Monteverdi Choir
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Monteverdi Choir
The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the Renaissance period to Classical music of the 20th century. They often appear with John Eliot Gardiner's orchestras, the English Baroque Soloists and Orchestre Révolutionnaire et Romantique. In 2000, the 250th anniversary of Johann Sebastian Bach's death, the choir undertook the Bach Cantata Pilgrimage, performing and recording most of his church cantatas in more than 60 historic churches throughout Europe, and some in the U.S. On 5 March 2014 the Choir celebrated its 50th anniversary with a repeat performance of the Monteverdi Vespers from King's College Chapel, in a live broadcast live by BBC Radio 3. Bach Cantata Pilgrimage In 2000 the Choir, with the English Baroque Sol ...
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English Baroque Soloists
The English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque to the Classical period. History The English Baroque Soloists developed from the Monteverdi Orchestra, which was formed by John Eliot Gardiner in 1968. The Monteverdi Orchestra played on modern instruments, and accompanied Gardiner's Monteverdi Choir. In the late 1970s the orchestra transitioned to period instruments and became the English Baroque Soloists. The first concert under the new name was in 1977 at the Innsbruck Festival of Early Music, although the orchestra was not officially formed until 1978. Relationship with other ensembles directed by Gardiner The English Baroque Soloists often appear with John Eliot Gardiner's choir, the Monteverdi Choir. In 1990 Gardiner formed the Orchestre Révolutionnaire et Romantique, another period instrument ensemble. The Orchestre Révol ...
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John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ...
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Deutsche Grammophon
Deutsche Grammophon (; DGG) is a German classical music record label that was the precursor of the corporation PolyGram. Headquartered in Berlin Friedrichshain, it is now part of Universal Music Group (UMG) since its merger with the UMG family of labels in 1999. It is the oldest surviving established record company. History Deutsche Grammophon Gesellschaft was founded in 1898 by German-born United States citizen Emile Berliner as the German branch of his Berliner Gramophone Company. Berliner sent his nephew Joseph Sanders from America to set up operations. Based in the city of Hanover (the founder's birthplace), the company was the German affiliate of the U.S. Victor Talking Machine Company and the British Gramophone Company, and, from 1900, a fully owned subsidiary of the latter, but that ended after the outbreak of World War I in 1914 when ownership reverted to Germany. Though no longer connected to the British Gramophone Company, Deutsche Grammophon continued to use the "His M ...
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Christ Lag In Todes Banden, BWV 4
(also spelled ; "Christ lay in death's bonds" or "Christ lay in the snares of death"), 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas. It is agreed to be an early work partly for stylistic reasons and partly because there is evidence that it was probably written for a performance in 1707. Bach went on to complete many other works in the same genre, contributing complete cantata cycles for all occasions of the liturgical year. John Eliot Gardiner described it as Bach's "first-known attempt at painting narrative in music". is a chorale cantata, a style in which both text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name, the main hymn for Easter in the Lutheran church. The composition is based on the seven stanzas of the hymn and its tune, which was derived from Medieval models. Bach used the unchanged words of a stanza of the chorale in each of the seven vocal movement ...
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Royal Naval College, Greenwich
The Royal Naval College, Greenwich, was a Royal Navy training establishment between 1873 and 1998, providing courses for naval officers. It was the home of the Royal Navy's staff college, which provided advanced training for officers. The equivalent in the British Army was the Staff College, Camberley, and the equivalent in the Royal Air Force was the RAF Staff College, Bracknell. History The Royal Naval College, Greenwich, was founded by an Order in Council dated 16 January 1873. The establishment of its officers consisted of a President, who was always a Flag Officer; a Captain, Royal Navy; a Director of Studies; and Professors of Mathematics, Physical Science, Chemistry, Applied Mechanics, and Fortification. It was to take in officers who were already Sub-Lieutenants and to operate as "the university of the Navy". The Director of Studies, a civilian, was in charge of an Academic Board, while the Captain of the College was a naval officer who acted as chief of staff. The Roy ...
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Ach Gott, Wie Manches Herzeleid, BWV 3
(Oh God, how much heartache), 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587. Bach composed the cantata in his second year as ''Thomaskantor'' in Leipzig as part of cantata cycle of chorale cantatas, for the second Sunday after Epiphany. The work is based on a hymn without evident connection to the prescribed readings. It is a meditation on Jesus as a comforter in distress, based on a medieval model. An unknown librettist reworked the ideas of the 18 stanzas in six movements, retaining the words of stanzas 1, 2 and 18 as movements 1, 2 and 6. Similarly, Bach retained the choral melody in three movements, set as a chorale fantasia in the opening chorus with the bass singing the cantus firmus, as a four-part setting with interspersed recitatives in the second movement, and in the closing chorale ...
