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More (Clarke-Boland Big Band Album)
''More'' (also released as ''Jazz in the Movies'') is an album by the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Italy in 1968 and first released on producer Gigi Campi's own label. accessed September 20, 2016 The album features big band arrangements of Italian film music. Reception The review says "unless one is a devotee of Italian films, most of this music will be unfamiliar to jazz fans, although the perfunctory arrangements (nearly all under four minutes) don't leave room for a lot of solos... The music is good, but there are higher priority recordings by the Kenny Clarke-Francy Boland Big Band available".[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke/Francy Boland Big Band
The Kenny Clarke/Francy Boland Big Band was a jazz big band co-led by American drummer Kenny Clarke and Belgian pianist François "Francy" Boland. They were one of the most noteworthy jazz big bands formed outside the United States, featuring top European musicians alongside expatriate and touring Americans. History American drummer Kenny Clarke and Belgian pianist Francy Boland started the band in Paris in 1960. A sextet became an octet before expanding into a big band that combined European musicians with American jazz expatriates. The debut album, ''Jazz Is Universal'', was released in 1962. The band collaborated with Stan Getz, Zoot Sims, Derek Watkins, and Phil Woods. Personnel * Benny Bailey * Francy Boland * Kenny Clare * Kenny Clarke * Tony Coe * Eddie "Lockjaw" Davis * Jimmy Deuchar * Carl Drevo * Muvaffak "Maffy" Falay * Art Farmer * Tony Fisher * Herb Geller * Dusko Goykovich * Johnny Griffin * Tootie Heath * Derek Humble * Tony Inzalaco * Shake Keane * Rick Ke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Rustichelli
Carlo Rustichelli (24 December 1916 – 13 November 2004) was an Italian film composer whose career spanned the 1940s to about 1990. His prolific output included about 250 film compositions, as well as arrangements for other films, and music for television. Life Born in Carpi, Emilia-Romagna to a family of music lovers,"Prolific and versatile father of Italian cinema" he gained a diploma in piano at the Conservatorio Giovanni Battista Martini in Bologna, going on to Rome where he studied composition at the Santa Cecilia Academy. He had a wife (Evi), a son ( Paolo, also a composer), and a daughter ( Alida). Career He met Fellini in post-war Rome, and probably through him met Pietro Germi, for whom he composed his first major film score for ''Gioventù perduta'' (''Lost Youth''), and with whom he was most associated. He composed music for many Germi films in the 1940s, 50s and 60s. In 1972 he was commissioned by Billy Wilder to compose the music for ''Avanti!''. Selected fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass clef, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Åke Persson
Åke Persson (February 25, 1932 – February 5, 1975) was a Swedish bebop jazz trombonist. Biography Persson was born in Hässleholm, southern Sweden and started his music career by playing valve trumper in school. Persson, known as "the Comet" (or "Kometen"), moved to Stockholm in 1951, where he played in Simon Brehm's quintet (1951–1954). Following this Persson worked with Arne Domnérus, Hacke Björksten, Harry Arnold's Radio Band (1956–1961), Quincy Jones, Lars Gullin, the RIAS Berlin band (1961–1975), and the Kenny Clarke-Francy Boland Big Band (1963–1971). Persson played with many American musicians, including George Wallington, Roy Haynes, Benny Bailey, Count Basie, Duke Ellington, and Dizzy Gillespie. He led several sessions for labels such as Metronome, Philips, and EmArcy in the 1950s. Persson drowned in the Djurgården canal in central Stockholm in February 1975; he had driven his car into the canal either accidentally or deliberately. There is a boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Peck
Nathan Peck (January 13, 1925 – October 24, 2015) was an American jazz trombonist. Early life Peck was born in New York City on January 13, 1925. His father was a cinema projectionist. Peck began playing the trombone as a teenager. Later life and career After leaving high school Peck was drafted into the army and became part of Glenn Miller's band. He remained with the band until after World War II ended. He played with Don Redman in 1947. He studied classical music at the Paris Conservatory from 1949 to 1951, while playing and recording with leading jazz musicians such as Coleman Hawkins (1949), James Moody (1949–50), and Roy Eldridge (1950). In the 1950s Peck played on television in New York, and in 1953 he recorded with Dizzy Gillespie. Peck shuttled between Paris and New York until 1957, when he married dancer Vera Tietz and settled in France. In France, Peck played with Michel Legrand, André Hodeir and Duke Ellington. Peck spent some time in England and Germany, wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idrees Sulieman
