More Jazz Meets The Symphony
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More Jazz Meets The Symphony
''More Jazz Meets the Symphony'' is an album by Argentine-American composer, pianist and conductor Lalo Schifrin with bassist Ray Brown, drummer Grady Tate, trumpeter Jon Faddis, multi-instrumentalists Paquito D'Rivera and James Morrison, and the London Philharmonic Orchestra recorded in 1993 and released on the Atlantic label.Payne, DLalo Schifrin discographyaccessed March 20, 2012 The album was the second in Schifrin's highly acclaimed "Jazz Meets the Symphony" series. Reception The Allmusic review by Richard S. Ginell stated "Breaking the long-standing curse of sequels, the second installment of Schifrin's ''Jazz Meets the Symphony'' series is even better than the first. For one thing, Schifrin was able to place his own distinctive orchestral stamp more firmly upon these arrangements, sometimes reaching into his bag of tricks familiar to us from his film cues. For another, he has three expert, often fiery solo horns on tap here".Ginell, R, SAllmusic Reviewaccessed March 2 ...
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Lalo Schifrin
Boris Claudio "Lalo" Schifrin (born June 21, 1932) is an Argentine-American pianist, composer, arranger and conductor. He is best known for his large body of film and TV scores since the 1950s, incorporating jazz and Latin American musical elements alongside traditional orchestrations. He is a five-time Grammy Award winner, and has been nominated for six Academy Awards and four Emmy Awards. Schifrin's best known compositions include the " Theme from ''Mission: Impossible''", and the scores to '' Cool Hand Luke'' (1967), ''Bullitt'' (1968), ''THX 1138'' (1971), ''Enter the Dragon'' (1973), ''The Four Musketeers'' (1974), ''Voyage of the Damned'' (1976), ''The Amityville Horror'' (1979), and the ''Rush Hour'' trilogy (1998–2007). Schifrin is also noted for his collaborations with Clint Eastwood from the late 1960s to the 1980s, particularly the ''Dirty Harry'' series of films. He also composed the Paramount Pictures fanfare used from 1976 to 2004. In 2019, he received an ...
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Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future ...
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Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ...
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Shelton Brooks
Shelton Brooks (May 4, 1886September 6, 1975) was a Canadian-born African American composer of popular music and jazz. He was known for his ragtime and vaudeville style, and wrote some of the biggest hits of the first third of the 20th century. Early life and education Brooks was born in Amherstburg, Canada in 1886. His father was a preacher, and Brooks taught himself music on their church's pump organ. His family moved to Detroit, Michigan, in 1901 and that was where Brooks first made a name for himself in music and comedy. While he never learned to read music, his works were highly sought after for their brash style, which contrasted the previous restrictive styles of Victorian era music. Towards the end of his life, his style of music had lost popularity. Career Brooks sang, played piano, and performed on the vaudeville circuit (notably, as a Bert Williams imitator) as well as having a successful songwriting career. His first hit song was "Some of These Days", which he was ...
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Turner Layton
Turner Layton (July 2, 1894 – February 6, 1978), born John Turner Layton, Jr., was an African American songwriter, singer and pianist. He frequently worked with Henry Creamer. Life Born in Washington, D.C., United States, in 1894, he was the son of John Turner Layton, "a bass singer, music educator and hymn composer."Peterson, Bernard L. ''Profiles of African American Stage Performers and Theatre People, 1816-1890)'', Greenwood Press, 2000, p. 164 After receiving a musical education from his father, he attended the Howard University Dental School, later coming to New York City in the early 1900s, where he met future songwriting partner, lyricist Henry Creamer. Layton is best known for his many compositions with Creamer, the best known of which is the standard " After You've Gone", written in 1918 and first popularized by Sophie Tucker. Turner and Creamer had another hit with Way Down Yonder in New Orleans in 1922. It was recorded in 1927 by Frank Trumbauer (with Bix Beiderbeck ...
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Henry Creamer
Henry Sterling Creamer (June 21, 1879 – October 14, 1930) was an African American popular song lyricist and theater producer. He was born in Richmond, Virginia and died in New York. He co-wrote many popular songs in the years from 1900 to 1929, often collaborating with Turner Layton, with whom he also appeared in vaudeville. Career Henry Creamer was a singer, dancer, songwriter and stage producer/director. He first performed on the vaudeville circuit in the U.S. and in Europe as a duo with pianist Turner Layton, with whom he also co-wrote songs. Two of their most enduring songs, for which Creamer wrote the lyrics, are " After You've Gone" (1918), which was popularized by Sophie Tucker, and " Way Down Yonder in New Orleans" (1922), which was included in the soundtrack for one of the dance numbers in the Fred Astaire / Ginger Rogers 1939 movie ''The Story of Vernon and Irene Castle''. Way Down Yonder in New Orleans became a hit again in 1959 when the rocked up recording by Freddy C ...
