Montmartre (Van Gogh Series)
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Montmartre (Van Gogh Series)
The ''Montmartre paintings'' are a group of works that Vincent van Gogh created in 1886 and 1887 of the Paris district of Montmartre while living there, at 54 Rue Lepic, with his brother Theo. Rather than capture urban settings in Paris, van Gogh preferred pastoral scenes, such as Montmartre and Asnières in the northwest suburbs. Of the two years in Paris, the work from 1886 often has the dark, somber tones of his early works from the Netherlands and Brussels. By the spring of 1887, van Gogh embraced use of color and light and created his own brushstroke techniques based upon Impressionism and Pointillism. The works in the series provide examples of his work during that period of time and the progression he made as an artist. Background Paris In 1886, van Gogh left the Netherlands for Paris and the guidance of his brother Theo van Gogh who was an art dealer. While he had been influenced not only by the great Dutch masters but also to a considerable extent by his cousin-in-law ...
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Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionism, Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include Trees and Undergrowth (Van Gogh series), landscapes, Still life paintings by Vincent van Gogh (Paris), still lifes, Portraits by Vincent van Gogh, portraits and Portraits of Vincent van Gogh, self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive paintwork, brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an ar ...
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Henri De Toulouse-Lautrec
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times. Born into the aristocracy, Toulouse-Lautrec broke both his legs around the time of his adolescence and, due to the rare condition Pycnodysostosis, was very short as an adult due to his undersized legs. In addition to his alcoholism, he developed an affinity for brothels and prostitutes that directed the subject matter for many of his works recording many details of the late-19th-century bohemian lifestyle in Paris. Toulouse-Lautrec is among the painters described as being Post-Impressionists, with Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Georges Seurat also commonly considered as ...
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Fine Arts Museums Of San Francisco
The Fine Arts Museums of San Francisco (FAMSF), comprising the de Young Museum in Golden Gate Park and the Legion of Honor in Lincoln Park, is the largest public arts institution in the city of San Francisco. The permanent collection of the Fine Arts Museums, with about 150,000 objects, is organized into nine areas, each with a curatorial staff. History "The Fine Arts Museums of San Francisco are governed by three boards. The Fine Arts Museums (FAMSF) of San Francisco is a Charitable Trust Department of the City and County of San Francisco. The Museums’ endowment funds are held by The Fine Arts Museums Foundation (FAMF), a private 501(c)3 organization. The Corporation of the Fine Arts Museums (COFAM) is also a private 501(c)3 organization, which raises funds for and manages most of the day-to-day operations of the museums." Unlike most other major art museums, the Fine Arts Museums of San Francisco do not have a large endowment from which to draw. The museums operate o ...
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Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ...
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Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. Biography Paul Signac was born in Paris on 11 November 1863. He followed a course of training in architecture before, at the age of 18, deciding to pursue a career as a painter, after attending an exhibit of Monet's work. He sailed on the Mediterranean Sea, visiting the coasts of Europe and painting the landscapes he encountered. In later years, he also painted a series of watercolors of French harbor cities. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat's faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots ...
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Georges-Pierre Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.Seurat: p. 16 His father, Antoine Chrysostome Seu ...
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John Russell (Australian Artist)
John Peter Russell (16 June 185830 April 1930) was an Australian impressionist painter. Born and raised in Sydney, Russell moved to Europe in his late teenage years to attend art school. There, he befriended fellow pupil Vincent van Gogh and, in 1886, painted the first oil portrait of the artist, now held at the Van Gogh Museum. That same year, Russell painted with Claude Monet at Belle Île. Russell moved there soon after with his wife, Marianna Russell, one of sculptor Auguste Rodin's favourite models. Henri Matisse visited Russell at Belle Île in the 1890s, and later credited the Australian with introducing him to impressionist techniques and colour theory. Despite painting prolifically and maintaining close ties with the European avant-garde, Russell rarely exhibited his works and, having received a large inheritance from his father, showed no interest in making money from art. After his wife died in 1907, Russell, grief-stricken, destroyed hundreds of his paintings. ...
