Monteverdi-Chor Hamburg
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Monteverdi-Chor Hamburg
The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier. History The choir was founded in 1955 as the "Chor am Italienischen Kulturinstitut" (Choir at the Italian Cultural Institute), but renamed the same year after Claudio Monteverdi, then a largely unknown composer. Since 1961 it has been the chamber choir of the University of Hamburg, where Jürgens worked as a director of music from 1961 to 1993. After four years of intensive preparation, the Monteverdi-Chor won first prize at the international choral competition ''Concorso Polifonico Internazionale "Guido d'Arezzo"'' in Arezzo, Italy, in 1959. In 1962, it ...
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Monteverdi-Chor Februar2012
The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier. History The choir was founded in 1955 as the "Chor am Italienischen Kulturinstitut" (Choir at the Italian Cultural Institute), but renamed the same year after Claudio Monteverdi, then a largely unknown composer. Since 1961 it has been the chamber choir of the University of Hamburg, where Jürgens worked as a director of music from 1961 to 1993. After four years of intensive preparation, the Monteverdi-Chor won first prize at the international choral competition ''Concorso Polifonico Internazionale "Guido d'Arezzo"'' in Arezzo, Italy, in 1959. In 1962, ...
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Max Van Egmond
Max van Egmond (born 1 February 1936 in Semarang) is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He was one of the pioneers of historically informed performance of Baroque and Renaissance music. Career Max van Egmond studied voice at Hilversum with Tine van Willingen de Lorme.[ Max van Egmond] at all-music At the age of eighteen he became a member of Netherlands Bach Society, De Nederlandse Bachvereniging (Netherlands Bach Society).Max van Egmond
on the bach-cantatas website
Starting in 1965, he became involved in the complete Bach recordings of Gustav Leonhardt, Nikolaus Harnoncourt and Frans Brüggen. He recorded the ''St Matthew Passion'' under Claudio Abbado in 1969 and Nikolaus Harnoncourt in 1970, singing the bass arias. In 1973, he was the ...
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Gewandhausorchester
The Leipzig Gewandhaus Orchestra (Gewandhausorchester; also previously known in German as the Gewandhausorchester Leipzig) is a German symphony orchestra based in Leipzig, Germany. The orchestra is named after the concert hall in which it is based, the Gewandhaus ("Garment House"). In addition to its concert duties, the orchestra also performs frequently in the Thomaskirche and as the official opera orchestra of the Leipzig Opera. History The orchestra's origins can be traced to 1743, when a society called the ''Grosses Concert'' began performing in private homes. In 1744 the ''Grosses Concert'' moved its concerts to the "Three Swans" Tavern. Their concerts continued at this venue for 36 years, until 1781. In 1780, because of complaints about concert conditions and audience behavior in the tavern, the mayor and city council of Leipzig offered to renovate one story of the Gewandhaus (the building used by textile merchants) for the orchestra's use. The motto ''Res severa est verum ...
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Neues Bachisches Collegium Musicum
Neues Bachisches Collegium Musicum (NBCM, New Bach's Collegium Musicum) is a German chamber orchestra, founded in Leipzig, Saxony. It follows the tradition of collegia musica, developed by Johann Sebastian Bach, also in Leipzig. The orchestra is dedicated to historically informed performances, based on the latest research. History Neues Bachisches Collegium Musicum was founded in 1979 by Max Pommer and Walter Heinz Bernstein. All musicians are members of the Gewandhausorchester. The ensemble collaborates with the Bach Archive in applying historical research to performances with modern instruments. The name refers to the which Georg Philipp Telemann founded in 1701 at the Leipzig University, and which Bach directed from 1729. The ensemble, subsequently called Bachisches Collegium, played Bach's works regularly at Zimmermannsches Kaffeehaus, including secular cantatas and instrumental works such as the ''Coffee Cantata'', which Bach had composed for the ensemble. Pommer was th ...
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Staatskapelle Halle
The Staatskapelle Halle is a German symphony orchestra based in Halle, Saxony-Anhalt, Germany. Part of the umbrella organisation ''Theater, Oper und Orchester GmbH Halle'', the orchestra performs symphonic concerts, and also serves as the orchestra for the ''Oper Halle''. History The historical precursor ensemble was the ''Hallische Stadtorchester'', formed in 1852. Separately, Max Richards founded the ''Stadttheater-Orchester'', and later in 1907, the ''Hallesche Orchester-Vereinigung''. The theatre orchestra evolved into the Handel Festival Orchestra by 1957. In 1934, Bruno Vandenhoff became the first ''Generalmusikdirektor'' (GMD) in Halle. In 1946, Arthur Bohnhardt established the ''Hallische Volkssinfonieorchester'', but left for West Berlin in 1949. This ensemble received the new name ''Staatliches Sinfonieorchester Halle'' in 1954. In 2006, the current Staatskapelle Halle was formed from the merger of the ''Philharmonischen Staatsorchesters'' with the Handel Festival O ...
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Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ...
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Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ...
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Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ...
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A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ...
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Gerd Albrecht
Gerd Albrecht (19 July 1935 – 2 February 2014) was a German conductor. Biography Albrecht was born in Essen, the son of the musicologist Hans Albrecht (1902–1961). He studied music in Kiel and in Hamburg, where his teachers included Wilhelm Brückner-Rüggeberg. He was a first-prize winner at the International Besançon Competition for Young Conductors at age 22. His first post was as a repetiteur at the Stuttgart State Opera. Later, he became Senior Kapellmeister at the Staatstheater Mainz, and '' Generalmusikdirektor'' in Lübeck. He also held posts at the Deutsche Oper Berlin, the Tonhalle-Orchester Zürich and the Hamburg State Opera. His work in contemporary opera included conducting Aribert Reimann's ''Lear'' in both its world premiere and its United States premiere, as well as making the first commercial recording of the opera. His other commercial recordings include Robert Schumann's ''Genoveva'' and ''Manfred'', and the first commercial recording of Hans Wer ...
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Philharmonisches Staatsorchester Hamburg
The Philharmonisches Staatsorchester Hamburg (Hamburg Philharmonic State Orchestra) is an internationally renowned symphony orchestra based in Hamburg. As of 2015, Kent Nagano has been General Music Director (''Generalmusikdirektor'') and chief conductor ''(Chefdirigent).'' The Philharmoniker Hamburg also serves as the orchestra of the Hamburg State Opera. The Hamburg Philharmonic is one of three major orchestras in Hamburg, the others being the Hamburger Symphoniker and the NDR Elbphilharmonie Orchestra. History The forerunner organization, die Philharmonische Gesellschaft (The Philharmonic Society), was founded on November 9, 1828, and was led by Friedrich Wilhelm Grund. In 1934 it merged with the Stadttheater-Orchester to become the Philharmonisches Staatsorchester Hamburg (the name under which it recorded a celebrated Eighth Symphony of Anton Bruckner under Eugen Jochum in 1949). The present name was adopted in 2005. Chief conductors ; Die Philharmonische Gesellschaft ( ...
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Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the most ...
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