ''Jude the Obscure'' (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin. Many of his novels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-flat Major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: : Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions. History Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, including trumpet and timpani parts. However, his brother Michael Haydn wrote one such symphony earlier, No. 36. Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches.H. C. Robbins Landon, ''Haydn Symphonies'', London: British Broa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