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Ach Gott, Vom Himmel Sieh Darein, BWV 2
(Oh God, look down from heaven), 2 is a chorale cantata composed by Johann Sebastian Bach for the second Sunday after Trinity in 1724. First performed on 18 June in Leipzig, it is the second cantata of his chorale cantata cycle. The church cantata is based on Martin Luther's 1524 hymn "", a paraphrase of Psalm 12. In the format of Bach's chorale cantata cycle, the words of the hymn are retained unchanged only in the outer movements, while an unknown contemporary librettist paraphrased the inner stanzas for recitatives and arias. Bach structured the cantata in six movements, setting the chorale tune in a chorale fantasia in the opening movement, and in a four-part setting in the closing movement. The two choral movements frame alternating recitatives and arias of three vocal soloists. Bach also used a four-part choir, and a Baroque instrumental ensemble of a choir of trombones, two oboes, strings and continuo. He set the first movement in "archaic" motet style, but the ...
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St Peter's Church, Walpole St Peter
__NOTOC__ St Peter's Church is an active Anglican parish church in Walpole St Peter, Norfolk, England. One of the largest churches in the county, it is known as "the Cathedral of the Fens". It is in the Diocese of Ely. The largely Perpendicular building is Grade 1 listed, and is often regarded as one of England's finest parish churches. History The oldest section of the church is its tower, which dates from the 13th century. By the 15th century a church, 160 feet long, was added. The windows are in Perpendicular style. Some benches date from the 15th century. A carved poor box is dated 1639. A chandelier dates from 1701. Victorian restoration was restricted largely to the chancel. St Peter's was used as the parish church of the fictional village of Fenchurch St Paul in the 1973 television dramatisation of Dorothy L Sayers's novel ''The Nine Tailors'', starring Ian Carmichael as Lord Peter Wimsey. Reception St Peter’s is known as “The Cathedral of the Fens, due to its size ...
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Walpole, Norfolk
__NOTOC__ Walpole is a civil parish in Norfolk, England. The parish includes the conjoined villages of Walpole St Andrew and Walpole St Peter. Walpole Highway and Walpole Cross Keys are separate civil parishes. The parish covers an area of , and had a population of 1,707 in 654 households as of the 2001 Census, the population increasing to 1,804 at the 2011 Census. For the purposes of local government, Walpole falls within the district of King's Lynn and West Norfolk. An electoral ward in the same name exists. This ward had a population at the 2011 Census of 2,322. Edmund of Walpole was Abbot of Bury St Edmunds from 1248 to 1256. History The partially filled in moat of a former manorial site indicates mediaeval occupation. A brick from an archaeological dig was found to have been used as the board of a game, nine men's morris. In 1339 the Bishop of Ely brought criminal proceedings, complaining of the breaking up by local merchants of the market which he and his prede ...
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Wie Schön Leuchtet Der Morgenstern, BWV 1
('How beautifully the morning star shines'), 1, is a church cantata for Annunciation by Johann Sebastian Bach. In 1725, when the cantata was composed, the feast of the Annunciation (25 March) coincided with Palm Sunday. Based on Philipp Nicolai's hymn "" (1599), it is one of Bach's chorale cantatas. Bach composed it in his second year as Thomaskantor (cantor at St. Thomas) in Leipzig, where the Marian feast was the only occasion during Lent when music of this kind was permitted. The theme of the hymn suits both the Annunciation and Palm Sunday occasions, in a spirit of longing expectation of an arrival. As usual for Bach's chorale cantata cycle, the hymn was paraphrased by a contemporary poet who retained the hymn's first and last stanzas unchanged, but transformed the themes of the inner stanzas into a sequence of alternating recitatives and arias. is the last chorale cantata of Bach's second cantata cycle, possibly because the librettist who provided the paraphrases for ...
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Gott Ist Mein König, BWV 71
' (God is my King), , is a cantata by Johann Sebastian Bach written in Mühlhausen when the composer was 22 years old. Unusually for an early cantata by Bach, the date of first performance is known: at the inauguration of a new town council on 4 February 1708. The text is compiled mainly from biblical sources, three different sections from Psalm 74 and several other verses. In addition, one stanza from Johann Heermann's hymn "" is sung simultaneously with corresponding biblical text, and free poetry by an unknown poet of Bach's time which relates to the political occasion. The cantata in seven movements is scored festively with a Baroque instrumental ensemble including trumpets and timpani, "four separate instrumental 'choirs', set against a vocal consort of four singers, an optional ''Capelle'' of ripienists and an organ". Stylistically it shares features with Bach's other early cantatas. Bach, then organist in Mühlhausen's church ''Divi Blasii'', led the performance on 4 Fe ...
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Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as well as the second most populous city in the area of the former East Germany after (East) Berlin. Together with Halle (Saale), the city forms the polycentric Leipzig-Halle Conurbation. Between the two cities (in Schkeuditz) lies Leipzig/Halle Airport. Leipzig is located about southwest of Berlin, in the southernmost part of the North German Plain (known as Leipzig Bay), at the confluence of the White Elster River (progression: ) and two of its tributaries: the Pleiße and the Parthe. The name of the city and those of many of its boroughs are of Slavic origin. Leipzig has been a trade city since at least the time of the Holy Roman Empire. The city sits at the intersection of the Via Regia and the Via Imperii, two important medieval trad ...
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