Monika Frimmer
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Monika Frimmer
Monika Frimmer (born 1955) is a German soprano in opera and concert. Career Monika Frimmer studied at the Hochschule für Musik und Theater Hannover in Hannover. She studied further in master-classes and worked with Birgit Nilsson, Elisabeth Schwarzkopf and Jörg Demus. In 1980 she was a winner in the national competition Bundeswettbewerb Gesang Berlin. She was a member of the ensemble of the Staatsoper Hannover as a lyric soprano from 1980 to 1993. In 1982 she appeared as Anima in a scenic production of Cavalieri's ''Rappresentatione di Anima, et di Corpo'' in the Marktkirche, conducted by Hans-Martin Linde. She sang the part of Najade in ''Ariadne auf Naxos'' of Richard Strauss. In the opera '' Sly'' of Ermann Wolf-Ferrari, revived by the Opera Hannover, she appeared as Rosalina. Since 1993 she has worked as a free-lance singer in opera, oratorio and Lied. In 1987, Frimmer sang in a recording of Buxtehude's ''Membra Jesu nostri'', conducted by Ton Koopman, with Barbara Schl ...
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Marburg
Marburg ( or ) is a university town in the German federal state (''Bundesland'') of Hesse, capital of the Marburg-Biedenkopf district (''Landkreis''). The town area spreads along the valley of the river Lahn and has a population of approximately 76,000. Having been awarded town privileges in 1222, Marburg served as capital of the landgraviate of Hessen-Marburg during periods of the fifteenth to seventeenth centuries. The University of Marburg was founded in 1527 and dominates the public life in the town to this day. Marburg is a historic centre of the pharmaceutical industry in Germany, and there is a plant in the town (by BioNTech) to produce vaccines to tackle Covid-19. History Founding and early history Like many settlements, Marburg developed at the crossroads of two important early medieval highways: the trade route linking Cologne and Prague and the trade route from the North Sea to the Alps and on to Italy, the former crossing the river Lahn here. A first mention o ...
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Ton Koopman
Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor at the Royal Conservatory of The Hague and the University of Leiden. In April 2003 he was knighted in the Netherlands, and received the Order of the Netherlands Lion. Biography Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology at the Amsterdam conservatory. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord. In the organ, he never learned how to play with heels and toes, and because of his short height, always plays with his toes on the pedalboard. This is an authentic Baroque practice. Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Cho ...
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Dantes Diwiak
Dantes Diwiak (born in Slovenia) is a classical tenor, who grew up and has worked mostly in Germany. Career Dantes Diwiak studied singing with Klaus Kirchner and opera at the Musikhochschule Hannover with Theo Altmeyer. He took master classes with Hermann Reutter, Birgit Nilsson, Helmuth Rilling and Scot Weir. He was a member of the Staatsoper Hannover and the opera houses of Bremen and Oldenburg. Diwiak sang the part of the Evangelist in Bach's Passions also in Moscow, France, Syria and Israel, among others. He has collaborated with the choir MarkusChor Hannover and the Staatsorchester in concerts and services. In 1982, he performed with them the ''Oratorio de Noël'' of Camille Saint-Saëns, in 1983 he participated in Rossinis ''Petite messe solennelle'' as part of the Kirchentag, also in Weber's ''Missa sancta'' No. 1 in E flat major. In 1989, he sang in Haydn's ''Die Schöpfung'' with the Harburger Kantorei in the St. Johanniskirche in Harburg, Hamburg. In the Neustädte ...
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Erhard Egidi
Erhard Egidi (23 April 1929 – 8 September 2014) was a German cantor, organist and composer of sacred music. He was ''Kantor'' at the Neustädter Kirche, Hannover, from 1972 to 1991, where he focused on music in church services, but also conducted concerts, with a preference for works of Johann Sebastian Bach and his own teacher Ernst Pepping. He was appointed Kirchenmusikdirektor (church music director), responsible for the church music of Hanover. Career Born in Rheinsberg, he studied in Berlin at the Spandauer Kirchenmusikschule (Spandau academy of church music) with Gottfried Grote, Ernst Pepping and Herbert Schulze. He was cantor at St. Lamberti, Hildesheim from 1954. He included contemporary music, for example in 1957 a concert for Trinity Sunday with works including works by Johann Nepomuk David, Burkhard's '' Die Sintflut'', and Pepping's setting of the Gospel for the Sunday, from the Gospel of John, and a setting of the Epistle, "O welch eine Tiefe des Reichtums". ...
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St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ...
