Moody (album)
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Moody (album)
''Moody'' (also released as ''Moody's Workshop'') is an album by saxophonist James Moody composed of sessions from 1954 with a septet arranged by Quincy Jones. The LP was released on the Prestige label.Discogs album entry
Retrieved February 4, 2013


Reception

, writing for , stated: "In the mid-'50s James Moody led a four-horn septet that played music falling somewhere between bop and rhythm & blues. The danceable rhythms and riffing made its recordings somewhat accessible but the solos of Moody (on tenor and alto) and trumpeter Dave Burns also held listener's inte ...
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James Moody (saxophonist)
James Moody (March 26, 1925 – December 9, 2010) was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles. Moody had an unexpected hit with "Moody's Mood for Love," a 1952 song written by Eddie Jefferson that used as its melody an improvised solo that Moody had played on a 1949 recording of "I'm in the Mood for Love." Moody adopted the song as his own, recording it with Jefferson on his 1956 album ''Moody's Mood for Love'' and performing the song regularly in concert, often singing the vocals himself. Early life James Moody was born in Savannah, Georgia, United States, and was raised by his (single) mother, Ruby Hann Moody Watters. He had a brother, Louis. Growing up in Newark, New Jersey, he was attracted to the saxophone after hearing "Buddy" George Holmes Tate, Don Byas, and various saxophonists who played with Count Basie. He later also took up the flute. Career Moody joined the US Army Air Corps i ...
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Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Sadik Hakim
Sadik Hakim (born Forrest Argonne Thornton; July 15, 1919 – June 20, 1983) was an American jazz pianist and composer. Early life Forrest Argonne Thornton was born on July 15, 1919 in Duluth, Minnesota. The name Argonne came from the World War I battle. He was taught music by his grandfather and played locally before moving to Chicago. Later life and career In Chicago in 1944, Hakim was heard by the tenor saxophonist Ben Webster, who took him to New York to be the pianist in his band. He appeared on some Charlie Parker recordings for Savoy Records in the following year. He toured with another saxophonist, Lester Young from 1946 to 1948, including for recordings. He changed his name to Sadik Hakim, a Muslim formulation, in 1947. "In the 1950s Hakim played in Canada with Louis Metcalf, toured with James Moody (1951–4), and was a member of Buddy Tate's orchestra (1956–60)." Hakim's debut recording as a leader was in 1962, on an album for Charlie Parker Records that was sha ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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