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More Crazy Hits
''Crazy Frog Presents More Crazy Hits'' is the second album from Crazy Frog, released in the UK on June 27, 2006, and in Canada on July 24. "We Are the Champions (Ding a Dang Dong)" was released as the first single on June 6. The European re-edition entitled "The Ultimate Edition" was released in December 2006 and featured few new songs (from the US edition), and also the single version of "Crazy Frog in the House (Knight Rider)" and "Last Christmas 2006". That re-edition included also the biggest hits from the previous album - "Axel F" and "Popcorn". Track listings # "Intro (Go Froggy Go)" # "We Are the Champions (Ding a Dang Dong)" # "Crazy Frog in the House (Knight Rider)" # "I'm Too Sexy" featuring Marcus Hutton on Synth # "Hey! Baby, Hey Baby" # "Crazy Jodeling" # "The Final Countdown (song), The Final Countdown" # "I Will Survive" # "Nellie the Elephant" # "Ice Ice Baby" # "Kiss Him Goodbye (Na Na Na, Hey Hey)" # "Copacabana (song), Copa Banana" # "Go Froggy Go" featuring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hey! Baby
"Hey! Baby" is a song written by Margaret Cobb and Bruce Channel, first recorded at Clifford Herring Studios in Ft. Worth Tx, and recorded by Channel in 1961, first released on LeCam Records, a local Fort Worth, Texas label. After it hit, it was released on Smash Records for national distribution. Channel co-produced the song with Major Bill Smith (owner of LeCam) and released it on Mercury Records' Smash label. It reached number 1 on the ''Billboard'' Hot 100 for three weeks, starting the week ending March 10, 1962. The song features a prominent riff from well-known harmonica player Delbert McClinton, and drums played by Ray Torres. Other musicians on the record included Bob Jones and Billy Sanders on guitar and Jim Rogers on bass. According to a CNN article from 2002, while touring the UK in 1962 with the Beatles, McClinton met John Lennon and gave him some harmonica tips. Lennon put the lessons to use right away on "Love Me Do" and later "Please Please Me". Lennon included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crazy Frog Albums
Insanity, madness, lunacy, and craziness are behaviors performed by certain abnormal mental or behavioral patterns. Insanity can be manifest as violations of societal norms, including a person or persons becoming a danger to themselves or to other people. Conceptually, mental insanity also is associated with the biological phenomenon of contagion (that mental illness is infectious) as in the case of copycat suicides. In contemporary usage, the term ''insanity'' is an informal, un-scientific term denoting "mental instability"; thus, the term insanity defense is the legal definition of mental instability. In medicine, the general term psychosis is used to include the presence either of delusions or of hallucinations or both in a patient; and psychiatric illness is " psychopathology", not ''mental insanity''. An interview with Dr. Joseph Merlino, David Shankbone, ''Wikinews'', 5 October 2007. In English, the word "sane" derives from the Latin adjective ''sanus'' meaning "he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popcorn (instrumental)
"Popcorn" (first version "Pop Corn") is an instrumental composed by Gershon Kingsley in 1969 for the album ''Music to Moog By'' on Audio Fidelity Records label. The Moog synthesizer instrumental became a worldwide hit, first in 1972 when a version by Hot Butter was released. Since then, multiple versions of the piece have been produced and released, including those by Vyacheslav Mescherin, Anarchic System, Popcorn Makers, the Boomtang Boys, M & H Band, Crazy Frog and The Muppets. Hot Butter version In 1972, a rearranged version of the instrumental was recorded by Kingsley's First Moog Quartet. This was intended for the namesake album (''First Moog Quartet'') which had otherwise been a re-release of the 1970 First Moog Quartet album with the same name. The 1972 version of the instrumental had the now current title "Popcorn". In that same year, Stan Free, a fellow member of the First Moog Quartet, re-recorded another instrumental, based on the 1972 version, with his own band H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Axel F
"Axel F" is the electronic instrumental theme from the 1984 film ''Beverly Hills Cop'' performed by Harold Faltermeyer. It was an international number one hit in 1985. Background The title comes from the main character's name in the film, Axel Foley (played by Eddie Murphy). It is composed in the key of F minor. Faltermeyer recorded the song using five instruments: a Roland Jupiter-8 provided the distinctive "supersaw" lead, a Moog modular synthesizer 15 provided the bass, a Roland JX-3P provided chord stab brasses, a Yamaha DX7 was used for the marimba sound, and a LinnDrum was used for drum programming. According to Faltermeyer, the initial reaction to his premiere presentation of the cues to the film's producers and director did not result in an immediate approval; it was not until director Martin Brest voiced his approval that the producers showed enthusiasm. In addition to the ''Beverly Hills Cop'' soundtrack, the song also appears on Faltermeyer's 1988 album ''Harold F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everytime We Touch (Cascada Song)
"Everytime We Touch" is a song by German techno and Eurodance trio Cascada, taken from their 2007 debut album of the same name. It was written, composed, and produced by the band's DJs, Manian and Yanou; however, the only writing/composing credits were given to Maggie Reilly, Stuart Mackilliop, and Peter Risavy, as the song borrows the chorus from Reilly's single of the same name. "Everytime We Touch" was first released in the United States on 16 August 2005 by Robbins Entertainment. It was later released internationally in association with other dance music labels including Zooland Records and All Around the World and Universal Music Group following its success in the United States. Musically, the song was composed as a Eurodance track with a pulsating synthesizer, jackhammer beat, and Europop lyrics. The song was met with generally positive reviews from critics, with the majority of them praising its dance-pop sound and its potential appeal to the American market. "Everytime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living On Video