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Great Mass In C Minor
''Great Mass in C minor'' (german: Große Messe in c-Moll, links=no), K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei. Composition and first performance The work was composed during 1782–83. In a letter to his father Leopold dated 4 January 1783, Mozart mentioned a vow he had made to write a mass when he would bring his then fiancée Constanze as his wife to Salzburg to meet his family for the first time after his father's earlier opposition. Constanze then sang the "Et incarnatus est" at its premiere. The first performance took place in Salzburg on Sunday 26 Octob ...
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Cantata (Stravinsky)
The Cantata by Igor Stravinsky is a work for soprano, tenor, female choir, and instrumental ensemble (of two flutes, oboe, cor anglais (doubling second oboe), and cello), and was composed from April 1951 to August 1952. The premiere performance on 11 November 1952 was by the Los Angeles (Chamber) Symphony Society (to whom the work is dedicated), conducted by Stravinsky himself. After completing the opera ''The Rake's Progress'', Stravinsky felt the urge to compose another work setting English words, but in a non-dramatic form. The piece consists of the following movements: For his texts, Stravinsky chose four anonymous 15th- and 16th-century poems found in,, an anthology of poetry presented to him as a Christmas gift by W. H. Auden, the librettist of his opera ''The Rake's Progress''. The dirge sections concern a soul's approach to and journey through purgatory. In between the verses of the dirge there are two ricercars (Ricercar I sets "The maidens came"; Ricercar II sets the ...
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A German Requiem (Brahms)
''A German Requiem, to Words of the Holy Scriptures'', Op. 45 (german: Ein deutsches Requiem, nach Worten der heiligen Schrift, links=no) by Johannes Brahms, is a large-scale work for chorus, orchestra, a soprano and a baritone soloist, composed between 1865 and 1868. It comprises seven movements, which together last 65 to 80 minutes, making this work Brahms's longest composition. ''A German Requiem'' is sacred but non-liturgical, and unlike a long tradition of the Latin Requiem, ''A German Requiem'', as its title states, is a ''Requiem'' in the German language. History Brahms's mother died in February 1865, a loss that caused him much grief and may well have inspired ''Ein deutsches Requiem''. Brahms's lingering feelings over Robert Schumann's death in July 1856 may also have been a motivation, though his reticence about such matters makes this uncertain. His original conception was for a work of six movements; according to their eventual places in the final version, th ...
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Amsterdam Baroque Orchestra & Choir
The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in 1992.Amsterdam Baroque Orchestra & Choir
on Bach Cantatas, 2001
They have performed in concert halls such as the Amsterdam, London,

Knabenchor Hannover
The Knabenchor Hannover (Hannover Boys' Choir) is a boys choir founded in 1950 by Heinz Hennig, who served as conductor until the end of 2001. Since 2002, the conductor has been Jörg Breiding. History and music The Knabenchor Hannover has traditionally performed music by 17th-century composers, namely Heinrich Schütz. The choir's five Schütz recordings, conducted by Hennig between 1982 and 1999, set standards for performances of this repertoire; four of them won prizes such as the Deutscher Schallplattenpreis. The choir turned to works of Andreas Hammerschmidt in 1998, recording his sacred choral music. The Knabenchor Hannover was among the first choirs to take an interest in historically informed performance and achieved international acclaim. Conductors such as Gustav Leonhardt, Ton Koopman, Alan Gilbert, Ingo Metzmacher and Christoph Eschenbach regularly work with the choir, as do ensembles such as the Amsterdam Baroque Orchestra, the Akademie für Alte Musik Berlin, ...
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Peter Kooy
Peter Kooij (or, internationally Kooy, born 1954, in Soest) is a Dutch bass singer who specializes in baroque music. Biography Kooij started his musical career at 6 years as a choir boy. However he started his musical studies as a violin student. He came back to singing, with tuition from Max van Egmond at the Sweelinck Conservatorium in Amsterdam which led in 1980 to the award of the diploma for solo performance. His international career started in 1981 under the direction of Philippe Herreweghe, with La Chapelle Royale and the Collegium Vocale Gent, with whom he interpreted mainly Johann Sebastian Bach, and also performed Henri Dumont, Marc-Antoine Charpentier, Jean-Baptiste Lully, Heinrich Schütz and Jean Gilles. From the mid-1990s much of his career was dedicated to the recording of Bach's complete cantatas with the Bach Collegium Japan, directed by Masaaki Suzuki. In 2002 he founded together with Monika Frimmer, Christa Bonhoff and Dantes Diwiak a quartet ''Tanto C ...
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