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Mood In Scarlet
''Mood in Scarlet'' is an album by Les Modes led by horn player Julius Watkins and saxophonist Charlie Rouse recorded in 1956 and released on the Dawn label.Edwards, D. and Callahan, MDawn Album Discography accessed November 30, 2015 Reception AllMusic awarded the album 2 stars[ Allmusic Review] accessed January 1, 2015 Track listing ''All compositions by Julius Watkins except as indicated'' # "Baubles, Bangles and Beads" (Robert Wright (writer), Robert Wright, George Forrest (author), George Forrest, Alexander Borodin) – 2:43 # "Autumn Leaves (1945 song), Autumn Leaves" (Joseph Kosma, Jacques Prévert, Johnny Mercer) – 5:14 # "The Golden Chariot" (Gildo Mahones) – 2:45 # "Let's Try (Charles Isaiah Darwin, Paulette Girard) – 3:18 # "Bohemia" (Ed Smollett, Charles E. Shirley, Mynell Allen) – 3:26 # "Catch Her" – 2:40 # "Hoo Tai" – 6:27 # "Moon in Scarlet" – 5:11 # "Linda Delia" (George Butcher) – 4:18 # "I've Got You Under My Skin" (Cole Porter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Watkins
Julius Watkins (October 10, 1921 – April 4, 1977) was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the ''Down Beat'' critics poll in 1960 and 1961 for Miscellaneous Instrument. Life and career Watkins was born in Detroit, Michigan, United States. He began playing the French horn when he was nine years old. Watkins began his career in jazz playing the trumpet in the Ernie Fields Orchestra from 1943 to 1946. By the late 1940s, he had played some French horn solos on recording sessions led by Kenny Clarke and Babs Gonzales. After moving to New York City, Watkins studied for three years at the Manhattan School of Music. He started appearing in small-group jazz sessions, including two led by Thelonious Monk, featuring on "Friday the 13th" on the album ''Thelonious Monk and Sonny Rollins'' (1954). Watkins recorded with many other jazz musicians, including John Coltrane, Freddie Hubbard, Charle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Prévert
Jacques Prévert (; 4 February 1900 – 11 April 1977) was a French poet and screenwriter. His poems became and remain popular in the French-speaking world, particularly in schools. His best-regarded films formed part of the poetic realist movement, and include '' Les Enfants du Paradis'' (1945). He published his first book in 1946. Life and education Prévert was born in Neuilly-sur-Seine and grew up in Paris. After receiving his ''Certificat d'études'' upon completing his primary education, he quit school and went to work in Le Bon Marché, a major department store in Paris. In 1918, he was called up for military service in the First World War. After this, he was sent to the Near East to defend French interests there. He died of lung cancer in Omonville-la-Petite, on 11 April 1977. He had been working on the last scene of the animated movie ''Le Roi et l'Oiseau'' (''The King and the Mockingbird'') with his friend and collaborator Paul Grimault. When the film was released in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Rouse Albums
Charlie may refer to: Characters * "Charlie," the head of the Townsend Agency', from the ''Charlie's Angels'' franchise * Charlie, a character on signs for the CharlieCard, a smart card issued by the Massachusetts Bay Transportation Authority * Charlie, mascot of British restaurant Little Chef * Charlie Dompler, main character from animated series ''Smiling Friends'' Film and television * ''Charlie'' (2015 Malayalam film), a 2015 Indian Malayalam-language film * ''Charlie'' (2015 Kannada film), a 2015 Indian Kannada-language film * ''Charlie'' (TV series), a 2015 political drama series based on the life of Charles J. Haughey * "Charlie", a 2004 episode of the television series ''The Mighty Boosh'' * ''777 Charlie'', a 2022 Indian Kannada-language film Military * Charlie-class submarine, of the Soviet Navy * "Charlie", American military slang referring to the Viet Cong and North Vietnamese soldiers * "Charlie", the letter "C" in the NATO phonetic alphabet Music * Charlie (ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongos
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chino Pozo
Francisco "Chino" Pozo (October 4, 1915, Havana - April 28, 1980, New York City) was a Cuban drummer. Pozo claimed to be the cousin of Chano Pozo, though this has been disputed. He was an autodidact on piano and bass, but concentrated on bongos, congas, and drums. He moved to the United States in 1937, and played with Machito from 1941–43 and with the Jack Cole Dancers from 1943-1949. Following this he played in numerous jazz ensembles, especially latin jazz and Afro-Cuban jazz; his credits include work with Jose Curbelo, Noro Morales, Tito Puente, Tito Rodríguez, Enric Madriguera, Perez Prado, Josephine Premice, Tadd Dameron, Charlie Parker, and Dizzy Gillespie. He toured with Peggy Lee in 1954-55 and played with Stan Kenton (1955), Herbie Mann (1956), Xavier Cugat (1959), and René Touzet (1959). He also recorded with Illinois Jacquet, Phineas Newborn, Gábor Szabó, and Paul Anka. Discography * Justo Betancourt, ''Pa Bravo Yo'' (Fania, 1972) * Harry Betts, ''The Jazz Sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Jefferson
Ron Jefferson (February 13, 1926, in New York City Guillon, Roland (2005)''Anthologie du hard bop: L'éclat du jazz noir américain'' Editions L'Harmattan, pp. 49–60. At Google Books. Retrieved 30 July 2013. – May 7, 2007, in Richmond, Virginia"Drummer Ron Jefferson Dies at 81" '''', May 12, 2007. Retrieved 30 July 2013.) was a . Considered a disciple of , in the 1950s, he worked with |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gildo Mahones
Hermenengildo "Gildo" Mahones (June 2, 1929, New York City – April 27, 2018) was an American jazz pianist. Biography Mahones was born to Puerto Rican parents in East Harlem in New York City. Early in his career, he played with Joe Morris (1948) and Milt Jackson. Mahones served in the Army, and then played with Lester Young from 1953 to 1956. Later in the 1950s Mahones toured with the Jazz Modes (which included Charlie Rouse and Julius Watkins), Sonny Stitt, and Benny Green. From 1959 to 1964 Mahones played behind Lambert, Hendricks & Ross. When Lambert, Hendricks & Ross broke up, Mahones moved to Los Angeles, where he worked both as a studio musician and as a jazz sideman. He led his own trio and appeared on recordings by O. C. Smith, Lou Rawls, James Moody, Harold Land and Blue Mitchell, Leon Thomas, Jim Hall, Big Joe Turner, Lorez Alexandria, Benny Carter, Pony Poindexter, Booker Ervin, and Jimmy Witherspoon. Mahones died on April 27, 2018, aged 88. Discography As leader ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I've Got You Under My Skin
"I've Got You Under My Skin" is a song written by American composer Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film ''Born to Dance'' in which it was performed by Virginia Bruce. It was nominated for the Academy Award for Best Original Song that year but lost out to The Way You Look Tonight. Popular recordings in 1936 were by Ray Noble and his Orchestra (vocal by Al Bowlly) and by Hal Kemp and his Orchestra (vocal by Skinnay Ennis). The song has subsequently been recorded by hundreds of artists. It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons. Charts Weekly charts Louis Prima and Keely Smith The Four Seasons Year-end charts The Four Seasons Versions by Frank Sinatra Sinatra first sang the song in 1946 on his weekly radio show, as the second part of a medley with "Easy to Love". He recorded a studio version of the song with Nelson Riddle orchestral arrangement, accompanied by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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