"Living on Video" is a song by Canadian synth-pop band Trans-X written and published in 1982, but not released as a single until May 1983 by Polydor Records, and then remixed in 1985. It became a massive hit worldwide, with the remixed version peaking at No. 9 on the UK Singles Chart and No. 61 on the ''Billboard'' Hot 100. Trans-X also originally recorded a French-language version under the title "Vivre sur Vidéo". The song has been covered by many artists throughout the years. Trans-X version The song was a big hit in Europe upon its release in 1983 and featured on the band's debut album, ''Living on Video''. However, it only managed to reach No. 77 in the UK, which was in 1984. It was remixed and re-released in 1985 then becoming much more successful, peaking at No. 9 in the UK and also charting in the US, reaching No. 61 on the ''Billboard'' Hot 100. This version featured on the US version of band's 1986 second album, also called ''Living on Video''. The band re-recorded the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue (Da Ba Dee)
"Blue (Da Ba Dee)" is a song by Italian music group Eiffel 65. It was first released in October 1998 in Italy by Skooby Records and became internationally successful the following year. It is the lead single of their 1999 debut album, ''Europop''. The song is the group's most popular single, reaching number one in at least 18 countries, charting at number three in Italy, and peaking at number six on the US ''Billboard'' Hot 100 in January 2000. In the United Kingdom, the song initially entered the top 40 purely on import sales; it was only the third single to do this. The song also received a Grammy Award nomination for Best Dance Recording at the 2001 Grammy Awards. Writing and production Written by Eiffel 65 lead singer Jeffrey Jey, keyboardist Maurizio Lobina, and producer Massimo Gabutti, "Blue (Da Ba Dee)" was inspired by Lobina's composed opening piano hook. The producers of the song then came up with the idea for a dance song. Jey explained that his inspiration for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotton Eye Joe (Rednex Song)
"Cotton Eye Joe" is a song by Swedish Eurodance group Rednex, released in August 1994 as the first single from their debut studio album, ''Sex & Violins'' (1995). Based on the traditional American folk song "Cotton-Eyed Joe", it combines the group's style with traditional American instruments such as banjos and fiddles. The vocal verses are performed by Annika Ljungberg, while the "Cotton Eye Joe" chorus is sung by Göran Danielsson, who never appears in the music video for the song. It was a number one hit in at least eleven countries, and reached number 25 on the ''Billboard'' Hot 100 and number 23 on the ''Cash Box'' Top 100 in the US. In 2002, "Cotton Eye Joe" was remixed in a new dance version, and was released on Rednex's first greatest hits album, ''The Best of the West'' (2002). Composition "Cotton Eye Joe" is based on the old traditional country folk song "Cotton Eyed Joe" and opens with the chorus sung by the male singer. Almost a minute into the song, the female si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Triangle
Electricity is the set of physical phenomena associated with the presence and motion of matter that has a property of electric charge. Electricity is related to magnetism, both being part of the phenomenon of electromagnetism, as described by Maxwell's equations. Various common phenomena are related to electricity, including lightning, static electricity, electric heating, electric discharges and many others. The presence of an electric charge, which can be either positive or negative, produces an electric field. The movement of electric charges is an electric current and produces a magnetic field. When a charge is placed in a location with a non-zero electric field, a force will act on it. The magnitude of this force is given by Coulomb's law. If the charge moves, the electric field would be doing work on the electric charge. Thus we can speak of electric potential at a certain point in space, which is equal to the work done by an external agent in carrying a unit of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copacabana (song)
"Copacabana", also known as "Copacabana (At the Copa)", is a song recorded by Barry Manilow. Written by Manilow, Jack Feldman, and Bruce Sussman, it was released in 1978 as the third and final single from Manilow's fifth studio album, '' Even Now'' (1978). Background The song was inspired by a conversation between Manilow and Sussman at the Copacabana Hotel in Rio de Janeiro, when they discussed whether there had ever been a song called "Copacabana". After returning to the US, Manilow – who, in the 1960s, had been a regular visitor to the Copacabana nightclub in New York City – suggested that Sussman and Feldman write the lyrics to a story song for him. They did so, and Manilow supplied the music. The song's lyrics refer to the Copacabana nightclub, "the hottest spot north of Havana". The story starts in the late 1940s, focusing on Lola, a Copacabana showgirl, and her sweetheart Tony, a bartender at the club. One night, an ostentatiously wealthy man named Rico takes a fanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Final Countdown (song)
"The Final Countdown" is a song by Swedish Rock music, rock band Europe (band), Europe, released in 1986. Written by lead singer Joey Tempest, it was based on a keyboard riff he made in the early 1980s, with lyrics inspired by David Bowie's "Space Oddity". Originally made to just be a concert opener, it is the first single and title track from the band's The Final Countdown (album), third studio album. The music video by Nick Morris, made to promote the single, has become iconic with 1 billion views on YouTube. The video features footage from the band's two concerts at Solnahallen in Solna Municipality, Solna, as well as extra footage of the sound checks and footage from Stockholm. Origin and recording The song was based on a keyboard riff which Joey Tempest had written, as early as 1981 or 1982, on a Korg Polysix keyboard which he had borrowed from keyboardist Mic Michaeli. In 1985, bassist John Levén suggested that Tempest should write a song based on that riff. Tempest record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