Idrees Sulieman (August 7, 1923 – July 23, 2002) was an American bop and hard bop trumpeter. Biography He was born Leonard Graham in St. Petersburg, Florida, United States, later changing his name to Idrees Sulieman, after converting to Islam. He studied at the Boston Conservatory, and gained early experience playing with the Carolina Cotton Pickers and the wartime Earl Hines Orchestra (1943–1944). On October 15, 1947, he played on Thelonious Monk's first recording for Blue Note Records. Sulieman was closely associated with Mary Lou Williams and for a time and had stints with Cab Calloway, John Coltrane, Count Basie, and Lionel Hampton. Sulieman recorded with Coleman Hawkins (1957) and gigged with Randy Weston (1958–1959), in addition to appearing in many other situations. He toured Europe in 1961 with Oscar Dennard, and stayed, settling in Stockholm at first, and then moved to Copenhagen in 1964. A soloist with the Kenny Clarke/Francy Boland Big Band from the mid-19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duško Gojković
Duško Gojković ( sr-Cyrl, Душко Гојковић; born 14 October 1931) is a Serbian and Yugoslav jazz trumpeter, composer, and arranger. Biography Gojković was born in Jajce (ex-Yugoslavia, now in Bosnia-Herzegovina). He studied at the Belgrade Music Academy from 1948 to 1953. He played trumpet in dixieland bands and joined the big band of Radio Belgrade when he was eighteen. He moved to West Germany and first recorded as a member of the Frankfurt Allstars in 1956. He spent the next four years as a member of Kurt Edelhagen's orchestra. In these years, Gojković played with Chet Baker, Stan Getz, and Oscar Pettiford. In 1958, he performed at Newport Jazz Festival and drew attention on both sides of the Atlantic Ocean. In 1961, Gojkovic received a scholarship to attend Berklee College of Music, where he studied with Herb Pomeroy. In 1966, Gojković recorded in Cologne his album ''Swinging Macedonia'', produced by Eckart Rahn. The album contained original compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shake Keane
Ellsworth McGranahan "Shake" Keane (30 May 1927 – 11 November 1997) was a Vincentian jazz musician and poet. He is best known today for his role as a jazz trumpeter, principally his work as a member of the ground-breaking Joe Harriott Quintet (1959–65). Early life in St Vincent Born on the Caribbean island of St Vincent into "a humble family that loved books and music", Keane attended Kingstown Methodist School and St Vincent Grammar School. He was taught to play the trumpet by his father, Charles (who died when Keane was 13), and gave his first public recital at the age of six. When he was 14 years old, Keane led a musical band made up of his brothers. In the 1940s, with his mother Dorcas working to raise six children, the teenager joined one of the island's leading bands, Ted Lawrence and His Silvertone Orchestra. During his early adulthood in St Vincent, his principal interest was literature, rather than the music for which he would become better known. He had been dub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Deuchar
James Deuchar (26 June 1930 – 9 September 1993) was a Scottish jazz trumpeter and big band arranger, born in Dundee, Scotland. He found fame as a performer and arranger in the 1950s and 1960s. Deuchar was taught trumpet by John Lynch, who learned bugle playing as a boy soldier in the First World War, and who later was Director of Brass Music for Dundee. Career After National Service at Padgate, Warrington, England, Deuchar worked with the British modern jazz unit the Johnny Dankworth Seven. In the 1950s, he worked with a number of commercial bands, such as the Oscar Rabin Band, and also intermittently with Ronnie Scott. In the late 1950s, he worked with Kurt Edelhagen's orchestra in Germany. He returned to the UK and worked again with Scott (1960–62) and with Tubby Hayes (1962–66). As a highly gifted player and a leading exponent of the "modern" style, he was in some demand and achieved success as a touring player in Europe and the United States. He also "sat in" with lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many disti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Bailey
Ernest Harold "Benny" Bailey (August 13, 1925 – April 14, 2005) was an American jazz trumpeter. Biography A native of Cleveland, Ohio, Bailey briefly studied flute and piano before turning to trumpet. He attended the Cleveland Conservatory of Music. He was influenced by Cleveland native Tadd Dameron and had a significant influence on other Cleveland musicians, such as Albert Ayler, Bob Cunningham, Bobby Few, Bill Hardman, and Frank Wright. Bailey played with Tony Lovano, father of Joe Lovano. In the early 1940s he worked with Bull Moose Jackson and Scatman Crothers. He later worked with Dizzy Gillespie and toured with Lionel Hampton. During a European tour with Hampton he remained in Europe and spent time in Sweden, where he worked with Harry Arnold's big band. He preferred big bands over small groups, and he became associated with several big bands in Europe, including the Kenny Clarke/Francy Boland Big Band. His time with Quincy Jones led to a brief return to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