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Lil Hardin Armstrong
Lillian Hardin Armstrong (née Hardin; February 3, 1898 – August 27, 1971) was an American jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s. Her compositions include "Struttin' with Some Barbecue", "Don't Jive Me", "Two Deuces", "Knee Drops", "Doin' the Suzie-Q", "Just for a Thrill" (which was a hit when revived by Ray Charles in 1959), "Clip Joint", and " Bad Boy" (a hit for Ringo Starr in 1978). Armstrong was inducted into the Memphis Music Hall of Fame in 2014. Background She was born Lillian Hardin in Memphis, Tennessee, where she grew up in a household with her grandmother, Priscilla Martin, a former slave from near Oxford, Mississippi. Martin had a son and three daughters, one of whom was Dempsey, Lil's mother. Priscilla Martin moved her family to Memphis to escape from her husband, a trek the family made by mule-drawn wagon. Dempsey married Will Harden, and L ...
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Otis René
Otis Joseph René Jr. was an American songwriter and record label owner. As a songwriter, he is notable as the co-author of "When It's Sleepy Time Down South", which became a signature song for Louis Armstrong. Biography Otis René was born in New Orleans. Prior to devoting his full-time efforts to music, Otis René was a pharmacist in New Orleans.Uncredited, Billboard, September 1, 1945Buck-Five Disk of Indies Seen Different Ways Retrieved 2012-02-23. He moved to Los Angeles and married in 1930. He is best known as the co-author of the 1931 song "When It's Sleepy Time Down South", co-written with his brother Leon René, and Clarence Muse. Other songs co-written by Otis René include "Someone's Rocking My Dreamboat", included by Murray Head on his 1975 album ''Say It Ain't So'' and "That's My Home", included by Tony Bennett on his 2002 album, '' A Wonderful World''. During the 1940s, with his brother, Leon René, Otis René established and ran the independent rhythm and blues ...
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Leon René
Leon René (February 6, 1902 – May 30, 1982) was an American music composer of pop, R&B and rock and roll songs and a record producer in the 1930s, 1940s, and 1950s. He sometimes used the songwriting pseudonym Jimmy Thomas or Jimmie Thomas. He also established several record labels. History Born in Covington, Louisiana, he is best known for his hit song "When the Swallows Come Back to Capistrano". The song, written as a tribute to the annual springtime return of the cliff swallows to Mission San Juan Capistrano in Southern California, spent several weeks at the top of ''Your Hit Parade'' charts during its initial release in 1940. The lyrics say: The song has been recorded by such musicians as The Ink Spots, Fred Waring, Guy Lombardo, and Glenn Miller. A glassed-off room in the mission has been designated in René's honor and displays the upright piano on which he composed the tune, the reception desk from his office and several copies of the song's sheet music and other ...
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Clarence Muse
Clarence Muse (October 14, 1889 – October 13, 1979) was an American actor, screenwriter, director, singer, and composer. He was the first African American to appear in a starring role in a film, 1929's ''Hearts in Dixie''. He acted for 50 years, and appeared in more than 150 films. He was inducted into the Black Filmmakers Hall of Fame in 1973. Life and career Born in Baltimore, Maryland, the son of Alexander and Mary Muse, he studied at Dickinson School of Law in Carlisle, Pennsylvania for one year in 1908. He left because he believed he could not make a living in law as an African American. He later received an honorary doctorate of laws from Dickinson School of Law in 1978. By the 1920s Muse was acting in New York during the Harlem Renaissance with two Harlem theatres, Lincoln Players and Lafayette Players. While with the Lafayette Players, Muse worked under the management of producer Robert Levy on productions that helped black actors to gain prominence and resp ...
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John Lewis (pianist)
John Aaron Lewis (May 3, 1920 – March 29, 2001) was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet. Early life John Lewis was born in La Grange, Illinois, and after his parents' divorce moved with his mother, a trained singer, to Albuquerque, New Mexico when he was two months old. She died from peritonitis when he was four and he was raised by his grandmother and great-grandmother. He began learning classical music and piano at the age of seven. His family was musical and had a family band that allowed him to play frequently and he also played in a Boy Scout music group. Lyons, p. 77. Even though he learned piano by playing the classics, he was exposed to jazz from an early age because his aunt loved to dance and he would listen to the music she played. He attended the University of New Mexico, where he led a small dance band that he formed Giddins, p. 378. and double majored in Anthropology and Musi ...
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Django (composition)
"Django" is a 1954 jazz standard written by John Lewis as a tribute to the Belgian-born jazz guitarist Django Reinhardt. It was a signature composition of the Modern Jazz Quartet, of which Lewis was the pianist and musical director. Background and structure Lewis wrote "Django" in 1954 as a tribute to his friend, the Belgian-born jazz guitarist Django Reinhardt, who had died the previous year. It begins with a 20-bar theme that was described by Ted Gioia in his book ''The Jazz Standards'' as dirge-like and mournful. The entry for "django" in the original edition of the ''Real Book'' only contained the chord changes for this theme. It is followed by solo sections in modified Thirty-two-bar AABA form, where the first two A sections contain six bars instead of eight, the eight-bar B section contains a pedal point on the tonic, and the final twelve-bar A section contains a boogie bass motif. The solo sections are separated by interludes in double-time derived from the introductor ...
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