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Moulin Rouge
Moulin Rouge (, ; ) is a cabaret in Paris, on Boulevard de Clichy, at Place Blanche, the intersection of, and terminus of Rue Blanche. In 1889, the Moulin Rouge was co-founded by Charles Zidler and Joseph Oller, who also owned the Olympia (Paris), Paris Olympia. The original venue was destroyed by fire in 1915. Moulin Rouge is southwest of Montmartre, in the Paris district of Quartier Pigalle, Pigalle on Boulevard de Clichy in the 18ème arrondissement, Paris, 18th ''arrondissement'', it has a red windmill on its roof. The closest métro station is Blanche (Paris Métro), Blanche. Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today, the Moulin Rouge is a tourist attraction, offering predominantly musical dance entertainment ...
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Fernand Cormon
Fernand Cormon (24 December 1845 – 20 March 1924) was a French painter born in Paris. He became a pupil of Alexandre Cabanel, Eugène Fromentin, and Jean-François Portaels, and one of the leading historical painters of modern France. Biography His father was the playwright Eugène Cormon. His mother was Charlotte Furais, the actress. At an early age he attracted attention for the perceived sensationalism in his art, although for a time his powerful brush dwelled with particular delight on scenes of bloodshed, such as the ''Murder in the Seraglio'' (1868) and the ''Death of Ravana, King of Lanka'' at the Toulouse Museum. The Musée d'Orsay has his ''Cain fleeing before Jehovah's Curse''; and for the Mairie of the fourth arrondissement of Paris he executed in grisaille a series of panels: ''Birth, Death, Marriage, War'', etc. ''A Chiefs Funeral'', and a series of large paintings for the Museum of natural history in Paris with themes from the Stone Age, occupied him for several ...
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Agostina Segatori Sitting In The Café Du Tambourin
''Agostina Segatori Sitting in the Café du Tambourin'' was painted by Vincent van Gogh in 1887. Agostina Segatori owned the Café du Tambourin that Van Gogh knew intimately. It was a gathering spot for Parisian artists, a place where their work was exhibited. Van Gogh, unable to pay in cash for his meals, exchanged paintings for his fare. The paintings then adorned the restaurant. He held a special exhibit of his Japanese prints in the café as well. His connection with Agostina and the cafe came to a sad end when she went bankrupt and van Gogh's paintings were confiscated by creditors. This painting, however, demonstrates an artistic discovery that culminated in his unique, creative style not quite on the brink of being understood and revered. Van Gogh's influence in Paris In 1886 van Gogh left the Netherlands, never to return, for Paris and the guidance of his brother Theo. He entered Paris as a shy, somber man and while his personality would never change, he emerged art ...
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Agostina Segatori
Agostina Segatori (Ancona 1841–1910 Paris) was a famous model who posed for celebrated painters in Paris, France, such as Édouard Joseph Dantan, Jean-Baptiste-Camille Corot, Jean-Léon Gérôme, Eugène Delacroix, Vincent van Gogh and Édouard Manet. She is also known for running the Café du Tambourin in Paris. Biography Agostina Segatori was born in the Italian city of Ancona. In 1860 she posed for Manet and in 1873 for Jean-Baptiste-Camille Corot. Little is known of her life until she met the Parisian painter Édouard Joseph Dantan, Edward Dantan in 1873, with whom she lived in a stormy relationship until 1884. Agostina had a child by Dantan named Jean-Pierre Segatori. In 1874, she was depicted by Edward Dantan in the first work that he exhibited at the Salon, a wax medallion. During the summers of 1874, 1875 and 1877, Agostina Segatori posed many times for Dantan. In 1884, Edward Dantan described his former mistress by the name of "Madame Segatori-Morière": it seems ...
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Yale University Press
Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale University Press publishes approximately 300 new hardcover and 150 new paperback books annually and has a backlist of about 5,000 books in print. Its books have won five National Book Awards, two National Book Critics Circle Awards and eight Pulitzer Prizes. The press maintains offices in New Haven, Connecticut and London, England. Yale is the only American university press with a full-scale publishing operation in Europe. It was a co-founder of the distributor TriLiteral LLC with MIT Press and Harvard University Press. TriLiteral was sold to LSC Communications in 2018. Series and publishing programs Yale Series of Younger Poets Since its inception in 1919, the Yale Series of Younger Poets Competition has published the first collection of ...
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